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June 2012

1
No. 445

8 Exposures...with Gian Guido Zurli

Patrick Tobin, | 356 days ago

Photo of Gian Guido by Menico Sneider

Hello, friends. Welcome back to 8 Exposures, our instant film-themed Q&A series. This entry focuses on Italian photographer Gian Guido Zurli

Q1) What kind of Polaroid camera(s) do you use?

A: I prefer mainly the SX-70 and the Automatic 100. I have a dozen Polaroid cameras. I recently bought a Graflex Crown Graphic that I would like to use with Polaroid backs.

Q2) Why do you like instant photography?

A: I like instant photography because it is pure poetry. Digital photography is too fast, you can see the result before taking a picture. How is that satisfying? This feature is killing true photography, especially fine-art photography. I’m always impatient. So I can’t wait to come back into the darkroom to see my pictures finished. Instant photography is for me the right balance between digital and analog. It’s almost fast as digital, but with the unique and romantic flavor of analogue.

Q3) What is your earliest memory of instant film?

A: Like all those born in the 70s, I received a Polaroid 600 camera as a gift. I took some pictures during carnival celebrations with other children. A few years later I found a Polaroid camera in the basement that belonged to my father. I think it was a model 340 but I’m not sure. I wanted to use it, but at that time all the dealers in the city told me that it was not possible to find the battery. Only many years later I realized that was not true and that I could use the...Read All

No. 446

HOLDEN X IMPOSSIBLE CYCLE 6 WINNERS!

Patrick Tobin, | 355 days ago

Photo by Thorsten Finner

Cycle 6 of the Holden x Impossible Timeless In An Instant photo contest has closed.

The winners of round six were chosen by Impossible’s US team.

And the winner is…

THERE IS A LIGHT THAT NEVER GOES OUT
by Thorsten Finner
Film: PX 680

And Runner Up:
LE QUEEN
by Marko Mastosaari
Film: PX 680

Read all
No. 447

HOLDEN X IMPOSSIBLE CONTEST WINNERS!

Patrick Tobin, | 355 days ago

Photo by Melanie Rodriguez

We are happy to announce the Grand Prize Winner, 1st Runner-Up and 2nd Runner-Up for the HOLDEN X IMPOSSIBLE Timeless In An Instant photo contest!

Final winners were selected by the team at Holden Outerwear

And the winners are…

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2
No. 448

Impossible's "Spring Comes Alive!" Photo Contest Winners

Patrick Tobin, | 355 days ago

Photo by E. Staudacher

Congratulations to the 5 winners in our Spring Comes Alive! photo contest!

These delightful images come from E. Staudacher, Laurène Elliott, Francesca Todde, Caleb Jenkins and Justin Goode, using the following film types: PX 70, PX 600 Black Frame and PX 70 12/11 batch.

Thanks to everyone who entered. Please stay tuned for details on our next contest!

3
No. 447

Impossible's Sunday Brunch - Issue 5

Patrick Tobin, | 354 days ago

Photo by Micaela Go

Hi friends, and welcome back to Impossible’s Sunday Brunch. Each week, we’ll be posting 5 tasty photos that caught our eye over the past week.

This week, we present you with a special Portrait Edition of Sunday Brunch, featuring photos by Micaela Go, Meredith Wilson, Andrea Buia, Erdal Kahraman and Troy Bradford

Images were taken with the following film types: PX 100 Cool, PX 70 Nigo Edition, PX 680 Gold Edition and PX 70 Cool

4
No. 449

Dr. Love's Tips: Shooting In Hot Weather

Patrick Tobin, | 353 days ago

Welcome back to Dr. Love’s Tips, our ever-popular series in which Impossible USA’s Camera Resource Manager provides advice to help you get the most out of your instant film experience. This week, Dr. Love focuses on shooting in hot weather…

Now that most everyone is enjoying warmer weather, and with the introduction of our COOL Films, a lot of people have been asking about best practices for shooting on those balmy summer days.

Just to start, COOL film is meant to be stored cool for best results, but once you’re taking it out to go shoot, you do NOT need to carry along a little lunch cooler to keep the film…

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No. 450

Patrick Winfield's Photogram Workshop Returns!

Patrick Tobin, | 353 days ago

Tuesday, June 12, 2012
7 - 8:30 pm
Impossible Project Space NYC
425 Broadway
5th Floor
New York NY 10013

Acclaimed artist and designer, Patrick Winfield (website=www.patrickwinfield.com) will return to the Impossible Project NYC Space to present his fascinating and distinctive photogram workshop. Well known for his vivid composites and alternative processes, Patrick will demonstrate his personal instant photogram technique with the Impossible film medium.

