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April 2012

1
No. 352

Kids by Monika Elena Kost

Marlene Kelnreiter | 415 days ago

Monika Elena Kost is a kids photographer from San Francisco, currently living in Denmark and working throughout Europe.

Being attracted to anything in photography that allows her to show lightness and sun and a poetic feeling, Monika started using vintage polaroid film about 6 years ago and has recently started loving the new Impossible films as well.

Monika’s latest images were created for NORO Paris, a French clothing line. Also, she has currently her own show combination vintage polaroids with new Impossible film in Berlin.

Learn more about Monika on her site.

2
No. 350

Booked Out

Marlene Kelnreiter | 414 days ago

Booked Out is the debut feature by Glaswegian filmmaker Bryan O’Neil. An indie drama following Ailidh, who has two loves in this world: spying on her neighbours (using amongst others Polaroid camera) and writing graphic novels.

Booked Out was premiered March 6, Henry Barnes of The Guardian says: “Ailidh’s world view is infectious. You find yourself lead down into this kooky kerfuffle with a genuine, if bemused, sense of affection.”

Click for further screening dates.

No. 354

WORK IN PROGRESS RECAP!

Jon Campolo, | 413 days ago

Last Thursday, The Impossible Project Space NYC celebrated the opening of its first ever group staff show WORK IN PROGRESS. The exhibition showcased work by our dedicated, creative and analog obsessed staff as well as how far Impossible has come since its very first test batches and beta films. Guests experienced the entire spectrum of Impossible materials produced within the last two years, while our staff captured the event on digital and PX100UV+ with the new Mint Flash Bar. Everyone enjoyed live vinyl music, refreshments and the company of friends and fellow enthusiasts.

Thank you to all who attended, and congratulations to the artists! WORK IN PROGRESS will be on display at the Impossible Project NYC Space during regular open hours: Monday through Friday 11am–7pm and on Weekends 12pm–5pm until May 8th. Don’t miss your chance to see it!

No. 355

NYC SPACE UPCOMING EVENTS - APRIL 2012

Jon Campolo, | 413 days ago

Ongoing Exhibition MOMENTUM
1st of March – 26th of June 2012
A 200 square foot show of our
best and brightest new films for the
SX-70 camera. PX-70 & PX 100 UV+
images by a group of our select US
photographers.

For more info please visit:
http://www.the-impossible-project.com/projects/exhibitions/momentum

Read all
3
No. 356

Factory Shots 1/8

Factory Team | 413 days ago

Photo by Lia Sáile

1/8 The Impossible Lobby

Every morning more than 30 factory workers are passing through our beautiful 70s style entrance lobby of Building Noord (North).

Since its early days this building has been the heart of the Polaroid film production plant, housing the giant production machines.

Upon starting the Impossible Project we moved all other machinery required to start re-production of instant film into this very building. With this new and modern setup, production was downscaled from 3-4 buildings in Polaroid times to just one building.

Click here to take a virtual tour through our factory.

8 Factory Shots will present one photo a week for eight weeks.

4
No. 357

Viewfinder: J. Caldwell's "Instants Destroyed"

Patrick Tobin, | 412 days ago

Welcome back to Viewfinder, our series focusing on interesting projects involving Impossible film. For this entry, we spoke with J Caldwell

At approximately the same time the Impossible Project was taking the reigns from Polaroid, there emerged a glut of apps that would allow you to near-perfectly emulate the instant film look. We’ve all viewed the stereotypical square format instant film photo with white border, but it has become increasingly difficult to discriminate whether it was uploaded from a smartphone or the real McCoy carefully scanned and shared. I started thinking about how instant film, at least in the traditional sense, isn’t merely viewing the photo, but moreover physically passing around a a sturdy-pre-framed sliver of time is a visceral and palpable experience.

I thought that there had to be a way to unambiguously show the viewer that what they are looking at “exists” in the real world and that, upon viewing, they should immediately feel its dimensions and texture while also still being able to view the photo amidst the carnage. This is when I started my “instants destroyed” project.

I have mangled just about every film from the Impossible Project, starting with a NSFW Push! photo that I took a lighter to and a microwaved version of the 600 UV+ Silver Shade film. Not surprisingly, I find the manipulations that work best are the high energetics methods like lighters, microwaves, ovens, boiling and exposures soaked in pure alcohol and lit aflame. Perhaps my most ambitious was the hour-long soak in pure hydrochloric acid that first melted the black frame and, with a little help from razor slits into the plastic cover, slowly ate away the emulsion.

While true instant film photography, the kind you can feel, pass around, mount and mail, is becoming increasingly rarified, my aim with this project is to imbue the tactile sense of the instant film phenomenon into what is becoming more and more a purely visual medium. I can control the elements to wreak utter havoc on the exposure and…

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5
No. 358

Photoshow Rome 2012 Recap!

Marlene Kelnreiter | 411 days ago

Fabio Interra

The Impossible events at the Photoshow Rome 2012 have been a total success! Amongst 300 exhibitors and more than 80.000 visitors the beautiful Impossible booth and all analog actions that took place fascinated the visitors and continuously guaranteed a stunning crowd of amazed visitors.

Impossible is proud to have – thanks to our Italian partner Nital and the precious support of Polaroiders – attended one of the greatest Photoshows in Rome ever. A special thanks herewith also goes to Beppe Bolchi and Maurizio Galimberti for their special appearance and contribution.

No. 359

Spectra Workshop @ The Impossible Project NYC Space

Jon Campolo, | 411 days ago

Sunday, April 15TH 2012
10AM - 1PM
The Impossible Project NYC Space
425 Broadway
Floor 5
New York
NY 10013

UPDATEWORKSHOP HAS BEEN CANCELLED! We apologize for any inconvenience.

Spring into the Magic of Spectra!

Continuing our Impossible Workshop series, we are pleased to announce the return of a classic workshop on one of our favorite cameras, the Spectra. The Impossible Project will hold a three hour interactive workshop on maximizing Impossible film in the Polaroid Spectra Camera.

In the workshop, participants will be guided through the ins and outs of the Polaroid Spectra series camera with a knowledgeable Impossible expert staffer. Workshop participants will learn introductory and intermediate techniques to master their Spectra camera including exposure, functionality, and accessories. The workshop will include an in depth overview of shooting Impossible Project film including light shielding and temperature control.

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No. 360

Unfold It!

Marlene Kelnreiter | 410 days ago

You will always hear “aahs” and “oohs” when unfolding any classic Polaroid folding SLR camera, revealing one of the most original and genius camera designs of all time. The SX-70 sports a chrome-plated plastic body and genuine leather accents as well as a 4-element 116mm f/8 glass lens, electronic shutter, a socket for flashbars or electronic flash units and a port for a remote shutter release. Enjoy the holy grail of analog instant photography and one of the most celebrated cameras in the history of photography – click here for more.

6
No. 361

8 Exposures...with Emilie Lefellic.

Patrick Tobin, | 410 days ago

Hi there. Welcome back to 8 Exposures, our instant film Q & A series! This week, we bring to you Parisian photog Emilie Lefellic

1) What kind of Polaroid camera(s) do you use?

Mainly my 180 and my SX70 model 2, which are my two favorite cameras.

2) Why do you like instant photography?

What I love about instant photography is its completely unpredictable character, the whimsical suprises it creates whenever you click the button. I also love the fact that development takes place before your eyes and you can even influence it once you know the film. As the awesome 101 Impossible Ways Project shows, instant photography leaves infinite room for experimentation and creativity – before, while and after the picture is taken : you can decide to double-expose, use special filters, put your picture in the fridge, in the oven, write, draw, paint, stick stuff on it, create artifacts with it – I actually feel a bit like a craftswoman when I fiddle with my pictures, which is a great source of joy. But what I love above all in instant photography is the instant film itself : its colour, depth, painterly texture, its retro feel – it alters reality in a way that is surreal, dreamy and poetical to me. Somehow, it’s perfect in its many imperfections.

(More after the jump!)

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No. 362

Holden x Impossible Cycle 2 Winners!

Jon Campolo, | 409 days ago

Photo by Pierre Manning

Cycle 2 of the Holden x Impossible Timeless In An Instant photo contest has now ended.

The winners of round two were chosen by American photographer Angela Boatwright. Beginning her career by capturing the grittiness of the underground New York hardcore and skateboarding scenes in the early 90s, Angela’s profound passion for up-and-coming artists—backed by years of experience as a creative director and photo editor—result in her producing countless magazine features, special projects and art shows.

And the winners are…

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7
No. 348

The Camera Museum: Polaroid "Red Stripe" One Step Flash

Patrick Tobin, | 409 days ago

The Polaroid Red Stripe One Step Flash was first released in the early 1990s. It was similar in body style to Polaroid’s Sun 600 series but has a more advanced flash system with automatic charging, and a built-in sliding close-up lens.

The Red Stripe One Step Flash has a single-element 116mm plastic lens, fixed focus with a standard minimum focal length of 4 feet (2 feet when close-up lens is in place), electronic shutter, programmed auto-exposure system and a built-in flash.

The Red Stripe works with all of Impossible’s 600 film, which can be found HERE

To purchase your own Polaroid Red Stripe Camera Kit, click HERE

8
No. 364

The Gentleman Amateur

Marlene Kelnreiter | 408 days ago

1) The Gentleman Amateur

It was not only that name that made us curious about this photographer, but also his analog instant photography. The Gentleman Amateur is a London-based photographer and writer who remains committed to shooting instant film for as long as he possibly can.

About his favorite 7 Impossible shots he says: “I thinks that it’s fascinating to see the development of Impossible’s films through them, so here also is a key to the films they were shot with:
1) PX100 Silver Shade First Flush: “The very first film that Impossible released – it’s come such a long way since then, it’s hard to believe it’s only 2 years ago!
2) PX70 Color Shade First Flush: “The very first colour film.”
3, 4, 5) PX70 PUSH!: “Still my favourite, I think.”
6, 7) PX680 beta: “The strongest colours I’ve yet had from an Impossible film”

Click here to view more of his work.

Maggs Gallery London is currently showing his series London’s Lost Rivers until April 19.
That series of Polaroids is also published in the book London’s Lost Rivers, available from Strange Attractor Press

9
No. 365

The 365 Project Book

Marlene Kelnreiter | 407 days ago

The 365 Project is the new book by Polaroid aficianado Nathan Matos. This marks Matos’s second year of taking one Polaroid photo a day. While any photo-a-day project is impressive, going Polaroid for two years demonstrates major dedication. Using precious Impossible film means every shot matters. Not to slight iPhoneography, but shooting with this kind of stock means each shooting opportunity must be considered carefully. And even the best shot can have random distortions of color due to the continually evolving chemistry improvements from Impossible.

Check out a preview of The 365 Project here.
Pick up a copy of the book in the Blurb bookstore.
Visit Nathan’s website for fresh images every day.

No. 366

Dr. Love - The Importance of Being Shielded

Patrick Tobin, | 406 days ago

Hello from Impossible! Dr. Love is back with another informative post in which he revisits the importance of shielding your images…

“Some people have asked some follow up questions to our Opacification post, and as the days are getting longer, we wanted to help stress the use of Impossible Films on those bright sunny summer days.

To simply summarize the main point from the opacification post, Impossible films are still sensitive to light in the first moments out of the camera. This is because the protective layer within the film that is there to protect the film can’t yet block out enough light in many situations that it needs an outside aide.

Read all
10
No. 366

Factory Shots 2/8

Factory Team | 406 days ago

Photo by Lia Sáile

2/8 The Offices Hallway

Each floor of Building North is divided into big production, assembly and storage halls as well as into areas where you can find our offices, meeting rooms, laboratories and cafeteria.

In between you will find these long corridors that we are passing over every day in order to get from one task to the other. There is so much space that we sometimes feel like dancing or skating! Join us in doing so on our next Open House day – presumably sometime in May!

8 Factory Shots will present one photo a week for eight weeks.

No. 368

Viewfinder: Paul Reitano at Reason Rally

Patrick Tobin, | 405 days ago

Welcome back to Viewfinder, our series focusing on interesting projects and uses of Impossible film. This entry brings you Paul Reitano, who recently shot at the Reason Rally in Washington, D.C….

“Hey Polaroid nerds! I’m a wedding/portrait/event/whatever photographer that has begun incorporating polaroid and other film cameras into my work. I have gone through a steep learning curve with Impossible Project film, and finally, after much experimentation, arrived at the point where I can incorporate the film into a session and know I’m going to get unique and consistent results. I love the simplicity and elegance of the images that are created with my Spectra camera and Silver Shade film.

In this world gone mad with the exponential growth of digital technology (see Moore’s Law), I have found shooting on an instant camera and Impossible film to be a sacred act that serves as an antidote to needless complexity.