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No. 452

Do The Divot! Contest Winners

Patrick Tobin, | 353 days ago

Photo by Dave Knapik

Never let it be said that Impossible photographers don’t enjoy a good challenge!

We tasked photographers shooting with divot-prone old generation Impossible film to post their most creative divot shots to our Impossible Photo Challenges flickr group. The results were amazing and we had a devil of a time trying to select the 3 winners.

They are:

First Prize
Dave Knapik
http://www.daveknapik.com/

2nd Prize
Zia Kahn
http://ziakhan.tumblr.com/

3rd prize
Peter Lombardi
http://www.peterlombardi.com/

Thanks to everyone who took part!

No. 450

Impossible's 600 Camera Workshop Returns!

Patrick Tobin, | 352 days ago

Sunday, June 10th, 2012
10:00 AM to 1:00 PM
Impossible Project Space
425 Broadway
5th Floor
New York
NY 10013
Photo by James Matthew Carroll

Continuing our Impossible Workshop series, we are pleased to announce the return of a classic workshop on one of our favorite cameras, the Polaroid 600 camera. The Impossible Project will hold a three hour interactive workshop on maximizing Impossible film in the Polaroid 600 Camera.

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5
No. 452

8 Exposures...with Pierre Manning

Patrick Tobin, | 352 days ago

Hello again, 8 Exposures fans. This week, we are happy to bring you Canadian photographer Pierre Manning

1) What kind of Polaroid camera(s) do you use?

SX-70

2) Why do you like instant photography?

The suprise , the tones , the richness of colors.

3) What is your earliest memory of instant film?

I remember my mother gave me my first Polaroid and it was a revelation for me to see my images developing in front of my eyes.

4) What’s your favorite Impossible film type?

PX-70. I also liked Polaroid’s Fade To Black that Impossible sold.

5) What are your favorite subjects to photograph?

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6
No. 452

Viewfinder: Amber Mahoney's "Present Company Project"

Patrick Tobin, | 351 days ago

Hello again, Viewfinder fans. We are happy to deliver another exciting issue to your doorstep! This week, we turn our lens on Amber Mahoney, creator of The Present Company Project

My name is Amber Mahoney and I’m a documentary, fashion and alternative wedding photographer based out of DC and NYC.

I started The Present Company Project as a challenge to myselfI wanted to have a genuine interaction with someone I might otherwise never know. I wanted to stop fitting people into my world, but rather see them as they are. I thought if I could connect with others on this level it might make me a better artist, and more so, a better person. It started when I met Tyrone, just having my mind blown by a complete stranger, and grew from there.

So I’ve started carrying a Polaroid camera with me everywhere. When I see someone I’d like to know, I ask if I can take their photo. If they say yes, I ask: “If you could ask a perfect stranger anything in the world, what would it be?” or “What is one thing you’d like people to know about you?” I usually blush and get a bit flustered, but…

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7
No. 455

Analog Feedback in MAY

Kisha Bari, | 349 days ago

Our mission to create a real life Flickr forum for instant enthusiasts in New York is taking shape. Our NYC Space hosted the second Analog Feedback Night in May and attracted all sorts of talented artists to show their work.

Sharing tips and discussing techniques about Impossible instant film and Vintage Polaroid cameras over a few beers will be a monthly event to build an enthusiastic support community for analog minded photographers. Whether you are an established commercial photographer or just starting out, we all have knowledge to impart.

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No. 455

NYC SPACE - JAM PACKED IN JUNE!!

Patrick Tobin, | 349 days ago

Get excited, New York! The Impossible Project NYC Space has a HUGE month of photographic fun planned for June! Inspiring new exhibition openings, workshops galore and a photo festival. It’s time to capture New York City Summer in a colorful instant!

TONIGHT
The EAST VILLAGE BOYS present “FOR PERSONAL USE

As a part of the Queer New York International Arts Festival, the infamous East Village Boys are bringing together their favorite artists to create For Personal Use to celebrate New York City’s historical queer community through outrageous and thought provoking imagery, opening Thursday June 7, 2102 at The Impossible Project NYC Space.

WHEN: THURSDAY, JUNE 7, 2012 6:00 PM to 9:00 PM
To RSVP, email rsvp@theimpossibleproject.com or call +1 212 219 3254
FREE and open to the public!

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8
No. 456

8 Exposures...with Laura Alice Watt

Patrick Tobin, | 349 days ago

Welcome back to 8 Exposures, our instant film Q&A series. This week, we bring you California-based Laura Alice Watt

Q1) What kind of Polaroid camera(s) do you use?

A: The workhorse is my trusty SLR 680, looking a bit worse for wear these days as it’s usually my travel Polaroid. It’s kept company by a tan SX-70 (such an elegant creation!), a Spectra and an Automatic 250, plus packfilm camera backs for the Hasselblad and, most recently, Crown Graphic. Plenty of fine cams to choose from!

Q2) Why do you like instant photography?

A: There’s of course the relatively-instant gratification (compared to regular film, not digital) of seeing them develop, and the sheer tangibility of a pola, that it’s both an image and an object; for me, the biggest allure is the way these cameras and films “see.” Light glows differently through instant film than through any other kind, there’s just nothing else like it—all those Pola-Droid apps are sad, sad imitations at best—real instant film provides a unique and characteristic view of the world, a way of seeing the subject that directly enhances and contributes to its beauty or intrigue. And I like that sense of interaction, not only between photographer and subject but also through the distinctive medium of the film—and of course the serendipity.

Q3) What is your earliest memory of instant film?

A: I’m perhaps a bit unusual among instant photographers, in that I don’t have any nostalgic memories of polaroids from the past; both of...Read All

No. 457

The Spectrum Collection - Call for Submissions

Marlene Kelnreiter | 349 days ago

by Alan Marcheselli, Andrew Millar, Alex Kueper, Andrea Tonellotto

Dedicated to the wide spectrum of Color Shades and Images is our upcoming collaboration with renowned publisher Random House, Inc. Together we will be publishing a collection of postcards entitled The Spectrum Collection. This collection will highlight the vibrancy of Impossible film and its ability to capture a multitude of colors. 50 selected images will be featured in a foldable gift box, designed as a Polaroid camera and worldwide available in summer 2013.

The publishers of Random House will select the best 50 images that best capture ONE particular color with an eye for creative composition. Each photographer with an image used in this Impossible/Random House collaboration will be given one free postcard box, a coupon code for one Impossible film pack from our online shop and the admiration of instant film photographers worldwide!

-> We are looking for PX format images only.
-> Submission deadline is July 15, 2012.
-> Winners will be notified via E-Mail and receive a release form.

UPLOAD HERE until 15 July 2012

10
No. 459

Impossible's Sunday Brunch - Issue 6

Patrick Tobin, | 347 days ago

Photo by Sarah Kirkham

Happy Sunday, Impossibles! Welcome back to Sunday Brunch, where we share with you 5 photographic treats that caught our eye over the past week.

This week, we wanted to focus on animals! These furry critters belong to Sarah Kirkham, Melissa Mohd Nor, Terry Hare, Brad Brok and Scott Hoffman

This week’s images were taken on the following film types: PX 70 Cool, PX 70 Nigo and PZ 680.

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No. 460

The Scanning Workshop with Ryan Nabulsi

Josie Keefe, | 345 days ago

June 24th, 2012 2-4 pm
Impossible Project NYC Space
425 Broadway
5th Floor
New York
NY 10013

Want to make the most of your Impossible images? Want to get professional quality scans on an amateur budget? Take your image reproduction to the next level with our brand new scanning workshop.

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12
No. 461

8 Exposures...with Daniel G. Fuster

Patrick Tobin, | 345 days ago

Welcome back to 8 Exposures, our instant film Q&A series. This week, our featured photographer is Daniel G. Fuster

1) What kind of Polaroid camera(s) do you use?

A great thing about instant photography is that cameras are usually easy to find and quite affordable. I have to admit to having many of them, but, at the end, I usually stick to an old SX-70 Sonar and a more recent SLR 690 camera. These last weeks I am also using a flashy blue Impulse.

2) Why do you like instant photography?

I like its colours, the texture, the frame, the way it captures light, but the fact that you can see – and touch – the result immediately is to me, the best thing about instant photography. I also enjoy the difficulties that this kind of photography has, in terms of need of light, limited capacity to use lens, etc. as I believe that this brings more simplicity and spontaneity to pictures. I also like the nostalgic feeling that this material often has, not to say the accidental trait that, time to time, does appear.

3) What is your earliest memory of instant film?

My grandmother bought a Polaroid camera in the early eighties, and she used to take pictures of both my sister and me in the summertime. Since then, I have always associated instant film with holidays…

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13
No. 462

Viewfinder: Lorenzo Papadia's "Fade Point"

Patrick Tobin, | 344 days ago

Welcome back to Viewfinder, our series focusing on interesting projects that incorporate Impossible film. This entry brings you Italian photographer Lorenzo Papadia

I live and work in Italy as a photographer and my main occupation is to organize workshops and teach in photography schools. I create themed series of pictures, starting from an accurate analysis of reality, taking pictures of common objects, indoor environments, or urban places. ‘My’ reality is resorted out through my camera, so that it can reflect the great chaos generated by our life nowadays, which usually results in over-elaborated pictures. I think a photographer’s role is to give the observer all the instruments they need to analyze details, even common ones, which are usually ignored as the sight flies to other distractions.