Read all
11
No. 369

Viewfinder: Patrick J. Clarke - "Searching for the Soul"

Patrick Tobin, | 405 days ago

Welcome back, Viewfinder fans. This week, we’re happy to bring you photographer Patrick J. Clarke

If the heart of photography is the camera, then film is its soul. Finding that unique combination of the perfect camera and perfect film is often a long process, and my current project is no different.

Early on in my exploration of film photography I was drawn towards medium format. With tons of resolving power, large negatives and amazing depth of field compared to other film formats, medium format cameras were like some sort of nirvana for me. When I purchased one of the all time medium format icons, the Mamiya RB67, I thought I had struck gold. I shot a few rolls of 120 film and was amazed at how technically perfect the camera and its lenses were. I could control the depth of field, the shutter speed and aperture exactly like I wanted. My exposures were dead on, and the images were sharp as I could want, and looked “medium format”, but they were lacking something. I wracked my brain and asked myself what were my shots missing?

They were lacking “soul”.

During this time I had also been shooting The Impossible Project Silver Shade film. I had purchased an SX-70 and had been having fun experimenting with it and the film. I loved my SX-70, but after using a camera that I had total control over…

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13
No. 371

8 Exposures...with Bradley Laurent.

Patrick Tobin, | 403 days ago

Greetings Impossibles, and welcome back to 8 Exposures, our weekly instant film Q&A series. This week, we happily present to you our interview with Californian adman and photographer Bradley Laurent

Q1) What kind of Polaroid camera(s) do you use?

A: Let’s see, I split my time pretty evenly between an SX-70, an SLR 680, a Spectra Pro, and an old Polaroid 100 Land Camera. I also have closet full of various 600 and Spectra series camera that I pick up at camera shows and thrift stores.

Q2) Why do you like instant photography?

A: Shooting with instant film has made me a better photographer. When I shoot with instant film, it forces me to really think about lighting and composition, much more so than when I shoot with a digital camera. Having only 8 shots in a pack of film forces you to make every shot count, and in turn, I find that the overall quality of my work improves each time I shoot. I also love the look of film in general. The Impossible films with all of their quirks and wonky-ness (is that a word) produce beautiful, one of a kind images, and I really enjoy the whole process that goes into getting just the right shot.

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14
No. 350

The Camera Museum: Polaroid SX-70 OneStep SE

Patrick Tobin, | 402 days ago

Much like Polaroid’s “The Button”, the OneStep SE is identical in features to the original non-folding SX-70 “Rainbow” OneStep. The only difference is the color scheme. Instead of a white body, the OneStep SE is a shiny black, and the shutter release button is sky blue.

The OneStep SE’s rigid plastic body and fixed focus single element 103mm f/14.6 plastic lens made it a more affordable option than the folding SX-70 models.

The OneStep SE features an electronic shutter, programmed auto exposure and a socket for flashbars or electronic flash units.

The OneStep SE works with any of the Impossible Project SX-70 films, including PX 70 Color Shade film and PX 100 Silver Shade UV+ film

16
No. 373

Submit your Image for the Dayripper

Marlene Kelnreiter | 399 days ago

The dayripper is is a tear-off calendar and a magazine for your iphone. Transferring the classic calendar feeling to your contemporary mobile device, it’s packed with thoughts, words and pictures. Where one once found pearls of wisdom, dayripper now offers gems from literature, fashion, health, the arts and Impossible images!

You are invited to submit your favorite Impossible instant images. If selected it will be presented on an upcoming day of 2012 or 2013.

Please send your
-> favourite Impossible image scan, 300 dpi., jpg
-> your name and website
-> to mail@dayripper.info
Deadline of submission is June 15, 2012.
Please note that there will be no reimbursement for usage of your photo in dayripper.

Visit and download the dayripper here.

No. 374

ARTIST IN RESIDENCE: MOMENTUM'S BRIAN HENRY

Jon Campolo, | 399 days ago

Photo by Brian Henry

MOMENTUM is currently on view at The Impossible Project NYC Space. This stunning exhibition of PX100 UV+ and PX70 materials includes some of the richest tones and sharpest contrast yet. For this installment of Artist in Residence, surrealist photographer Brian Henry has shared his experiences shooting these new batches of film, as well as his interpretation of the exhibition’s concept. Through a happy accident involving a faulty heater in a freezing basement and explorations in an abandoned hospital, Brian provides insight into his creative process and how unpredictable chance influenced the final images he submitted for MOMENTUM

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17
No. 374

Factory Shots 3/8

Factory Team | 399 days ago

3/8 Ex-Polaroid colleagues

In former times about 1100 people used to work at the former Polaroid factory in Enschede. That was back then when around 65 Mio. Polaroid film packs were produced per year in Enschede only, and 130 million packs worldwide.

This whiteboard was used to divide the department’s team members to the different machines. All of the photos are still hanging on this wall, and the spirit of all those busy people is still around, inspiring our current Impossible tasks.

8 Factory Shots will present one photo a week for eight weeks.

No. 375

THE UNIQLO X IMPOSSIBLE T-SHIRT

Marlene Kelnreiter | 398 days ago

Impossible is honored to be included in the UNIQLO Cooperate Collaboration Project T-Shirt series. Despite our youth as a company, we now join the ranks of premium worldwide brands like MoMA, Minox and MTV among many others.

UNIQLO is the leading worldwide apparel brand when it comes to the most refined, sophisticated and high quality limited edition T-Shirts. UNIQLO’s UT series features designs by inspiring artists, top designers, international musicians and a carefully hand selected premium choice of worldwide brands.

We are very happy to celebrate the worldwide T-Shirt launch by giving away free T-Shirts.

FREE T-SHIRT WITH YOUR ORDER
On all orders over 100 EUR I 129,99 USD
As long as supplies last.

18
No. 376

Viewfinder: Peter Pawlowski's Instant Antarctica

Patrick Tobin, | 398 days ago

Ahoy, Impossibles! Welcome back to Viewfinder, our blog series focusing on interesting projects involving instant film. This entry provides you with a glimpse of the landscape of Antarctica, through the lens of an instant camera wielded by Pittsburgh native Peter Pawlowski…

“My obsession with the polar environment has been with me since my childhood. An alien land of ice and rock, remote yet teeming with life, its inaccessibility haunted me and tempted my urge to explore.

The opportunity eventually presented itself for me to actually travel to such a magical place as Antarctica…and as for capturing its mystique, the adventure that is instant film photography seemed the perfect match.

The Antarctic environment is not the most conducive to shooting with instant film. Cold is the enemy of chemicals and batteries, wildlife is always on the move, and lack of a zoom lens means you always want to get closer, despite having to keep your distance.

But the landscape never disappointed, and time was always on my side. I was prepared with plenty of film, having devoted much of my luggage space to the project. Lots of practice with my cameras at home allowed me to focus on the shot, and I’m very happy with the results.

There’s something special about holding these photographs, in knowing that they are truly a product of the Antarctic environment. The magic of instant film allowed them to be exposed, developed and printed in the atmosphere and energy of the place, and each time I wrote on the back of...Read All

19
No. 377

The new COOL line of Impossible Film

Marlene Kelnreiter | 397 days ago

We’re kicking things off in style in Spring 2012 with the inaugural launch of the new Impossible COOL film line. New Impossible films will from now on now be released bi-annually in spring and fall.

The SPRING 2012 COOL EDITION features all Impossible Color and Silver Shade film materials in their newest incarnations based on the latest findings and achievements in instant film development. The colors of this season are based on warm tones creating dreamy images, with Color Shade films producing true colors and Silver Shade films delivering classic black & white images.

Go to shop

Click for all details

No. 378

Analog Feedback Night @ The NYC Space

Jon Campolo, | 396 days ago

Thursday, April 26, 2012
6:00 PM to 9:00 PM
The Impossible Project NYC Space

Let’s talk about PX, baby!

Tackling the Impossible takes time, dedication and expertise − and we can all get by with a little help from our friends. Come join in on the ever-growing Impossible community for our first ever Analog Feedback Night.

On April 26th, The Impossible Project NYC Space invites YOU to showcase your favorite Impossible images to knowledgeable peers and fellow enthusiasts. Spend the evening reviewing your work and getting feedback while making new analog-loving friends. This is your chance to connect with other artists and photographers involved in the instant film community!

The night will take place from 6-9pm in The Impossible Project NYC Space. Come with originals or digital files on a USB flash drive. Bring your friends!

When: Thursday, April 26, 2012, 6:00 PM to 9:00 PM
Where: Impossible Project Space, 425 Broadway, Floor 5, NYC 10013
Registration: (212) 219 3254 or nycspace@theimpossibleproject.com
FREE and open to the public

20
No. 380

8 Exposures...with Lou Noble

Patrick Tobin, | 396 days ago

Welcome back to 8 Exposures, our instant film Q&A series! This week, we bring you polaroid portrait wizard Luciano Noble

Q1) What kind of Polaroid camera(s) do you use?

A: I use two Polaroid cameras, a Polaroid SLR 680 and an SX-70. I’ve got loads in my apartment, but they’re decorative more than anything else. I’ve gone through my packfilm period, my simple Polaroid period, used a Big Shot for a bit. But there’s just nothing like the SX-70 and its kin that fits me better, the amount of control I like, the quality I require, the form factor, hell, even the little noises the motors make in the SLR 680, that there is music to my ears.

Q2) Why do you like instant photography?

A: I love it because it’s utterly unique. Unique in the pictures that are created, in the interactions using such strange cameras creates between you and your subject, unique in the palette, in the creation of a physical artifact. I’ve been using Polaroid since 1996, it’s been with me for, well, for the majority of my life. Polaroid is responsible for my love of photography.

And it’s not really about film, it’s about Instant film. It’s about having it immediately, about creating this little piece of work that you made mere moments ago, and having it in your hands, showing the person you photographed what you saw, that this picture right here is how I see you.

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No. 381

PX 680 COOL by the Impossible Pioneers

Marlene Kelnreiter | 396 days ago

PX 680 COOL by James Matthew Carroll

Having discovered all Impossible aspects from the very start, the Impossible Pioneers are the first ones who get to test new film materials. End of March the pioneers were able to get their hands on the new PX 680 Color Shade film – which has now been released in the new Impossible COOL film line.
We are herewith proud to present the 5 winner images taken on PX 680 Color Shade COOL film by the Impossible Pioneers Abe Bingham, Ben Innocent, Celina Wyss, James Matthew Carroll and Lisa Duran.

Their feedback upon testing the new PX 680 COOL film?
Lisa said: “Beautifully softened tones in shadowed areas.”
Ben thinks: “A real joy to shoot. Well done Impossible! Less snakeskin and no divots with the SLR680.”
And James summarizes: “ This new PX 680 film is another brilliant impossible step forward. The fine, crisp detail is a great improvement, and the true vibrant colours are so amazing that these scans can’t do the original justice.”

Get the new PX 680 Color Shade COOL film here!

Want to become an Impossible Pioneer too? Show your pioneer spirit by buying a total of 30 films packs in any combination of our PX 70 or PX 600 Old Generation Film Bags

No. 382

HOLDEN X IMPOSSIBLE CYCLE 3 WINNERS!

Jon Campolo, | 395 days ago

Photo by Andrew Millar

Cycle 3 of the Holden x Impossible Timeless In An Instant photo contest has ended.

The winners of round three were chosen by American photographer Brandon Long. A man of few words, Brandon visually communicates his manifesto through his unending work exclusively on instant film: The Only Magic Left is Art and Nothing on Earth Can Hold it as Prisoner.

And the winner is…

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21
No. 382

The Camera Museum: Polaroid Sun 660 AF

Patrick Tobin, | 395 days ago

The Polaroid Sun 660 Autofocus camera was first released in 1981. It is similar in style to the earlier 600 cameras, with a rigid plastic body, but the Sun 660 utilizes Polaroid’s patented Sonar Autofocus technology. The distance to the subject is calculated by firing a high-frequency sound wave that bounces back to a gold-colored receiver beside the lens. The minimum focal length for the Sun 660 is 3 feet.

The Sun 660 features a single-element 116mm, f/11 plastic lens, electronic shutter, built-in flash and Polaroid’s Light Management System, allowing the user to make exposure adjustments via a lighten/darken switch under the lens.

The Polaroid Sun 660 works with any of Impossible’s 600-series film. For a complete selection of compatible films, click HERE

To buy a Sun 660 camera kit for yourself, click HERE

22
No. 384

MORE LOVE FROM ACE HOTEL!

Jon Campolo, | 394 days ago

Photo by Jessica Reinhardt

Alongside our exhibition with ACE Hotels in NYC and our Limited Edition PX 600 Silver Shade UV+ film, ACE has been hosting an online photo contest, selecting new winners every month! ACE is collecting submissions of YOUR Impossible images in an ever-growing gallery located online at acehotel.com/impossible. ACE’s panel of romantics and analog enthusiasts will curate a physical gallery show at Ace Hotel New York this Fall, exhibiting selected shots from the contest.