My aim is to focus on details as if I were a child, amazed by new things the world has to offer. In other words, taking pictures becomes a further step in perceiving things so that I can get through their essence. The Polaroid and instant film help me in overtaking reality, making the result…

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No. 463

Impossible Under Water

Marlene Kelnreiter | 344 days ago

Jan from the Impossible IT Team recently went to the coast of Croatia for some freediving. Besides his diving googles he also took an underwater protective housing for Polaroid cameras with him!

The bad news is it’s leaking, good news is that he managed to take a few good shots anyway!

14
No. 464

How to do 4 shots in 1 shot

Marlene Kelnreiter | 343 days ago

NOTE FROM IMPOSSIBLE:
Remove the small plastic strip on the dark slide tab before you put the full dark slide back in!

No. 465

Ryan Nabulsi - 'Manipulating the Science of Chance'

Josie Keefe, | 343 days ago

June 21st 2012, 6-9pm
425 Broadway, 5th Floor, New York, NY 10013

This month we are pleased to have the talented artist Ryan Nabulsi in the NYC Project Space. Nabulsi will present a solo exhibition of his work on our south wall, in the exhibition ‘Manipulating the Science of Chance”

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No. 466

What's Up? The Impossible Calendar!

Marlene Kelnreiter | 343 days ago

Analog instant photography allows for creation – not only of unique photographs, but also of once-in-a-liftetime events, gatherings and occurrences. To find out what passionate analog Impossible fans are up to all over the world and how Impossible instant film materials are called into action, we are proud to present the new Impossible Calendar.

It does not only allow you to find out all about happenings dedicated to analog instant photography, but also enables you to SUBMIT YOUR ANALOG INSTANT EVENT like an exhibition, a film screening, a workshop, a radio /tv tipp etc.

Make your event visible and discover other occasions at this one-and-only worldwide platform dedicated to real-life events on analog instant photography.

15
No. 467

8 Exposures...with Justin Craigen

Patrick Tobin, | 342 days ago

Hi there, Impossibles. Welcome back to 8 Exposures, our instant film Q&A series. This week, we’re happy to bring you one of the original members of the Save Polaroid movement, Justin Craigen

1) What kind of Polaroid camera(s) do you use?

SX-70 Alpha 1 Model 1, SX-70 Model 1 Sonar, Spectra, 450, and a pinhole camera with a packfilm back.

2) Why do you like instant photography?

It’s a variety of reasons. One that has been particularly important is the social aspect of the medium. Instant photos are, more than any other type, perfect for sharing with others. More importantly, getting involved with instant photography has brought me into contact with a large number of absolutely wonderful and inspiring people that otherwise, I would have likely never met. I’ve had the pleasure of meeting a handful of them in person, and so far all are as good, or better, in the flesh.

There’s also the element of unpredictability that comes with the medium. It forces the photographer into a zone where the varying degree of lack of control is embraced. And with Impossible’s in-house produced films, there has been a real effort required to get predictable results. It’s much less of a struggle now, but even so, I find that the emotional payoff of a successful image is significantly greater than with other types of film, or digital photography.

I also enjoy the manipulations that can be done—partly for aesthetics, and partly because once a manipulation is made, there’s no going back. The...Read All

16
No. 468

The Camera Museum: Polaroid Supercolor 635

Patrick Tobin, | 341 days ago

The Supercolor 635 was one of many variations in the simple plastic-bodied 600 camera line featuring the Light Management System. Polaroid released so many slightly different iterations in this line of cameras. This particular model has a silver face in place of the more common black face of Supercolors, and contains no sliding close-up lens.

A basic 600-series camera, the Supercolor 635 features a 116mm single-element plastic lens, fixed focus with a minimal focal length of 4 feet, electronic shutter and a built-in electronic flash. It is similar to the Sun 600 series in design, except for the beloved rainbow stripe which would be a characteristic true of the later Supercolor 635 CL edition as well.

The Supercolor 635 works with any of Impossible’s 600-speed film. For a complete selection of compatible films, click HERE

17
No. 469

Impossible's Sunday Brunch - Issue 7

Patrick Tobin, | 340 days ago

Photo by Nick Tonkin

Happy Sunday, Impossibles! Welcome back to Sunday Brunch, where we share with you 5 tasty photos that caught our eye over the past week.

This week’s images come to you from Nick Tonkin, Azuree Wiitala, Rudy Ramos, Emanuela De Toffani and Kumiko Sekiguchi.

Photos were taken using the following film types: PX70 Cool, PX 70 Nigo, PX 680 Cool and PX 680 Gold Edition.

Get out there and snap away! We may spy one of YOUR Impossible gems and want to use it in a future Sunday Brunch!

18
No. 470

Dr. Love's Tips: Dry Age Revisited

Patrick Tobin, | 338 days ago

Welcome back to Dr. Love’s Tips, where Impossible USA’s Camera Resource Manager Frank Love provides you with advice on how to get the best out of your Impossible images. This week: Dry Age Revisited…

We wanted to give a follow up to our initial post which explains the use of the Dry Age Kit with our films.

As the weather has gotten warmer for many of you, we wanted to remind people of the importance of care for their images to ensure the best results stay that way. If you look to the original Dry Aging post, it explains the principal concept and cause for shifting, but we want to get more specific to ensure people can execute the best practices for preservation.

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19
No. 471

Impossible Partner Store Manchester

Marlene Kelnreiter | 338 days ago

After quietly opening on the edge of Manchester’s Northern Quarter in 2010, Incognito has become the destination for instant and analogue film in Manchester. Combining a quirky line in gifts and oddities with a passion for Polaroid film and analogue technology has seen a community build around the store.

Time has come for a re-launch as an Impossible Partner Store. Whilst Incognito still maintains its unique identity they hope to promote a love of instant film and desire to keep analogue breathing in a digital age. Workshops, exhibitions, tutorials, and parties are central to their outlook. They want to share their passion with Manchester’s burgeoning analogue community.

The basement of the store has seen exhibitions including cult Texan musician Daniel Johnston and Glossop artist James Chadderton’s Manchester Apocalypse and is now reopening with a Polaroid museum. Enjoy the glory of the early days of Polaroid and Edwin Land right through to the reproduction under the Impossible Project banner.

OPENING HOURS
Mo – Fri 10: am – 5.30pm
Sa : 11am – 5.30pm

CONTACT
Phone: 0161 228 7999
www.incognito-uk.co.uk
Facebook, Twitter

20
No. 472

Viewfinder: Dylan Boyd's "Abandoned Oklahoma"

Patrick Tobin, | 337 days ago

Hello, Viewfinder addicts. Welcome back to our series in which we explore and present interesting projects people in the instant film community are working on that incorporate Impossible film. This week, we’re happy to bring you Dylan Boyd’s “Abandoned Oklahoma”…

“Abandoned Oklahoma” is a project I started earlier this year to showcase the beauty in Oklahoma’s long forgotten past. While Oklahoma has progressed, many of its treasures have still remained and yet been forgotten by most. This project has given me the opportunity to explore the back roads of Oklahoma searching for these lost towns and structures.

These places, such as old schools and churches, have been abandoned for years and yet still have all their features such as desks, chairs, pews and wall hangings. They seem almost untouched…

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21
No. 473

PHOTOVILLE FESTIVAL BROOKLYN

Kisha Bari, | 336 days ago

FRIDAY June 22 - SUNDAY JUNE 24 & THURSDAY JUNE 28 - SUNDAY JULY 1
PHOTOVILLE FESTIVAL
Pier 3 Uplands at Brooklyn Bridge Park
360 Furman Street
11201 Brooklyn NY

As part of New York’s buzzing Summer Calendar, a new photography festival has emerged with an incredible line up of exhibitions, workshops, talks and vendors all in an industrial setting in Dumbo, Brooklyn. Running over two weekends in June, The Impossible Project Space NYC will host not only a pop up store, but FREE talks and workshops to celebrate New York’s world famous photographic community and culture.

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22
No. 474

8 Exposures...with Toby Hancock

Patrick Tobin, | 335 days ago

Photo by Rommel Pecson

Hello, Impossibles! We’re back with another entry in our instant film Q&A series, 8 Exposures. This week, we are happy to bring you LA-based Brit wonder Toby Hancock

1. What kind of Polaroid camera(s) do you use?:

I built an extensive collection of Polaroid cameras in the 1990s, which was a time when they could be bought dirt cheap at flea markets and on eBay. So, I regularly use two somewhat beaten up SLR 680s and two or three SX-70 Sonars. I usually have at least two on hand loaded with different types of film. I have turned my 680s into Frankenroids by swapping the film doors for SX-70 ones, which has resulted in fewer divots (not that there’s anything wrong with divots!). Impossible Project’s Dr “Frankenroid” Love has a very informative blog post about this simple transformation HERE.

2. Why do you like instant photography?:

As many before me have said, it’s magic in the palm of your hand. It’s unpredictable and often creates unexpected, but beautiful results. Undoubtedly, the more you shoot, the more predictable it becomes, but there’s always the potential for one of those perfect mistakes to be lurking around the next corner.