Congratulations to Jessica Reinhardt, Jason Benning and Demian Jacob Mendes – the most recent selected photographers of the ACE contest!

Check out ACE’s gallery and pick your favorite images or submit your own for a chance to win and be featured. Good luck!

23
No. 384

Peter Lewis: The Camera

Marlene Kelnreiter | 393 days ago

The Camera is a beautiful 7-minute-long short film by amateur filmmaker Peter Lewis about a solitary girl who finds a creepy mysterious Polaroid camera in an abandoned beach house. It’s the first film Lewis has completed, he singlehandedly managed all the stages of production, including composing the original score, creating the foley sounds, and editing the film in Final Cut Pro X.

No. 385

Dr. Love's Tips - The Long Exposure

Patrick Tobin, | 392 days ago

Hello, Impossibles! Welcome back to the wonderful world of Dr. Love. Today’s topic is one that has been requested a few times: The Long Exposure

Some people have written in either having issues with blurry images and not understanding why they were getting them, or simply asking how to make a good long exposure with Polaroid cameras.

Before you attempt this, you must understand the concept of a long exposure. When the camera is exposing the film, moving the camera can cause a motion blur. When in well-lit conditions, the exposure is so short that little movements have no effect. In lower light however, you need to be more careful, especially with SX-70s, because of the slower speed of the film.

First you need to know your camera. The easiest rule to know is that if you’re using one of the many types of standard 600 plastic box cameras, the longest exposure the camera allows is 1/4 second. This is meant to help prevent blurry images in general, but would also make trying to take a shot at night w/o flash very hard as it would be too dark.

Using an SX-70 camera or a Spectra camera, one can get longer exposures, up to a few seconds. The exact maximum can vary on specific models. First of all, this means if you’re shooting in low light, you need to be sure to steady your camera, as you will likely have a blurry image otherwise. Bracing yourself and/or your camera...Read All

No. 386

Traces of Time @ The Impossible Project NYC Space

Jon Campolo | 392 days ago

THURSDAY MAY 3RD, 2012
6PM-9PM
The Impossible Project NYC Space
Photo by Varial & Nadjari

A Photographic Journey with the Afghan Pamiris

During July and August 2011, childhood friends and photographers Varial and Fabrice Nadjari traveled by foot to the North-Eastern part of Afghanistan armed with Polaroid cameras, Impossible films and solar powered scanners.

In the remote village of Kash Goz, they photographed mischievous Ismaili children, housewives, opium smokers, village chiefs and peasants. Each subject received their own portrait as a gift from the artists.

These portraits are what makes up “Traces of Time,” opening at The Impossible Project Space NYC alongside a video presentation of the artists’ journey from May 3 to June 3 2012 and on www.the-impossible-project.com. The opening reception will take place in presence of the artists with DJs and refreshments.

For more information about the artists’ experience, check out the story on The New York Times LENS blog or listen to their interview on NPR!

WHEN: THURSDAY MAY 3RD, 2012, 6PM-9PM
WHERE: Impossible Project NYC Space, 425 Broadway, Floor 5, NYC 10013
RSVP: rsvp@theimpossibleproject.com or call (212) 219-3254
OPEN HOURS: Mon–Fri 11am–7pm and Weekends 12pm–6pm
For further information, please visit the exhibition site.

24
No. 387

Factory Shots 4/8

Factory Team | 392 days ago

Photo by Lia Sáile

The Chemical Lab

This is the place were the Impossible chief chemist Martin Steinmeijer and its small team of experts and helpers is performing magic, developing new recipes and formulas, creating thousand of the so-called lab-spreads and testing the new inventions.

Instant film is the challenging combination of Negative sheet, Positive sheet and developer paste. In the chemical lab different paste formulations are made, tested, discarded, invented. We search for the best formulation to get the right colors for given sheet and negative, and we work on improving the whole photographic performance.

8 Factory Shots will present one photo a week for eight weeks.

No. 388

Impossible Project Space Vienna OPENING

Sarah Jungreithmayr | 392 days ago

After our last Vienna location has become too small to celebrate all aspects of the Impossible world and to host the workshops and exhibitions, we are happy to announce the opening of the new Impossible Project Space Vienna location.

A bright and glorious new place, Vintage style with many lovely details, presenting everything Impossible as well as ongoing new exhibitions and workshops is awaiting its visitors – as well as a small but beautiful garden in the courtyard.

Check it out!

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No. 381

Viewfinder: THE FIELD RECORDINGS

Patrick Tobin, | 391 days ago

Hi again, Viewfinder viewers. Welcome back to our series focusing on interesting and creative projects that incorporate Impossible film. This week, we bring you Connecticut Noise-Pop/Neu Wave band The Field Recordings, who have put together a limited edition Album/Photobook containing Impossible images…

“So this book is part of a Limited Edition of our first album, THE ELASTIC NOSTALGIA. The First Printing is 100 hand-numbered copies (50 with a CD / 50 with a Cassette) we’re self-releasing for Record Store Day.

The book is kind of a play on our name—what would a bunch of Field Anthropologists or Hobby Scientists use to make reports from the field? An old Polaroid camera, a label maker & a typewriter… So this is supposed to be their documentation of whatever it is they’ve seen. The lyrics are transcribed like they were overheard, the instant photos, the footnotes are their analyses… The idea came to me a year ago as we were finishing up the recording. And then I just wrote down a bunch of loose general phrases that I thought related to each song, like EMPTY HOUSES, HANDS WRINGING, 1951, HUMAN CIRCUITRY/ACTUAL CIRCUITRY, ARROGANCE, that kind of thing, and gave the list to my drummer (Jared Thompson, he took photos 1d, 3a, 5c, 6d, & 9d). And then I just carried my 680 or sx-70 or Spectra around wherever I went for the next 8 or 9 months, looking for things that...Read All

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No. 390

Open House Enschede

Factory Team | 390 days ago

MAR 11, 2012
Impossible Factory
Enschede
The Netherlands
Photo by Christian Reichhold

We are happy to once more open the doors of our Impossible Factory in Enschede, The Netherlands, and give you a chance to see where all the Impossible work and development is taking place.

Dive into the analog spirit on site, the machines, the factory outlet and some members of the team!

We usually get many more requests than we have available places. Therefore we are introducing a new registration process, starting with your application.

APPLY UNTIL MAY 1>

You can also discover the Impossible Factory here>

The Factory Team is also contributing to the blog>

No. 391

PZ 600 Silver Shade COOL

Marlene Kelnreiter | 390 days ago

Following last week’s introduction of the new Impossible standard COOL Edition films, we are proud to now also release a new film for the larger Polaroid Image/Spectra system: the PZ 600 Silver Shade COOL film.

This film is made possible by the constant evolution of Impossible film development, incorporating the latest achievements and findings, producing the coolest Image/Spectra photos ever. This new film features a faster image development, more consistent image results and reduced artifacts such as mottling in dark image areas, spots or blemishes.

Go to Shop

No. 392

MAURIZIO GALIMBERTI ARTIST TALK & WORKSHOP @ THE NYC SPACE

Jon Campolo | 389 days ago

Saturday & Sunday, May 5 & 6
Sat 6-8PM & Sun 10AM-1PM
The Impossible Project NYC Space

Italian photographer Maurizio Galimberti has been working with Polaroid film since the early 90s, but has now adapted his techniques to incorporate new Impossible film materials. Maurizio uses instant photographs to create stunning multi dimensional mosaics, consisting of up to 140 individual images, capturing personalities like Johnny Depp, George Clooney and Sofia Coppola among many others.

The Impossible Project NYC Space is proud to offer TWO special events lead by Maurizio Galimberti in early May. During his very special visit to New York, Maurizio will share his experiences and thoughts on the instant analog medium and on the transition from Polaroid to Impossible films. Participants in this very rare workshop will have the opportunity to ask Maurizio all their artistic and technical questions, and also get an exclusive look into his signature techniques and observations using Impossible films.

Don’t miss this rare opportunity to learn from a master of instant photography, and RSVP today!

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No. 393

8 Exposures...with Sarah Kirkham

Patrick Tobin, | 389 days ago

Hello, fellow shooters. Welcome back to 8 Exposures, our weekly Q&A series focusing on instant film. This week’s entry brings you Sarah Kirkham

Q1) What kind of Polaroid camera(s) do you use?

A: The SX-70 is my camera of choice. I am embarrassed to admit that I have broken several through various catastrophes. I have quite the collection of broken cameras.

Q2) Why do you like instant photography?

A: There is just magic in that chemical process happening right there in my hand or back pocket as the case may be. That process imparts something beautiful to each image that wouldn’t be there otherwise. Every shot I take leaves me giddy. Even now I’m constantly trying to peek at the image as it develops.

Q3) what is your earliest memory of instant film?

A: We were one of the few families that didn’t have a Polaroid camera in the house when I was growing up. My first real experience with instant cameras and film was as a teacher. The school found a few One Steps and some 600 film. We would take very uninspired, poorly-lit photos of the children to send home. I am horrified to think of how we blew through what would have been a fortune in film. My real love for it came when I realized I kept coming back to certain images and they were all on instant film.

Q4) What’s your favorite Impossible film type?

A: My favorite impossible film right now is PX 70. Although my all time...Read All

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No. 394

The Camera Museum: Polaroid SX-70 Sonar OneStep

Patrick Tobin, | 388 days ago

As many consumers had difficulty focusing with their original SX-70s, Polaroid released an autofocus model of their folding SX-70 in 1978. The SX-70 Sonar OneStep utilized a new and very advanced sonar technology. When the shutter button is pressed halfway, a series of ultrasonic chirps is emitted from an electrostatic transducer located under a plate over the lens. These chirps travel to the subject and bounce back to the camera’s receiver, alerting the camera to the subject’s distance, and the lens is turned on a motor to focus accordingly.

The Polaroid SX-70 Sonar OneStep features a 4-element 116mm glass lens, manual or autofocus capabilities, with a minimum focal length of 10.4 inches, electronic shutter, programmed automatic exposure and a socket for flashbars or electronic flashes. Another nice feature is a socket for an electrically-actuated remote shutter release.

(More after the jump!)

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No. 395

The Camera Museum: Polaroid OneStep 600 Talking Camera

Patrick Tobin, | 387 days ago

In 1997, Polaroid released possibly their most gimmicky camera: The OneStep 600 Talking Camera. The camera came with several pre-recorded messages, and could also be used to record speech (or music) which is played via a loudspeaker just before taking your photo. The sound effects can be switched off completely if preferred, which you very well may. The pre-recorded messages apparently vary according to the territory the camera was marketed in, and include American and Spanish versions. The US version’s pre-recorded messages include, “Smile, you funny person!” and “Cheese for me, cheese for you, everybody cheese-a-roo!”

Aside from the talking capabilities, the OneStep Talking Camera functions identically to the OneStep CloseUp camera. It features a single-element 116mm plastic lens, fixed focus with a minimum focal length of 4 feet (2 feet with the sliding close-up lens in place), electronic shutter, programmed automatic exposure with a sliding exposure compensation dial and built-in electronic flash.

(More after the jump!)

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No. 396

ARTIST IN RESIDENCE: MOMENTUM'S THOM JACKSON

Jon Campolo | 385 days ago

Photo by Thom Jackson

For this installment of Artist in Residence, Thom Jackson shares his experience shooting with PX100 and PX70 for MOMENTUM, an exhibition currently on view on the North wall at The Impossible Project NYC Space. Interested in the instant image as a tangible object, Thom explains his struggle with lighting for an unknown emulsion, and giving in to the element of surprise:

“In my commercial work I shoot fashion and stills. I shoot digital everyday but use archival inkjet or platinum/palladium for my fine art work that I print myself. I appreciate that an Impossible print is something tangible you can touch, feel, and hold. In an age of endless digital copies it’s exciting to actually shoot something that is one of a kind…”

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No. 397

Upcoming Events @ The NYC Space - MAY 2012

Jon Campolo | 385 days ago

As The Impossible Project NYC Space gears up for another busy month, we invite you to all of the following events! This Thursday celebrate the imaginative approach of Impossible explorers Varial and Fabrice Nadjari with the opening of Traces of Time, then follow up on their adventure at their Artist Talk later in the month. Don’t miss the rare and special duo of events with Italian maestro Maurizio Galimberti, and practice honing your skills with a classic camera at our upcoming SX-70 Workshop. Come and experience these very special events for yourself, or bring some friends to everything happening this month at the NYC Space!

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No. 803

8 Exposures...with Jon Syverson

Patrick Tobin, | 11 days ago

Hello everyone, and welcome back to 8 Exposures, our popular instant film Q&A series! This entry focuses on Wisconsin photographer Jon Syverson

1) What kind of Polaroid camera(s) do you­ use?

The most used in my collection would have to be the Polaroid Spectra SE and the Polaroid Land Camera 150.