3 simple rules to shoot Impossible film by:

1. Always expect the unexpected and embrace the fact that it might give you some of your best images
2. There’s no such thing as a wasted Polaroid
3. Never throw any photograph away
4. There’s probably a fourth rule, but I can’t...Read All

23
No. 475

The Camera Museum: Polaroid SX-70 Sonar Blue Button Special Edition

Patrick Tobin, | 334 days ago

As many consumers had difficulty focusing with their original SX-70s, Polaroid released an autofocus model of their folding SX-70 in 1978. The SX-70 Time Zero Auto-Focus utilized a new and very advanced sonar technology. When the shutter button is pressed halfway, a series of ultrasonic chirps is emitted from an electrostatic transducer located under a plate over the lens. These chirps travel to the subject and bounce back to the camera’s receiver, alerting the camera to the subject’s distance, and the lens is turned on a motor to focus accordingly.

The Polaroid SX-70 Time Zero Auto-Focus features a 4-element 116mm glass lens, manual or autofocus capabilities, with a minimum focal length of 10.4 inches, electronic shutter…

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24
No. 476

Impossible's Sunday Brunch - Issue 8

Patrick Tobin, | 333 days ago

Photo by Erynn Patrick

Welcome back to Sunday Brunch, our new series in which we highlight 5 delicious photographic treats that caught our eye over the course of the week. This week, we paid a visit to the Impossible Sample Gallery, where users the world over can submit their own images captured on Impossible film

Photos in this edition come from Erynn Patrick, Joanna Gałuszka, Francesca Todde, Penny Felts and Rick DeMint

…using the following film types: PX 70 Cool, PX 680 Cool, PX 600 Black Frame and PZ 600 Black Frame

Be sure to submit your own Impossible images to our Sample Gallery. Your photo may show up in a future post!

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No. 477

Labour & Love

Josie Keefe, | 331 days ago

July 7th
1-4pm
Impossible Project NYC Space

A diagnostic clinic with the Impossible Camera Wizards

Working with vintage Polaroid cameras can sometimes feel like a labour of love. If you’ve been having trouble with your camera, come to our camera diagnostic clinic, offered for the first time ever in the Impossible Project NYC Space. We will have two of the most knowledgable Polaroid camera repair experts in the country on hand to diagnose and troubleshoot your vintage polaroid camera.

Impossible’s reknowned Dr. Love will be in the house with all his technical tips & tricks. And joining him will be Phototech’s Polaroid magical man, José Labour, who is arguably, the only man left in the country still able to fully repair a Polaroid SX-70 camera.

Individual appointments will be given on a first come first serve basis, and will be strictly limited to a 10 minute maximum. The experts will assess your camera and help guide you through some easy fixes, but will not be doing any extensive camera repairs. If your camera needs repair, you will be able to submit it to Phototech at this event.

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No. 478

Impossible at the Rencontres de la Photographie Arles

Marlene Kelnreiter | 331 days ago

JUL 2 - 7, 2012
ENSP 16 rue des arènes
ENSP
16 rue des arènes
13200 Arles
France

A wall of Instant Pictures to celebrate the 30th anniversary of the National School of Photography.

During the opening week of the festival in Arles, Impossible celebrates 30 years of the distinguished École Nationale Supérieure de la Photographie: The school will install a “Trombinoscope” – a growing yearbook wall of instant pictures for the past graduates of the school. During their celebratory reunion, masters of photography will portrait their classmates one another playfully and informally.

If you happen to be a graduate of the ENSP, come and join us at the Trombinoscope des 30 ans! Impossible will equip you with instant film and, if you don’t want to bring your own, with a Polaroid camera. Shoot and Stick your portrait on the wall dedicated to stick portraits on to it: the Trombinoscope! Meet us in the schoolyard from July 2nd to 7th.

And for all you photographers that want to get their polaroid cameras running again, the Impossible Project Space Paris will set up a base camp in the schoolyard for the opening week! You can get integral films for SX-70, 600 type, Image/Spectra cameras and refreshing beverages to celebrate the 30 years anniversary of the school!

Click for more

27
No. 479

Viewfinder: Karen Mirzoyan

Patrick Tobin, | 330 days ago

Welcome back to Viewfinder, our blog series that chronicles interesting projects people are working on that incorporate Impossible film. This week, we bring you Karen Mirzoyan

Here is just some pictures of one chapter of new big project about my relationship with my girlfriend. It will consist of 7 parts/chapters. This one is part 5: “Friends”, Close friends and acquaintances who helped me during hard times after I broke up with my girlfriend in LA.

I like to work with the Polaroid SX-70 and Impossible film. I really enjoyed the first editions of Impossible film with many defects. I bought many packs, and for me it was good, because i couldn’t control the results 100%, or know what kind of picture I would have in the end.

With pro cameras you control and know what you’ll have. But sometimes it becomes boring. The SX-70 and Impossible films always surprise me; sometimes something great, sometimes not what you expect.

And this is beautiful.

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No. 480

Instant People - Polaroid Self-Portraits Project

Marlene Kelnreiter | 330 days ago

JUL 11 - 23, 2012
Kasseler KunstVereinsHeim
Werner-Hilpert-Strasse 23
34117 Kassel
Germany

A PROJECT BY FRANTICHAM’S POLAROID MADNESS, IRELAND

Make your self-portrait with any polaroid camera.
Sign on the picture side and add date and place.
On the back write name, address and website or blog
and which camera and film has been used
Send to click for details

In July the pictures will be exhibited in Kassel, Germany during the DOCUMENTA 2012.

Further exhibitions are planned for: – Luxembourg, Walfer Bicherdeeg, 17-18 November – Galeria AT, Poznan, Poland, 10-21 December 2012 – Polazone, Seoul, Korea, 2013

Click to visit Instant People

28
No. 481

CHLOE AFTEL IN BLUR MAGAZINE'S INSTANTION

Marlene Kelnreiter | 329 days ago

One of our favourite photographers, Chloe Aftel, is featured in the current edition of Blur magazine’s “Instantion” category.

Selected images taken by Chloe as well as a bunch of interesting question make this feature an insightful and inspiring one.

About her experience with Impossible film she says: “I love it because you have to use it with the expectation that it will evolve over time or in certain lights; you can get images that far surpass your expectations if you learn how to use the film and then to push it past its intended uses.”

Download BLUR 26 here

No. 482

ARTIST IN RESIDENCE: RYAN NABULSI

Josie Keefe, | 329 days ago

For this installment of Artist in Residence we check in with Ryan Nabulsi who currently has a solo exhibition, Manipulating the Science of Chance on view in the NYC Impossible Project Space until July 31st.

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No. 483

Impossible at Tate Lab

Marlene Kelnreiter | 329 days ago

JUL 7, 2012
11am - 4pm
Tate Britain
Millbank
London SW1P 4RG
United Kingdom

Next weekend Tate Britain will be hosting the Youth Market TATE LAB with Impossible Project. The Tate Collective’s creative lab encourages young people to experiment, create and innovate through art and ideas. 15 – 25 year olds are invited to come along to the gallery to work collaboratively with photographer Cyrus Mahboubian using Impossible Project film in Polaroid cameras, using the Tate’s collection as inspiration.

The event is free for 15 – 25 year olds to attend. Check tate.org.uk/collectives for booking details or call +44 (0) 20 7887 8888

Mahboubian is a London based artist of Iranian origin, working mainly in Polaroid and 35mm photography. He is inspired by his own daily journeys, chance encounters and the natural world. Motivated by how quickly time passes, he treats photography as a notebook and a way to preserve memories of significant moments in his life.

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No. 484

8 Exposures...with Kelly Knaga

Patrick Tobin, | 328 days ago

Hello, friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we’re happy to bring you a Midwest girl, Kelly Knaga

1) What kind of Polaroid camera(s) do you use?

I’ve collected a number of cameras mostly through garage sales, Goodwill stores and eBay, but I tend to use the same 4 over and over: my SX-70, my refurbished 340 Land Camera, a Spectra I got from a retired cop and my very first 600 that my grandmother gave me one summer when I was about 10.

2) Why do you like instant photography?

I love the moment just before, the one where I hold my breath, waiting for the film to develop. I love the imperfections and inconsistencies of instant film, which seems relevant to the constant fluctuations and vulnerabilities that occur in life. Experimental films, expired films, a scratched camera lens or vintage, barely working, taped together cameras all invite moments of exploration of space, color, time or the material composition of the film itself.

3) What is your earliest memory of instant film?

Someone taking a picture of my grandfather holding me on his lap while he is sitting on his tractor. I still have the photo.

4) What’s your favorite Impossible film type?

I love experimenting with them all. I think my favorite right now are the Spectra Cool films. My sincerest thanks to Impossible for helping keep instant film alive.

5) What are your favorite subjects to photograph?

I have always been drawn to natural landscapes and...Read All

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No. 485

The Camera Museum: Polaroid's Cool Cam

Patrick Tobin, | 327 days ago

In 1988, Polaroid released its Cool Cam, which was essentially the Sun 600 with flashy colors and branded with the “Cool Cam” moniker. It came in several color combinations, including Pink & Grey and the pictured Red & Black. The Cool Cam also came with a matching carrying case and a sheet of word bubble stickers that could be adhered to your photos to add some COOLNESS!

The Cool Cam features a single-element 116mm plastic lens, fixed focus, with minimum focal length of 4 feet, electronic shutter, programmed auto-exposure system and a built-in electronic flash.