*2) Why do you like instant photography???

It sometimes resembles a far away place, or another time, something other than the sterility of other forms of imaging.

Instant photography is of course one of the last truly magical things, I believe. I am still captivated and left in awe, quite frankly, of all of the different types and ages of instant films that are available for use to this day. I wish some of the oldest of the Polaroid films were still available, or that I could time travel, whatever.

I also really like instant photography because it requires you to have greater knowledge of film scanning, which was something I used to do for years on the job. Although, come to think of it, I had never attempted taping a Polaroid to a drum scanner.

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No. 796

8 Exposures...with Hilary Clarke

Patrick Tobin, | 18 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series! This week, we’re happy to bring you British writer and photographer Hilary Clarke

1) What kind of Polaroid camera(s) do you use?

The first camera I bought was a 600, which I still love as it’s so easy to use and takes fantastic images. I’ve also got a Spectra and a folding SX-70 sonar which is fast becoming my favourite. I seem to be building up quite a collection as I’ve just bought a Land 1000, the type of Polaroid I remember best from childhood.

2) Why do you like instant photography?

I’m quite shy about approaching strangers to take their photographs, but carrying a Polaroid camera means that people are intrigued and very often will ask me to take their photo! It’s easy to get chatting to people, and they always have memories of Polaroid cameras themselves which they like to share.

I love the variety and depth of the images that can be produced; they sometimes have a lovely dark smokiness that can be quite hypnotic and at other times, the sharpness takes my breath away.

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No. 781

8 Exposures...with Andrew Bartram

Patrick Tobin, | 32 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series. This entry focuses on UK photographer Andrew Bartram

1) What kind of Polaroid camera(s) do you use?

Mainly SX-70 Originals, I have two of those but one has recently stopped working; an SLR 680, and 250 and 103 Automatic Land Cameras.

2) Why do you like instant photography?

I can’t draw, paint or play a musical instrument so, along with my passion for the darkroom, instant photography allows me an accessible creative release from the day job.

Although I have been a film user and printer for 25 years I have only been into instant photography for the last year since I bought my first 600 box camera on Ebay, shortly followed by my first SX-70. I love the sheer unpredictable nature of the Impossible films, even the fabulous Color Protection film behaves in different ways depending on light, heat and the variables associated with your camera. So it’s that unpredictability, the uniqueness of each image combined with those wonderful Polaroid Cameras that I love about instant photography.

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No. 770

8 Exposures...with Douglas Pope

Patrick Tobin, | 36 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series! This week, we’re happy to present to you a photographer friend from down under, Douglas Pope

1) What kind of Polaroid camera(s) do you use?

A beat up old SX-70 that is very much on its last legs, and a dusty, neglected 450 that I’ve not used in months.

2) Why do you like instant photography?

I like the quirks, knowing my camera so well I can plan a bleed or a leak – feels more personal…I also like knowing there is one copy, one original that is aging and deteriorating. It gives each image more weight I think.

3) What is your earliest memory of instant film?

Having a Polaroid taken of me at a circus in the UK, an elephant had its trunk around me, I couldn’t imagine a better way to remember it than that Polaroid.

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No. 767

8 Exposures...with Chris Mettraux

Patrick Tobin, | 46 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series. This week, we turn the spotlight on Chris Mettraux

1) What kind of Polaroid camera(s) do you use?

J’ai la chance d’avoir une grande collection de Polaroids. J’utilise un Polaroid SLR 690, sx70, Polaroid 110 modifié pack 100, et un Polaroid 600 SE modifié par mes soins avec un dos 600 et sx70 qui me permet de régler diaphragme et vitesse…

I am very happy because I have a big collection of Polaroids. I work with several cameras, for example the Polaroid SLR 690, the SX-70, the Polaroid 110 modified for Type 100 pack film and the 600 SE modified by myself with a 600/SX70 back which allows me to set the aperture and the speed.

2) Why do you like instant photography?

Je suis photographe et ne travaille qu’avec des appareils argentiques ou des procédés anciens “cyanotype, Vandyke, ziatype et wetplate” donc le Polaroid et venu à moi comme une evidence. Je suis également modérateur sur un forum de Polaroid at www.polaroid-passion.com

I am a photographer and I only work with analog cameras or old processes like Cyanotype, Vandyke, Ziatype and Wetplate. So the instant photography came to me like evidence. I am also a moderator of a polaroid forum at www.polaroid-passion.com.

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No. 752

8 Exposures...with Carine Wallauer

Patrick Tobin, | 64 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series! This week, we are happy to present you with the dreamy photography of Carine Wallauer

1) What kind of Polaroid camera(s) do you use?

I have a Polaroid 1000. When I was a teenager my literature teacher gave it to me. It was a gift from her grandma when she was eight years old, but she never used it. It was still in the box, untouched.

2) Why do you like instant photography?

I love the atmosphere. I love the way things appear just like I saw them in my imagination. I love the colors. I love the square format. I love to have it inside my shirt and close to my heart when I hide it from the light until the magic happens.

3) What is your earliest memory of instant film?

When I was a kid my uncle had a polaroid and used it to take pics of our family lunches. It was so magical to me! I still have one of them. (:

4) What’s your favorite Impossible film type?

I love both Color and Silver Shade.

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No. 749

8 Exposures...with Agafia Polynchuk

Patrick Tobin, | 74 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series! This week, we’re happy to bring you Agafia Polynchuk

1) What kind of Polaroid camera(s) do you use?

My one and only beloved is my SX-70. It’s a little crazy, like me. It loves to mess with me – sometimes it starts shooting dozens of pictures without my permission! It always plays tricks on me when I’m trying to decide to turn the L / D control to the darker or lighter side, if the room is dark. It doesn’t have a name, but I love it.

2) Why do you like instant photography?

Simply because it is magic.

3) What is your earliest memory of instant film?

There are a lot of polaroid pictures taken by my parents on in my photo album. I was about 4, I remember that I was putting ripe apricots into a blue bucket, standing on the roof of the shed surrounded by thousands of wasps. I wasn’t too interested in photography at that time.

4) What’s your favorite Impossible film type?

My absolute favorite was PX 600 + Black Frame. Daylight, black, white, and of course, grey – in my opinion, these guys make a great combination. If I decide I want all the colours of the rainbow, I’ll paint them in myself. This film is perfect for it. Some water, paper, aquarelle, PX 600 Lift … and voilà!

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No. 743

8 Exposures...with Dylan Boyd

Patrick Tobin, | 78 days ago

Welcome back to 8 Exposures, our instant film Q&A series! This week, our star is Oklahoman Dylan Boyd

1) What kind of Polaroid camera(s) do you use?

I have a large shelf dedicated specifically toward displaying my vast Polaroid and instant camera collection, but I primarily use my SLR 680, SX-70 Sonar, Original SX-70, Spectra Onyx, Macro 5, and for packfilm I use a 250 Land Camera and a Holgaroid from time to time.

2) Why do you like instant photography?

There are so many reasons to love instant photography, for me it’s not only the nostalgic feeling it gives me, but also the tangibility and the time it gives me to escape this always growing digital world. I suffer from high anxiety and it gives me a chance to slow down, breathe, and be at one with myself and my art. I appreciate that I can compose a photo, snap the shutter and then have the image spit straight out of the camera. After that I love that I can watch all of these beautiful chemicals create an image right before my eyes. It’s an actual creation, not just a bunch of 0’s and 1’s on a hard drive. I consider it real magic.

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No. 735

8 Exposures...with Phillip Pessar

Patrick Tobin, | 92 days ago

Hello friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you Miami-based photographer Phillip Pessar

1) What kind of Polaroid camera(s) do you use?

I have over 40 Polaroid cameras that I have found at the thrift store but I find myself going back to the same four over and over again: A Polaroid Pronto!, a Colorpack II for pack film, a Spectra 2 and the first Polaroid I ever bought at the thrift store in December 2009, a 636 Close-Up.

2) Why do you like instant photography?

I love the surreal look, especially with The Impossible Project films, and of course, I love that I get immediate results. I used to shoot a lot of 35mm film and although the results weren’t immediate I would have them in an hour after finishing the roll. Unfortunately, as fewer people shoot film local drugstores and big box stores are discontinuing processing and the few that still do process film do so little of it that the results are horrible. It now takes about 2 weeks to get 35mm back from a place that does decent work and I’m much too impatient to wait so long to see my photos. With instant film I have my photographs right away and not in two weeks and I love the results.

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No. 733

8 Exposures...with David Bartholow

Patrick Tobin, | 95 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series! This week we’re happy to bring you Gorilla VS Bear Creative Director and photographer David Bartholow

1) What kind of Polaroid camera(s) do you use?

Polaroid Spectra System, Polaroid 600 OneStep, Polaroid SX-70 Pronto! B, Holgaroid, Polaroid One 600.

2) Why do you like instant photography?

Instant photography is responsible for consistently amazing work by countless photographers and individuals, and the mere existence of the medium is one of mankind’s many great achievements.

3) What is your earliest memory of instant film?

Having my portrait taken at tennis camp in the summer of 1983.

4) What’s your favorite Impossible film type?

Tough call. The new PX 680 Color Protection film, last year’s PX 680 beta, and/or the PX 600 Silver Shade UV + Gold Frame.

5) What are your favorite subjects to photograph?

Musicians, travels, walls, my cat + girlfriend’s dog.

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No. 727

8 Exposures...with Ashley Saldana

Patrick Tobin, | 99 days ago

Hi friends, and welcome back to 8 Exposures, our ongoing instant film Q&A series. This week, we’re happy to bring you Maryland photographer Ashley Saldana

1) What kind of Polaroid Camera do you use?

I use a variety of Polaroid cameras. The majority of the time I use my grandparents’ Supercolor 635 CL Polaroid camera. Lately I have been shooting with my SX-70 Model 3 and my Spectra camera.

2) Why do you like instant photography?

I like the fact that every photo you take is completely different, even if you take the same shot twice. I love the minimal control I have of how the photo will develop – that’s what makes instant film so mysterious to me! You just never know exactly how your photo will end up. I also love how the anticipation builds up to watch something right in front of me develop in my hands. It’s like I’m capturing different bits and pieces of the world and taking them with me wherever I go.

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No. 725

8 Exposures...with Patrick J. Clarke

Patrick Tobin, | 102 days ago

Hello friends, and welcome back to 8 Exposures, our ever-popular instant film Q&A series. This week, we are pleased to bring you California photographer Patrick J. Clarke

1) What kind of Polaroid camera(s) do you use?

I was lucky and bought some Polaroids before the prices started going up….and I’m a bit of a camera nut, so I have more than a few.

My first Polaroid camera was actually my son’s One 600. It’s the camera that got me back into using instant film and then discovering The Impossible Project.

I have an SX-70 Sonar that’s been with me since First Flush came out, and then recently got my Uncle Larry’s SX-70 Alpha 1 Model 2 with the split-viewfinder. It’s been dubbed “The Uncle Larry” for obvious reasons. I love the Sonar, but I’ve been shooting with the Model 2 a lot more since it’s smaller than the Sonar, beat up looking and I love the split viewfinder in it.

I had a Spectra, but it started smelling like it was on fire every time I used it, so I replaced it with a black and red Spectra 2 with a close-up lens and the copy stand. I haven’t had a chance to play with it much, but love the Spectra format and will be using it more soon.

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No. 719

8 Exposures...with Celina Wyss

Patrick Tobin, | 109 days ago

Hello and welcome back to 8 Exposures, our ongoing instant film Q&A series! This week, we turn our lens on Celina Wyss

1) What kind of Polaroid camera(s) do you use?

I’m always scouting sales and thrift shops for more but currently I shoot with a few different SX-70s, 3 Spectras and have just started playing with a Colorpack IV. My vintage camera collection extends far beyond those however and my closet is full of various 600 models and more. I’m pretty certain I’m going to need a new system for storing them soon.

2) Why do you like instant photography?

I love that what you see is what you get. There is no digital doctoring after the fact and for me that actually feels freeing. I love the imperfection that comes with instant photography. You are free to let the photo be what it is, flaws and all. Instant photography is truly about being in the moment. You stop, just for a moment and witness the world around you. You notice the temperature, the light, the shadows all in a moments time. You take a breath in and then you click. Then waiting for the shot to develop is the icing on the cake. It’s like magic!

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No. 712

8 Exposures...with Ghee Dondlinger

Patrick Tobin, | 113 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are very happy to bring you German photographer Ghee Dondlinger

1) What kind of Polaroid camera(s) do you use?

I own two SX-70 models, one of which is a sonar, which is the model I prefer as at allows me to use auto focus; and I also own a Supercolor 635 CL model which I use primarily in low-light conditions.

2) Why do you like instant photography?