The Cool Cam works with all of Impossible’s 600 films. For a complete list of compatible films, click HERE

You can also click HERE for a Polaroid 600 camera manual

No. 483

Impossible at Tate Lab

Marlene Kelnreiter | 329 days ago

JUL 7, 2012
11am - 4pm
Tate Britain
Millbank
London SW1P 4RG
United Kingdom

Next weekend Tate Britain will be hosting the Youth Market TATE LAB with Impossible Project. The Tate Collective’s creative lab encourages young people to experiment, create and innovate through art and ideas. 15 – 25 year olds are invited to come along to the gallery to work collaboratively with photographer Cyrus Mahboubian using Impossible Project film in Polaroid cameras, using the Tate’s collection as inspiration.

The event is free for 15 – 25 year olds to attend. Check tate.org.uk/collectives for booking details or call +44 (0) 20 7887 8888

Mahboubian is a London based artist of Iranian origin, working mainly in Polaroid and 35mm photography. He is inspired by his own daily journeys, chance encounters and the natural world. Motivated by how quickly time passes, he treats photography as a notebook and a way to preserve memories of significant moments in his life.

No. 480

Instant People - Polaroid Self-Portraits Project

Marlene Kelnreiter | 330 days ago

JUL 11 - 23, 2012
Kasseler KunstVereinsHeim
Werner-Hilpert-Strasse 23
34117 Kassel
Germany

A PROJECT BY FRANTICHAM’S POLAROID MADNESS, IRELAND

Make your self-portrait with any polaroid camera.
Sign on the picture side and add date and place.
On the back write name, address and website or blog
and which camera and film has been used
Send to click for details

In July the pictures will be exhibited in Kassel, Germany during the DOCUMENTA 2012.

Further exhibitions are planned for: – Luxembourg, Walfer Bicherdeeg, 17-18 November – Galeria AT, Poznan, Poland, 10-21 December 2012 – Polazone, Seoul, Korea, 2013

Click to visit Instant People

No. 478

Impossible at the Rencontres de la Photographie Arles

Marlene Kelnreiter | 331 days ago

JUL 2 - 7, 2012
ENSP 16 rue des arènes
ENSP
16 rue des arènes
13200 Arles
France

A wall of Instant Pictures to celebrate the 30th anniversary of the National School of Photography.

During the opening week of the festival in Arles, Impossible celebrates 30 years of the distinguished École Nationale Supérieure de la Photographie: The school will install a “Trombinoscope” – a growing yearbook wall of instant pictures for the past graduates of the school. During their celebratory reunion, masters of photography will portrait their classmates one another playfully and informally.

If you happen to be a graduate of the ENSP, come and join us at the Trombinoscope des 30 ans! Impossible will equip you with instant film and, if you don’t want to bring your own, with a Polaroid camera. Shoot and Stick your portrait on the wall dedicated to stick portraits on to it: the Trombinoscope! Meet us in the schoolyard from July 2nd to 7th.

And for all you photographers that want to get their polaroid cameras running again, the Impossible Project Space Paris will set up a base camp in the schoolyard for the opening week! You can get integral films for SX-70, 600 type, Image/Spectra cameras and refreshing beverages to celebrate the 30 years anniversary of the school!

Click for more

No. 477

Labour & Love

Josie Keefe, | 331 days ago

July 7th
1-4pm
Impossible Project NYC Space

A diagnostic clinic with the Impossible Camera Wizards

Working with vintage Polaroid cameras can sometimes feel like a labour of love. If you’ve been having trouble with your camera, come to our camera diagnostic clinic, offered for the first time ever in the Impossible Project NYC Space. We will have two of the most knowledgable Polaroid camera repair experts in the country on hand to diagnose and troubleshoot your vintage polaroid camera.

Impossible’s reknowned Dr. Love will be in the house with all his technical tips & tricks. And joining him will be Phototech’s Polaroid magical man, José Labour, who is arguably, the only man left in the country still able to fully repair a Polaroid SX-70 camera.

Individual appointments will be given on a first come first serve basis, and will be strictly limited to a 10 minute maximum. The experts will assess your camera and help guide you through some easy fixes, but will not be doing any extensive camera repairs. If your camera needs repair, you will be able to submit it to Phototech at this event.

No. 473

PHOTOVILLE FESTIVAL BROOKLYN

Kisha Bari, | 336 days ago

FRIDAY June 22 - SUNDAY JUNE 24 & THURSDAY JUNE 28 - SUNDAY JULY 1
PHOTOVILLE FESTIVAL
Pier 3 Uplands at Brooklyn Bridge Park
360 Furman Street
11201 Brooklyn NY

As part of New York’s buzzing Summer Calendar, a new photography festival has emerged with an incredible line up of exhibitions, workshops, talks and vendors all in an industrial setting in Dumbo, Brooklyn. Running over two weekends in June, The Impossible Project Space NYC will host not only a pop up store, but FREE talks and workshops to celebrate New York’s world famous photographic community and culture.

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