I like lo-fi photography in general for its unpredictability and the way the images turn out less than perfect. Instant film in particular I enjoy because they add their own specific sense of ‘unreal’ to the resulting image, a somewhat painterly quality. And for the challenge to make every exposure count. Also, in this digital age, it’s nice that there still are a few things which you can actually touch and hold.

3) What is your earliest memory of instant film?

I think my first conscious exposure to instant film was a book published in 1984 by singer/songwriter David Sylvian. Entitled ‘Perspectives’, it featured collages made from Polaroid photographs. My first hands-on experience with instant film was when I moved to Berlin and one of my flatmates owned a Polaroid camera, which was much used by everyone living in or visiting the flat.

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No. 711

8 Exposures...with Erin McGuire

Patrick Tobin, | 120 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you California photographer Erin McGuire

1) What kind of Polaroid camera(s) do you use?

The types of Polaroid cameras that I have are an SX-70, Spectra, and a few OneStep 600 box type camera. I also have a few Polaroid backs for large format and pinhole cameras that I like to use, and one Holgaroid.

2) Why do you like instant photography?

There are a lot of reasons why I like instant photography but what it all really boils down to is the quality of the images taken on any kind of instant film. They have their own special look and personality, especially Impossible Project film. No matter what you do with an Impossible Project image, whether it be an emulsion lift, drawing on it, or manipulating it in the digital darkroom, you can tell it’s an IP image because of its distinct characteristics.

3) What is your earliest memory of instant film?

I was born in ’65 and it seems like instant film was always around, but my own personal experiences with the film came when a coworker gave me her old Spectra camera and I took pictures of my boy when he was just a toddler. I still have some of those pictures and the very first IP picture I ever took was with that same Spectra camera.

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No. 709

8 Exposures...with Greg Brophy

Patrick Tobin, | 123 days ago

Hello dear friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are very happy to bring you Greg Brophy

1) What kind of Polaroid camera(s) do you use?

I own one of just about all of the major Polaroid cameras. I use the SX-70 Sonar for color, an SLR 680 for black and white and a Spectra AF for both. I also love my Automatic 250 Land Camera for Chocolate film. I have a modified 110B, but the rangefinder is very sensitive to motion so I only use it in the studio.

2) Why do you like instant photography?

I love it I think for the same reasons most other people do. You can take a photo and have something in your hand that develops without the need for a darkroom. The fact that you have a physical object. I love the vintage-style colors and the way it looks without having to do anything to it in the computer. I used to spend a lot of time on the computer to get my images to look the way that Impossible films look. Now I can spend more time taking photos and developing my ideas.

The happy accidents I get when I shoot with it, the unpredictability of it. When I shoot digital, I know exactly what it will look like before I even shoot it. With Impossible film, there is still room for unexpected surprises.

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No. 699

8 Exposures...with Justin Goode

Patrick Tobin, | 133 days ago

Hello again, Instapals! Welcome back to 8 Exposures, our ongoing instant film Q&A series. This week, we bring you our good friend, Dallas photographer Justin Goode

1) What kind of Polaroid camera(s) do you use?

A Mamiya RB67 w/ an instant back, Polaroid Automatic 100, Spectra AF, Sonar SX-70 and a SLR 680.

2) Why do you like instant photography?

The whole process is special. You expose a frame, which is then pushed through rollers, smearing developer goop across a negative. A chemical reaction takes place and voila, an image materializes. That is tangibility at its finest. Within minutes you have a work of art in your hands. I like that, because of its analog nature, outside variables can shape the final outcome of the image. Another bonus of instant photography is the connection people have with the film. It’s incredibly nostalgic. Most, if not every person I’ve shot using instant film, smile & exclaim something about how neat, cool, awesome, amazing, unique it is. I couldn’t agree more. It’s all of that and then some.

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No. 696

8 Exposures...with Amy Siân Green

Patrick Tobin, | 137 days ago

Greetings Impossible friends, and welcome back to 8 Exposures, our very popular instant film Q&A series. This week, we’re happy to bring you UK photographer Amy Siân Green

1) What kind of Polaroid camera(s) do you use?

My SX-70 gets used the most and is my most beloved. I also have two 600 Onestep cameras, one of which used to belong to my dad. They take turns on breaking, usually because I keep getting sand inside them by accident. And who could forget my poor little I-Zone that hasn’t been used since I was ten years old…

2) Why do you like instant photography?

I like that I’m using the same medium that my grandfather used to use. I like that I can hold a Polaroid taken in the late seventies next to a Polaroid taken forty years later and the difference is miniscule.

Funnily enough it’s the slowing down that I prefer when it comes to instant photography. There is a tendency to shoot digital at speed and in multitudes, but with film you have to take your time. And even once the photograph has shot out of the camera, you can sit and wait for the picture to develop in your hands.

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No. 689

8 Exposures...with Lee Summers

Patrick Tobin, | 151 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series. This week, we are happy to bring you Georgia photographer Lee Summers

1) What kind of Polaroid camera(s) do you use?

My first love, the SX-70 original. An SLR 680 SE that saved me in the dark days of Time Zero discontinuation. And the beautiful, translucent Spectra Onyx for when I want to roll wide.

2) Why do you like instant photography?

It’s like the difference between a tamagotchi and a real pet. It’s one of a kind and unpredictable. Tangible. It’s a conversation starter. It’s been said so often before but this is real magic right here and we need more of that in this world. Plus, when my hard drive eventually dies and I lose all of my digital photos, I’ll still have my Polaroids. And someday, someone else will have them and wonder why I’ve kept so many blurry photos.

3) What is your earliest memory of instant film?

For some reason, I can’t recall ever growing up with a Polaroid camera in the family, though my parents have albums of them that run counter to my memory. The turning point in my adult life was when I was given a donated original SX-70 by a manager at a thrift store I used to work at in the early 2000s. I fell in love with the mechanics and design and since Time Zero was still readily available at the time, I was instantly hooked.

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No. 682

8 Exposures...with Sarah Seené

Patrick Tobin, | 155 days ago

Hi friends, and welcome back to 8 Exposures, our ongoing instant film interview series. This week, we are very happy to present you with French photographer and filmmaker Sarah Seené

1) What kind of Polaroid camera(s) do you use?

Since I began to work with instant film, I use a Polaroid 636 Close-up camera from 1992, which my dear aunt gave me. When I was a child, I used this device to photograph my grandmother’s animals…

2) Why do you like instant photography?

What interests me in the instant photography is its spontaneity, suspense and surprise. I prepare my instant photos a lot… During one hour or two, I set up costumes, sets and make-up which are going to give sense to the central characters of the photo. It is the contrast between the direction and the speed of the development that interests me and, of course, the magic grain of the instant photo, inimitable.

When the photo comes out, my heart is beating at top speed ! For me, instant photography is synonymous with emotion and sensation!

3) What is your earliest memory of instant film?

A few weeks ago, my mother offered me her first photo of me when I was an infant, and it was a polaroid. Obviously I didn’t remember taking this picture… But I do remember very well the very first Polaroid I made: when I was 7, the day of Christmas with my Grandma, we had just decorated the Christmas tree, I was so happy to decorate it with her,...Read All

No. 670

8 Exposures...with Andrea Palei

Patrick Tobin, | 164 days ago

Hello, friends. Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we’re happy to bring you long-time Impossible supporter and wonderful photographer, Italy’s own Andrea Palei

1) What kind of Polaroid camera(s) do you use?

I started shooting instant film with the “Polaroid 1000 red button” of my dad. I am passionate and I bought an original SX-70 (my favourite camera), from there I became insane, and I started collecting as many instant cameras as possible. I often use original SX-70 and SLR 680. And sometimes the Spectra and Colorpack II.

2) Why do you like instant photography?

It’s magical. The thing I love most about the instant photography is the unpredictability of the outcome, and the possibility to “touch” the photo and see it “born” slowly under my eyes. Those are things that fascinate me again like the first time.

3) What is your earliest memory of instant film?

The very first memory: I was a child and my father was taking polaroids at the beach and birthday parties.

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No. 665

8 Exposures...with Bria Morrison

Patrick Tobin, | 165 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series! This week, we are happy to bring you California photographer Bria Morrison

1) What kind of Polaroid camera(s) do you use?

My folding SX-70 is the love of my life and my very first “real” (as in not automatic everything) Polaroid camera. I found her on eBay in early 2009 and she’s still one of my greatest treasures. Since then I have fallen for my Spectra which is perfect for quicker shooting at weddings or other on-the-go occasions. And, not to forget my latest acquisition, my beloved Polaroid 180 Land Camera.

2) Why do you like instant photography?

I really love everything about instant photography but the one thing I love above all others are the images themselves. They’re soft and clear all at once. Painterly. You can blow them up HUGE and they remain some of the most beautiful photographs I’ve ever seen. There is no equivalent in the digital or standard film worlds.

3) What is your earliest memory of instant film?

Even though instant film was in my life for many years before this, the first time I can honestly say I remember what it was like to be photographed on instant film was on Grandparent’s day when I was in elementary school. My grandma, mom and I all posed for a picture & held up this little paper bunny I had made for Easter.

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No. 658

8 Exposures...with Francisco Chavira

Patrick Tobin, | 169 days ago

Hello, instanteers. Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we happily bring you wonderful California photographer Francisco Chavira

1) What kind of Polaroid camera(s) do you use?

Like most photographers, I get GAS or Gear Acquisition Syndrome; It’s incredibly easy to get! There are Polaroid cameras everywhere at my place. However, I was challenged by a fellow photographer to stick to one camera and one film, to learn everything about that one camera and that one film. So, I shoot almost exclusively with an SX-70 Sonar. I’ve learned that the sonar doesn’t work most of the time, so I manually focus all the time. Sticking with this one camera, I’ve grown very comfortable with it and shooting it has become very natural. It’s truly an amazing camera, the depth of field and the sharpness of the SX-70 is stunning.

2) Why do you like instant photography?

As a film photographer, having an instant photo at your disposal is incredibly rad. Not only do you get the satisfaction of seeing how your images will look right away, but your subject gets the feeling of accomplishment as well. All the effort your subject put into makeup, hair, posing ect. is worth it. Instant film is powerful, because it has a unique ability to alter someones mood. To think how this one tiny square image, can uplift and excite is amazing. Having that power to instantly uplift your subject on a portrait shoot is powerful.

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No. 650

8 Exposures...with Ashley Jae Fly

Patrick Tobin, | 179 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we bring you Tennessee photographer and new mom Ashley Jae Fly

1) What kind of Polaroid camera(s) do you use?

I use several different Polaroid cameras, but the three I use the most are a Spectra System, an SX-70 Sonar & a Sun 660 I’ve pretty much retired the rest of them.

2) Why do you like instant photography?

I’m in love with instant photography because of its permanence, magic, and the nostalgia I feel when I shoot with it. It’s imperfect, which in my eyes makes it that much cooler. I love the static of it, and the fact that what you see is what you get. We don’t scan our instant photographs and then edit them in photoshop. It is what it is.

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No. 643

8 Exposures...with Carla Triolo

Patrick Tobin, | 186 days ago

Welcome back to 8 Exposures, our ever-popular instant film Q&A series. This week, we’re very happy to bring you the photography of Carla Triolo

1) What kind of Polaroid camera(s) do you use?

My favorite camera is my folding SX-70 Sonar. I take it with me everywhere. If not for the fear that I would roll over and crush it, rendering it useless and reducing me to a blubbering incoherent heap on the floor…I would snuggle with it in bed every night. It was the first Polaroid camera I was truly successful with. Out of all the cameras I have, I find it the most portable and it has always yielded great results. I also use a Spectra SE, a Polaroid Land Model 250 and my grandfather’s Polaroid Land Model 350.

2) Why do you like instant photography?

I love the unpredictability of instant photography. No matter how I picture an image turning out I am never 100% on point. You never know exactly what will happen. Also, I appreciate the fact that unlike digital photography, I can’t just delete and retake as I please. This makes me focus a lot more on what I want to photograph and how. I think the extra care and thought really shows through in the pictures. You can tell how much love was put into it.

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No. 640

8 Exposures...with Gregory Geiger

Patrick Tobin, | 190 days ago

Hello, friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you Rhode Island artist and photographer Gregory Geiger

1) What kind of Polaroid camera(s) do you use?

Other than a few button pushes when I was very young, I started my own instant film aventure with a Polaroid Joy Cam. I got frustrated with the strange form-factor, even though I loved the ease of multiple exposures. After that my constant companion, for about two years, was an i-Zone camera. I loved the ease of use and the size of the camera, but when I got frustrated with the ultra tiny images, I transitioned to a Polaroid One. I used that grey box cam until I ran out of the original Polaroid film. I finally gave that camera away, which was a sad day indeed.

When Impossible Project started making film, I was a little bit hesitant. I wasn’t sure if it was going to be the real thing or how long it was going to last, so I picked up a Green One Step Express from the NYC store. I fell in love with the First Flush film, fell in love with the Impossible Project itself, and three months later got the SX-70 Alpha One that I am madly in love with and literally carry with me everywhere.

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No. 634

8 Exposures...with Giacomo Inches

Patrick Tobin, | 197 days ago

Hello everyone, and welcome back to 8 Exposures, our instant film Q&A series. This week, we are happy to present to you Italian photographer Giacomo Inches

1) What kind of Polaroid camera(s) do you use?

I feel very comfortable with the SX-70 and Image cameras. If I have enough space, I definitely put them both in my bag. But I like to test and experiment with different cameras as well. I recently acquired an SLR 680 and I also like a Land Camera 340 that was given to me as a present. I also turned an Image camera with broken shutter into an Image pinhole camera that returns wonderful b/w images. Sometimes I play with a 630 LightMixer or a 1000 camera. At the end of the day, my wife is always complaining about all the cameras I have around (too many).

2) Why do you like instant photography?

I love photography in general because it can capture a particular moment (that is already gone, due to the impossibility of stopping time) into a particular frame. Instant photography, however, is one step further: a second after you shot, that moment you fixed through the camera becomes ‘tangible’ in your hands. You can observe the picture becoming reality and finally seeing and remembering and feeling that moment you just lived & shot. Moreover, compared to the modern digital photography, the instant returns a unique picture: even if you scan it, it will never be the same as the single original one. I still find people getting surprised by the self-developmment of the picture and its appearing ‘like magic’

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No. 629

8 Exposures...with Leanne Surfleet

Patrick Tobin, | 200 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series. This week, we are pleased to bring you UK photographer Leanne Surfleet

1) What kind of Polaroid camera(s) do you use?

I have a few different Polaroid cameras but the main 3 I use are my Spectra, 450 Land and non-folding SX-70.

2) Why do you like instant photography?

Well, I never thought of myself as an impatient person but when it comes to photography I like to see the results instantly! Then I feel that I can move on with my shoot and change things up. I just find it exciting and feel that it’s a great skill to master, to have a certain control over your instant photographs. I’ve been shooting instant film for around 6 years now and I’m still completely amazed and confused by the whole process! Only having a certain amount of exposures makes me think about each one carefully before pressing the shutter, I’ve learnt over the years to not get too excited about a fresh pack of film and waste them. I cherish each and every one of my instant photographs.

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No. 618

8 Exposures...with Ritchard Ton

Patrick Tobin, | 211 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series! This week, we are proud to present you with Florida photographer Ritchard Ton

1) What kind of Polaroid camera(s) do you use?

I have several sx-70s, an automatic 100, 195 land camera, numerous plastic One Steps, and a modified one shot into a pinhole.

2) Why do you like instant photography?

First, it was about watching the photo develop.
After that, it was about instantly having a photo to document the moment.
And then it was the ability to manipulate the photo.
And then it was the camera. The SX-70 is the best camera ever built. Yeah, I said ever.
And then it was the excitement of being a part of the creation of a new film and process of perfecting the film.
Now, it’s all of the above.

3) What is your earliest memory of instant film?

As a child, my family had a Kodak Handle instant camera. To me, watching instant photos develop was amazing. Not having to take a roll of film to local photomat kiosk in the A&P parking lot and wait a week to see the photos was really something special.

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No. 612

8 Exposures...with Rich Burroughs

Patrick Tobin, | 218 days ago

Hi friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This issue, we’re happy to bring you Oregon native Rich Burroughs

1) What kind of Polaroid camera(s) do you use?

The main one is an Image 1200i, it’s one of the Spectra cameras with an LCD. I’m really enjoying the Spectra aspect ratio lately, it feels very cinematic, so that one is getting most of the work. I have a bunch of others though. A couple of SX-70s, a 180, some 600 cameras, a Clincher, and backs for my Hasselblad and Holga.

2) Why do you like instant photography?

It’s that magic of seeing the images develop. I work a lot with models and they really enjoy seeing the images come to life, it gives them a lot of confidence when they see that we nailed a shot. And it’s nice to be looking at a finished print. When I shoot digital, there are images that look great on the LCD but don’t work when I see them on my monitor.

3) What is your earliest memory of instant film?

We had Polaroids when I was a kid, my dad was into photography and they were so common. Polaroid and Kodak are the two brands that really dominated photography in my childhood.

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No. 609

8 Exposures...with Alan Marcheselli

Patrick Tobin, | 221 days ago

Ciao, friends! Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you Italian photographer Alan Marcheselli

1) What kind of Polaroid camera(s) do you use?

I own more or less 200 Polaroid cameras, and depending on what I need, I choose the more useful, but my favourites are a silver One 600, an SX-70 Model 2 and a Spectra AF coming from a police CSI kit.

2) Why do you like instant photography?

I like it because of the size, the vintage/POP feelings, the different cameras and moreover I love the possibility to realize unrepeatable pictures.

3) What is your earliest memory of instant film?

I was three years old and my uncle shot some pictures of me with a Spirit 600 CL while on holiday. I fell in love with that system that gave the possibility to look immediately at the picture. Now, 37 years later, that pictures and that camera are still in my studio.

4) What’s your favorite Impossible film type?

AARRRGHH are you sure I have to choose only one?

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No. 598

8 Exposures...with Caleb Jenkins

Patrick Tobin, | 225 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This entry focuses on Virginia photographer Caleb Jenkins

1) What kind of Polaroid camera(s) do you use?

As of now I have a single SX-70 Sears Special with the original skin, two 600 cameras, two Spectra cameras and one 420 Land Camera. Among those, my SX-70 is my favorite and most used. I love the history and pop culture behind the SX-70 camera and how vintage and iconic it is. I’m a big fan of the 70s, so my SX-70 is a perfect fit for me.

2) Why do you like instant photography?

Seeing as this question has been answered many times before me it’s quite hard to sum up an answer that isn’t anywhere near cliche. I guess I’ll have to go ahead and conform to all other answers, because instant photography is simply magical. I love that with each image I take, it’s the only image that will ever look that way. It’s truly a single edition. One main reason that I’ve been pulled into instant photography is that I feel it brings me back to reality.

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No. 599

8 Exposures...with Claire Oring

Patrick Tobin, | 228 days ago

Warmest greetings to you, Impossible friends! Welcome back to 8 Exposures, our instant film Q&A series. Our star this week is Los Angeles-based photographer Claire Oring

1) What kind of Polaroid camera(s) do you use?

I use a regular Polaroid 600 One Step and a Polaroid Spectra. I also just got an old Land Camera I’m refurbishing.

2) Why do you like instant photography?

I love watching all the colors and textures bloom in the palm of my hand.

3) What is your earliest memory of instant film?

I started using instant film when I was 15 and my dad gave me his old camera. I have a box under my bed with hundreds of Polaroids I took in high school.

4) What’s your favorite Impossible film type?

I love the PX 680 Gold Frame color shade because it’s fancy.

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No. 594

8 Exposures...with Tim Logan

Patrick Tobin, | 232 days ago

Hello again, friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you marketing director and photographer Tim Logan

1) What kind of Polaroid camera(s) do you use?

Most of the time I use an SX-70 or SX-70 sonar. I have a variety of other Polaroid cameras and backs as well, though, and will often use one of those. It’s not uncommon to see me out with a Polaroid Spectra, Polaroid 250 or my Graflex Crown Graphic with a Polaroid 545 or 550 back. I enjoy shooting as many instant film formats as I can get my hands on so I tend to have a lot of different cameras with me at any given time.

2) Why do you like instant photography?

As strange as it may sound, one of the biggest reasons I enjoy instant photography is because of what it has taught me – Patience. Whether you are shooting with Impossible’s films or some the remaining expired Polaroid stock you really need to be much more mindful of how you work. It’s become very easy to shoot in excess because of digital technology, but, because I don’t want to waste a single frame of instant film I’ve really learned to slow down and take more into consideration before I release the shutter. Ultimately, I think that lesson has made me a better photographer regardless of the format I’m shooting.

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No. 586

8 Exposures...with Patrick Winfield

Patrick Tobin, | 239 days ago

Hi there, friends. Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we’re happy to bring you creative wizard and all-arounnd nice guy Patrick Winfield

1) What kind of Polaroid camera(s) do you use?

I currently am using the Macro 5 SLR, Spectra and the SX-70.

2) Why do you like instant photography?

The “Thing-ness” of it. That the photo is a direct object of a memory – a tangible memory that can be held immediately and further manipulated as it develops or ‘lives on‘… that quality of being an instant artifact which can be further manipulated to play up the materiality of the medium is what attracts me to the film.

3) What is your earliest memory of instant film?

It was a picture of a dead man. Then the film was sucked back into the camera and the whole time I took pictures of things with my polaroid and tattooed myself to help figure out what happened in my life since I had some sort of amnesia…or was that the plot of Memento?

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No. 585

8 Exposures...with Meghan Davidson

Patrick Tobin, | 242 days ago

Greetings from Impossible! Welcome back to 8 Exposures, our ongoing instant film Q&A series. This week, we’re happy to bring you Nebraska college professor and photographer Meghan Davidson

1) What kind of Polaroid camera(s) do you use?

Most often, I shoot with my SX-70. I love the depth of field that camera allows and the way you can really select the focus. I also love shooting with the Spectra for self-portraits and double exposures, and I have a Polaroid 250 that I need to spend more quality time with. And, I’m really hoping to get my hands on an SLR 680 some day.

2) Why do you like instant photography?

I have a special affection for film, especially instant film. I love when I put a pack in my Polaroid and close the film door, that the camera immediately comes to life, clicking and whirring and shooting out the dark slide. Instant film feels so timeless, so classic to me. There’s simply a magical quality about shooting with it. Because of the limited number of frames, each click of the shutter is special.

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No. 579

8 Exposures...with Amanda Mason

Patrick Tobin, | 246 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you Australian designer and photographer Amanda Mason

1) What kind of Polaroid camera(s) do you use?

I primarily use my folding SX-70 original and an SLR 680. If I was onboard a sinking ship and had to start throwing all my cameras overboard, I would go down with these two. I think they are design masterpieces capable of producing simply lovely images.

2) Why do you like instant photography?

I adore the dreamlike nature of the film. All instant film creates a nostalgic, other-worldly, soft toned patina. It is a dreamy little world that I want to live in all the time. Everytime I shoot instant film I am drawn into another dimension straight away. Everytime I see an instant photograph I feel like I am looking at a memory. Of course having the photograph in your hands in a matter of minutes is quite nice too.

3) What is your earliest memory of instant film?

My earliest memory of instant film is my grandmothers Polaroid camera. As kids we were absolutely fascinated by integral film, the magic of it all. She used that camera as her everyday camera, we still have those Polaroids in our family album. I bought my first Polaroid camera when I was 16.

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No. 565

8 Exposures...with Dustin Yager

Patrick Tobin, | 253 days ago

Hello, instant film lovers, and welcome back to 8 Exposures, our popular analog Q&A series. This week the star is our good friend, Dustin Yager

1) What kind of Polaroid camera(s) do you use?

I have a decent collection of Polaroid cameras but my main cameras are an SX-70 (whichever one is working at the time) and a modified 450 Land Camera. I am currently working on a new pack film mod that i am looking forward to.

2) Why do you like instant photography?

Everyone who sees me shoot instant film asks me this question and I never have a standard answer for it. I love the uniqueness and individuality of every shot. I love that it’s not easily replicated and that your instant shot is a capture of that moment in time, whatever it may be. I love that there is an unknown element with every instant photography shot and there are no “do overs.” Digital photography just feels cold and too perfect to me sometimes and I love the softness and dreamlike quality that instant film has. I also feel that since i have been shooting instant film, it has made me a better photographer and made me think of the shot more before and during the process.

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No. 563

8 Exposures...with Jessica Shimek

Patrick Tobin, | 256 days ago

Hello, Impossible friends! Welcome back to 8 Exposures, our instant film Q&A series. This week, we bring you Minnesota artist and photographer Jessica Shimek

1) What Polaroid cameras do you use?

A Polaroid SX-70, A Polaroid Spirit 600, a 240 Land Camera and a Polaroid back on my Hasselblad 501c/m.

2) Why do you like instant photography?

Every photography medium has a different feeling and portrays a different mood. I love the mood that instant photography gives me. It is warm and sometimes a bit faded…this will sound cheesy, but I feel like each image is a tangible bit of a memory.

3) What is your earliest memory of instant film?

I don’t know that I have an earliest memory that I can really remember. Polaroids and instant film were just always there. My parents had a Polaroid 600 camera and took tons of photos of me when I was younger. I grew up with it. It was never not a thing. I don’t remember the first time I watched an instant photo develop, but I remember that it was magical every time.

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No. 558

8 Exposures...with Andrea Tonellotto

Patrick Tobin, | 260 days ago

Ciao, Impossibles! Welcome back to 8 Exposures, our instant film question & answer series. This week’s entry focuses on Italian photographer Andrea Tonellotto

1) What kind of Polaroid camera(s) do you use?

By now, I’m making a collection!! I use three SX-70s, two of which are the original model (my favorite), an SLR 680, a Spectra system, a 1000 and, recently, I bought a 600 SE, with which I’m starting to become confident.

2) Why do you like instant photography?

At first the tones and colors made me mad for the Artistic TZ’s pastel tones, but now i’m in love with last impossible PX 70 12\11 batch’s colors, wonderful!! Secondly, for the fact that I have the result immediately, after a few minutes, and for an impatient man like me, it’s very important. Paradoxically, altough a dated method, it’s faster than digital photography. Dear old Edwin Land was really too “advanced.” Last, there is a “technical” reason…I like to take photos in balance between real life and an abstract world, with subjects born of imagination. Instant film is an absolutely real and tangible material.

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No. 555

8 Exposures...with Brian Green

Patrick Tobin, | 262 days ago

Hello, friends! Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we present to you South Carolina photographer Brian Green

1) What kind of Polaroid camera(s) do you use?

What I usually have on me at a basic shoot are two Mamiya RB67s with Polaroid pack film backs: one with a 180mm lens and one a 90mm, a Polaroid Colorpack, and an SX-70 Sonar. I have around 30 cameras in my collection but those are my main ones that get used daily.

2) Why do you like instant photography?

The instant aspect of course; I am a person who likes to put work out as it’s created so waiting on developing film would slow that down a little. Also in my opinion nothing comes close to the colors and feel the instant film gives.

3) What is your earliest memory of instant film?

My mom has always been artistic, from painting, to wood work to photography so she introduced me to it at an early age and it has always had a soft spot in my heart some of the only photos I have of my father are on Polaroid 600 film.

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No. 549

8 Exposures...with Rachel Carrier

Patrick Tobin, | 267 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you DC-based photographer Rachel Carrier

1) What kind of Polaroid camera(s) do you use?

Almost always I am using an original model SX-70 that I picked up years ago at a thrift store. I also use an SX-70 model 2 from time to time and the Impulse camera for indoor/party shots where I’m not as worried about composing. I also have worked a lot on double exposures with my Spectra camera.

2) Why do you like instant photography?

I fell in love with Time Zero film a few years before it went out of production. I love the color contrast and saturation of the film and the fact that it often gave me unexpected results. I love Impossible film for the same reason. The colors are gorgeous and I actually love the light sensitivity of the film, it gives each shot its own aura.

3) What is your earliest memory of instant film?

Probably looking at photos in our family albums when I was a kid, so many of them were instant photos.

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No. 546

8 Exposures...with Benjamin Innocent

Patrick Tobin, | 271 days ago

Greetings, instanteers, and welcome back to 8 Exposures, our instant film Q&A series. This week’s guest is a good friend of ours from the UK, all-around nice guy and brilliant photographer Benjamin Innocent

1) What kind of Polaroid camera(s) do you use?

I have a few instant cameras but have found that I gravitate to 3 that I use often: A Polaroid SLR 680, a Land 250 pack film camera (newly acquired) and an SX-70 Model 1. I find the SX-70 is my most frequently used camera; it was my first folding Polaroid and I adore it. Its design is genius, more a work of art.

2) Why do you like instant photography?

I am fairly new to instant film, however (and this may sound crass), I find this 40-50 year old technology absolutely blows my mind, it is magic! Taking each shot makes me a little giddy with a click, thud, whirr sound. I am very much self-taught/learnt from friends when it comes to taking photographs and I have found that instant photography is where I have settled; it resonates with how I approach making a picture. I love that it slows you down, when you press the shutter button you are committed; no deletes or retakes. The nervous wait to see the image and then you are left with the tangible element that is unique; physically holding an image, passing it round, sticking it up on a wall, giving that one copy away.

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No. 542

8 Exposures...with Troy Bradford

Patrick Tobin, | 274 days ago

Welcome back to 8 Exposures, our instant film Q&A series. This week, we’re happy to bring you Texas photog Troy Bradford

1) What kind of Polaroid camera(s) do you use?

I have three working SX-70s, one 250 pack film camera, one modified 250 pack film camera with a Rodenstock 127mm lens added, one 100 pack film camera, two Spectra cameras, one 600 One Step Closeup and a 104 pack film camera converted to a pinhole camera.

2) Why do you like instant photography?

As most people will say, I like the fact that you get to hold the image immediately. In addition to that, I also like the fact that you get to watch the image come to life. The thrill of this process takes me back to my days in high school when I had my own darkroom and was able to watch film images develop before my eyes in the chemical bath. So that takes care of touch and sight, but I also like the smell of the peel-apart films. It is not like the smell is a pleasant one, it is just the fact that you can relate this smell to a developing picture…Now if you separate out just Impossible film and ask the same question, I would say that holding an Impossible image is like instantly holding a small piece of artwork.

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No. 536

8 Exposures...with Fernanda Montoro

Patrick Tobin, | 281 days ago

Welcome back to 8 Exposures, kiddies. This week, our instant film Q&A series focuses on Fernanda Montoro

1) What kind of Polaroid camera(s) do you use?

The camera I love and use the most is the Polaroid SX-70. That’s the dream camera for me, the camera that has become the extension of my eyes. I often use a Polaroid 600 SE and Polaroid Spectra too. My little Polaroid camera collection also includes an SLR 680, a Mio, a couple of Miniportraits. And, of course, many SX-70s! I like to have them handy and to play with them from time to time, depending on the mood.

2) Why do you like instant photography?

I like absolutely everything about it!: Being able to watch the past become picture, in front of my eyes. Those whirring mechanical sounds that instant cameras make. Its distinctive painterly qualities, texture, saturation, ‘imperfections’. I even enjoy the limitation of having a limited number of shots! (Makes me respect the medium, compose more carefully, try my best in every frame). Also, thanks to instant photography I started to look at photography in a more serious way.

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No. 532

8 Exposures...with Thomas Böttcher

Patrick Tobin, | 284 days ago

Welcome back to 8 Exposures, our instant film Q&A series. This week, we bring you German wonder Thomas Böttcher

1) What kind of Polaroid camera(s) do you use?

I have got three SX-70s (all without autofocus), a Spectra, several 600 cameras, two Landcameras: 320 and 330, and one 4×5 Polaback for my Sinar F 2. My favorite camera however is my SX-70 because it allows more room for creative work. I especially appreciate the aspect of the selective focus and the vintage charm of these cameras.

2) Why do you like instant photography?

Most people like instant photography because each photo is unique and can be looked at in a relatively short time. These are certainly also important aspects of instant photography for me, but I value even more the unique charm of the instant photography. It lives partly through its technical deficiency, its not being one hundred per cent perfect. A lot of photos today are defined exclusively through their technical perfection, so that the message of a picture often recedes into the background.

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No. 527

8 Exposures...with Ian Fleming

Patrick Tobin, | 288 days ago

Allo, Guvna! Welcome back to 8 Exposures, our instant film Q&A series. This entry turns the spotlight on our friend from across the pond, Ian Fleming

1) What kind of Polaroid camera(s) do you use?

I have rather too many. The SX-70 is my favourite. I have a SX-70 Sonar, a 645 CL and a Polaroid 1000 ‘red button’. For pack film, I have a lovely 180, a Big Swinger, a Square Shooter (which I have 3 packs of Viva for), plus my Big Shot, an underestimated camera.

2) Why do you like instant photography?

The instant gratification. I think Dr Land new this; it’s highly addictive, having a real picture that has an ‘artistic’ feel to it. Oh, and it’s great fun.

3) What is your earliest memory of instant film?

We used Polaroids all the time in the Film and TV business for ID, Pack Shots, reference shots, etc. But I always found all the film and camera types very confusing; I’m not sure it helped Polaroid in the long term.

4) What’s your favorite Impossible film type?

Well, I have shot a ton of PX 680 First Flush in my SX-70 and got great results, but now it has to be PX 70 COOL, closely followed by PX 70 Nigo edition. For B&W I love PX 600 Black Frame, I bought a load of the Poor Pod film from last year; it’s a really easy film to use.

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No. 522

8 Exposures...with Sol Allen

Patrick Tobin, | 291 days ago

Welcome back to 8 Exposures, our instant film Q&A series. This week, we are happy to present to you our good friend, Arizona wonder Sol Exposure

1) What kind of Polaroid camera(s) do you use?

Although it seems like a good amount of my cameras are in an inoperable state, I tend to lean on my Polaroid SX-70 that I got refurbished from Unsaleable (Impossible’s predecessor), Hasseblad 503cw, Polaroid 450, Polaroid Spectra Pro and an Agfa Viking. I’ll usually throw one or two other ancient cameras in the bag, depending on what the shoot/trip is.

2) Why do you like instant photography?

Primarily, because of the unexpectedness of the film, especially if it’s expired. Every type of film has a learning curve and that’s fascinating to me. It’s wonderful to want, or to be told by a client, to achieve a certain look and to know what combination of camera and film will be able to create it. Also, I’m probably impatient.

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No. 521

8 Exposures...with Penny Felts

Patrick Tobin, | 295 days ago

Photo by Zia Khan

Hello instanteers, and welcome back to 8 Exposures, our instant film Q&A series. This week, we’re happy to bring you Penny Felts, who has produced a series of diptychs, with each representing a different decade of the 20th century…

1) What kind of Polaroid camera(s) do you use?

Most of the time I use SX-70s, an SLR 680, Land Camera 180 and a Holga with a Polaroid back. I also have a 600SE, Reporter, Polaroid Pinhole 80, Polaroid Pathfinder 110A and a Polaroid Big Shot that I use occasionally.

2) Why do you like instant photography?

What can I say, I love instant gratification with blur, softness, magic, and without pixels. It’s pure happiness.

3) What is your earliest memory of instant film?

When I was a kid, my parents bought one of the cheap plastic 600 model cameras, I’m not sure which one, but I remember the first time that I held a polaroid in my hand and watched it develop. I was hooked right then and there.

4) What’s your favorite Impossible film type?

Right now it is definitely the newest PX 70. I absolutely love the colors. It’s so versatile under different conditions. You can make them really bright, or soft and warm.

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No. 517

8 Exposures...with Balthazar Simões.

Patrick Tobin, | 298 days ago

Greetings from 8 Exposures Land! It’s good to see you again! This week in our instant film Q&A series, we spoke with Balthazar Simões

1) What kind of Polaroid camera(s) do you use?

My favorite Polaroid cameras are my SX-70 (of course) and a Polaroid 350. I have a Spectra, too and a Polaroid Studio Express 484 that has 4 lenses and is quite fun.

2) Why do you like instant photography?

Because it’s an experience of true magic. Because it’s an instant tangible artifact. Because each image is one-of-a-kind and can’t be reproduced.

3) What is your earliest memory of instant film?

My Grandpa was always the one with the cameras when I was growing up. I can still remember the feeling of watching a polaroid develop when we went to visit my grandparents for Christmas. Most things become less magical as we grow older, but it persists with my experience of instant film. My Grandpa passed away two summers ago and I was recently given all of his cameras. Sadly, he no longer had his Polaroid cameras, but he had quite a few film cameras that I now cherish. One of the cameras still had some film in it, and I just had it developed last week. All the photos were of this vase of tulips.

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No. 489

8 Exposures...with Steve Maniscalco

Patrick Tobin, | 302 days ago

Greetings, instanteers! Welcome back to 8 Exposures, our instant film Q&A series. This week, we bring you Arizona’s own Steve Maniscalco

1) What kind of Polaroid camera(s) do you use?

I won’t try to get an accurate count…something like 4 SX-70 Alphas, 2 autofocus Model 2 cameras, and 2 SLR 680s. Two of my SX-70 alphas have been converted to shoot 600 film by modifying the auto exposure circuitry. I have several Spectra cameras, including a Macro 5 SLR. Also, 2 Land 250s, a 195, a 180 and a 430. Oh, and a pack film back for a home-made pinhole camera.

2) Why do you like instant photography?

I tell people I haven’t got enough patience to wait for digital, and immediacy is certainly part of the equation. I love being able to share the results right away. I often take multiple shots so I can give away one. Putting a physical picture in a child’s hands and watching the reaction is priceless.

Instant photography feels very honest to me. When the picture is taken, you’re done. You can scan it and alter it if you like. You can share the altered version on line or in print…but somewhere, hidden in your attic…

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No. 511

8 Exposures...with Micaela Go

Patrick Tobin, | 305 days ago

Welcome back to 8 Exposures, friends. This week in our popular instant film Q&A series, we’re happy to bring you California photographer Micaela Go

1) What kind of Polaroid camera(s) do you use?

Recently, I’ve been using an SLR 680 I’ve borrowed from a friend (I’ve gone through 3 already), but I also use my SX-70, ProPack and have picked up a Minolta Instant Pro and hope to use it more often.

2) Why do you like instant photography?

Right before all those little compact digital cameras became so ubiquitous, I picked up my first SLR 680. I loved it because it was instant – I could take a photo and have something tangible in my hands within seconds, then see the actual image within minutes. Now, Impossible Project film adds so many more qualities to instant photography that I love. I’m drawn to the unpredictability of the film, and every image is unique. The novelty of having this one image and it being the only one of its kind is remarkable. There’s also the aspect of how ephemeral the images are; watching each exposure develop and seeing how it continues to change after days, weeks, and months is something I find rather exciting.

3) What is your earliest memory of instant film?

I was probably around 12 years old when I found my dad’s old One Step (with film in it!) and I took it with me everywhere. I took pictures of my friends and family mostly (not much has changed since then).

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No. 507

8 Exposures...with Joep Gottemaker

Patrick Tobin, | 309 days ago

Hello, Impossible friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to present you with a special 8 Exposures featuring one of our biggest fans and greatest friends, Joep Gottemaker

1) What kind of Polaroid camera(s) do you use?

I mainly use my SX-70 original from 1972. I also own packfilm cameras, a Spectra and SLR 680 camera. I use the Spectra 1200 (with LCD screen) a lot too. The SX-70 goes everywhere with me. If it’s to Paris or just a dog walk, the SX-70 is in my pocket.

2) Why do you like instant photography?

I think the main reason is the fact that every Impossible is one of a kind. There is just that special quality to the pictures that no other medium has. Not 35mm or digital, the pictures just have that “magical” color to it.

And the fact that the pictures are instantly pushed in your hands. The sound of the motor, the picture coming out and the development. The thing with Impossible film is that you can’t predict what the picture will turn out like. With old fashioned Polaroid film, you could see the the picture develop before your eyes.

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No. 496

8 Exposures...with Kat White

Patrick Tobin, | 316 days ago

G’day from Impossible, and welcome back to 8 Exposures! This week, we’re happy to bring you one of our favorite Aussies, graphic designer/photographer Kat White

1) What kind of Polaroid camera(s) do you use?

My favourite two cameras are my Automatic 180 and my SX-70 Original.

2) Why do you like instant photography?

The characteristics of expired film, and the fact that it’s permanent and tangible.

I love seeing the reaction of passersby, in awe of a seemingly old camera still getting used. And even better when someone stops you to tell you they had a camera just like it!

I also love how passionate the instant/polaroid community is. About the cameras, the film, and always willing to share and collaborate their tips.

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No. 493

8 Exposures...with Kim Oberski

Patrick Tobin, | 319 days ago

Greetings, instamaniacs. Welcome back to 8 Exposures, our instant film Q&A series. This entry brings you Michigan photographer and good Impossible friend Kim Oberski

1) What kind of Polaroid camera(s) do you use?

I primarily use a Polaroid SX-70 original but have recently added a modified Polaroid 110a with integral and pack film backs. Also on the camera shelf: Mamiya RB67 with integral film back, Polaroid rainbow onestep (which was my Grandmother’s), Polaroid 210 (what my mom used 40-some years ago), a Spectra, and a variety of Polaroid 600s.

2) Why do you like instant photography?

I love how instant film has taught me to let go of trying to make an image “perfect.” Sure a divot shows up, one of the chemical pods streaks, or the image is slightly out of focus; it doesn’t matter because those can be the very imperfections which make the image perfect.

3) What is your earliest memory of instant film?

I don’t have an exact memory of when I first remember instant film, it seems instant film/cameras have always been around me somehow. Growing up, every time I looked in the coat closet, I remember seeing…

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No. 487

8 Exposures...with Philippe Bourgoin

Patrick Tobin, | 323 days ago

Portrait of Phillip, © Frenchcockpit 2011

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we bring you French photographer and author Philippe Bourgoin

1) What kind of Polaroid camera(s) do you use?

The Polaroid cameras I most use are the SX-70 and the 600 SE.

In my usual rig, I also always carry a Hasselblad 503cx with a Pola back. My second best camera is a Holga with a Pola back, for specific projects, or to bring along at polameets at our usual waterhole in Paris.

2) Why do you like instant photography?

As a portraitist and a photographer of female nudes, I work on a one to one relationship with the models (no assistant, no MUA). Intimacy is a given.

When the first couple of test shots eject and develop, the idea of the picture I want to make becomes flesh, it can be touched, it’s alive: instant photography is all about sharing.

Trust rises: a “not so good” picture can be thrown right out the window, and I obviously can’t pretend that it’s going to look good when it comes back from the lab (and after two hours of Photoshop)…Flaws show right up…No lies, no disguise, we take it from there.

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No. 484

8 Exposures...with Kelly Knaga

Patrick Tobin, | 326 days ago

Hello, friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we’re happy to bring you a Midwest girl, Kelly Knaga

1) What kind of Polaroid camera(s) do you use?

I’ve collected a number of cameras mostly through garage sales, Goodwill stores and eBay, but I tend to use the same 4 over and over: my SX-70, my refurbished 340 Land Camera, a Spectra I got from a retired cop and my very first 600 that my grandmother gave me one summer when I was about 10.

2) Why do you like instant photography?

I love the moment just before, the one where I hold my breath, waiting for the film to develop. I love the imperfections and inconsistencies of instant film, which seems relevant to the constant fluctuations and vulnerabilities that occur in life. Experimental films, expired films, a scratched camera lens or vintage, barely working, taped together cameras all invite moments of exploration of space, color, time or the material composition of the film itself.

3) What is your earliest memory of instant film?

Someone taking a picture of my grandfather holding me on his lap while he is sitting on his tractor. I still have the photo.

4) What’s your favorite Impossible film type?

I love experimenting with them all. I think my favorite right now are the Spectra Cool films. My sincerest thanks to Impossible for helping keep instant film alive.

5) What are your favorite subjects to photograph?

I have always been drawn to natural landscapes and...Read All

No. 474

8 Exposures...with Toby Hancock

Patrick Tobin, | 333 days ago

Photo by Rommel Pecson

Hello, Impossibles! We’re back with another entry in our instant film Q&A series, 8 Exposures. This week, we are happy to bring you LA-based Brit wonder Toby Hancock

1. What kind of Polaroid camera(s) do you use?:

I built an extensive collection of Polaroid cameras in the 1990s, which was a time when they could be bought dirt cheap at flea markets and on eBay. So, I regularly use two somewhat beaten up SLR 680s and two or three SX-70 Sonars. I usually have at least two on hand loaded with different types of film. I have turned my 680s into Frankenroids by swapping the film doors for SX-70 ones, which has resulted in fewer divots (not that there’s anything wrong with divots!). Impossible Project’s Dr “Frankenroid” Love has a very informative blog post about this simple transformation HERE.

2. Why do you like instant photography?:

As many before me have said, it’s magic in the palm of your hand. It’s unpredictable and often creates unexpected, but beautiful results. Undoubtedly, the more you shoot, the more predictable it becomes, but there’s always the potential for one of those perfect mistakes to be lurking around the next corner.

3 simple rules to shoot Impossible film by:

1. Always expect the unexpected and embrace the fact that it might give you some of your best images
2. There’s no such thing as a wasted Polaroid
3. Never throw any photograph away
4. There’s probably a fourth rule, but I can’t...Read All

No. 467

8 Exposures...with Justin Craigen

Patrick Tobin, | 340 days ago

Hi there, Impossibles. Welcome back to 8 Exposures, our instant film Q&A series. This week, we’re happy to bring you one of the original members of the Save Polaroid movement, Justin Craigen

1) What kind of Polaroid camera(s) do you use?

SX-70 Alpha 1 Model 1, SX-70 Model 1 Sonar, Spectra, 450, and a pinhole camera with a packfilm back.

2) Why do you like instant photography?

It’s a variety of reasons. One that has been particularly important is the social aspect of the medium. Instant photos are, more than any other type, perfect for sharing with others. More importantly, getting involved with instant photography has brought me into contact with a large number of absolutely wonderful and inspiring people that otherwise, I would have likely never met. I’ve had the pleasure of meeting a handful of them in person, and so far all are as good, or better, in the flesh.

There’s also the element of unpredictability that comes with the medium. It forces the photographer into a zone where the varying degree of lack of control is embraced. And with Impossible’s in-house produced films, there has been a real effort required to get predictable results. It’s much less of a struggle now, but even so, I find that the emotional payoff of a successful image is significantly greater than with other types of film, or digital photography.

I also enjoy the manipulations that can be done—partly for aesthetics, and partly because once a manipulation is made, there’s no going back. The...Read All

No. 461

8 Exposures...with Daniel G. Fuster

Patrick Tobin, | 343 days ago

Welcome back to 8 Exposures, our instant film Q&A series. This week, our featured photographer is Daniel G. Fuster

1) What kind of Polaroid camera(s) do you use?

A great thing about instant photography is that cameras are usually easy to find and quite affordable. I have to admit to having many of them, but, at the end, I usually stick to an old SX-70 Sonar and a more recent SLR 690 camera. These last weeks I am also using a flashy blue Impulse.

2) Why do you like instant photography?

I like its colours, the texture, the frame, the way it captures light, but the fact that you can see – and touch – the result immediately is to me, the best thing about instant photography. I also enjoy the difficulties that this kind of photography has, in terms of need of light, limited capacity to use lens, etc. as I believe that this brings more simplicity and spontaneity to pictures. I also like the nostalgic feeling that this material often has, not to say the accidental trait that, time to time, does appear.

3) What is your earliest memory of instant film?

My grandmother bought a Polaroid camera in the early eighties, and she used to take pictures of both my sister and me in the summertime. Since then, I have always associated instant film with holidays…

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No. 456

8 Exposures...with Laura Alice Watt

Patrick Tobin, | 347 days ago

Welcome back to 8 Exposures, our instant film Q&A series. This week, we bring you California-based Laura Alice Watt

Q1) What kind of Polaroid camera(s) do you use?

A: The workhorse is my trusty SLR 680, looking a bit worse for wear these days as it’s usually my travel Polaroid. It’s kept company by a tan SX-70 (such an elegant creation!), a Spectra and an Automatic 250, plus packfilm camera backs for the Hasselblad and, most recently, Crown Graphic. Plenty of fine cams to choose from!

Q2) Why do you like instant photography?

A: There’s of course the relatively-instant gratification (compared to regular film, not digital) of seeing them develop, and the sheer tangibility of a pola, that it’s both an image and an object; for me, the biggest allure is the way these cameras and films “see.” Light glows differently through instant film than through any other kind, there’s just nothing else like it—all those Pola-Droid apps are sad, sad imitations at best—real instant film provides a unique and characteristic view of the world, a way of seeing the subject that directly enhances and contributes to its beauty or intrigue. And I like that sense of interaction, not only between photographer and subject but also through the distinctive medium of the film—and of course the serendipity.

Q3) What is your earliest memory of instant film?

A: I’m perhaps a bit unusual among instant photographers, in that I don’t have any nostalgic memories of polaroids from the past; both of...Read All

No. 452

8 Exposures...with Pierre Manning

Patrick Tobin, | 350 days ago

Hello again, 8 Exposures fans. This week, we are happy to bring you Canadian photographer Pierre Manning

1) What kind of Polaroid camera(s) do you use?

SX-70

2) Why do you like instant photography?

The suprise , the tones , the richness of colors.

3) What is your earliest memory of instant film?

I remember my mother gave me my first Polaroid and it was a revelation for me to see my images developing in front of my eyes.

4) What’s your favorite Impossible film type?

PX-70. I also liked Polaroid’s Fade To Black that Impossible sold.

5) What are your favorite subjects to photograph?

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No. 437

8 Exposures...with Tyler Tyndell

Patrick Tobin, | 361 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we turn our lens on Texas teacher and photographer Tyler Tyndell

1) What kind of Polaroid camera(s) do you use?

The truth is that by the time this interview runs, it will have changed. Realizing the potential for all Polaroid camera models to be useful, I acquire them readily. Of course, my SX-70 is with me at all times as well as two 250 Land Cameras. Being as it is, when my SX-70 needs troubleshooting, my father-in-law is kind enough to lend me one of his. Other cameras that are usually with me are an SX-70 Pronto and a Polaroid Spectra.

2) Why do you like instant photography?

Can I give a dissertation? In all seriousness, instant photography breathes creativity. For me it provides an avenue for creativity that I would have never been exposed to otherwise. I believe the addictive quality induced from instant photography is best explained by truly understanding the magnitude of what happens the moment you press the shutter. It could be everything or nothing that you imagined. The 35-year-old camera could false shoot and you may end up transferring the pack to another camera, just to harvest the image.

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No. 422

8 Exposures...with Heather Polley

Patrick Tobin, | 368 days ago

Photo by Nick and Dave Photography

It’s time for another foray into 8 Exposures territory. This entry revolves around California photographer Heather Polley

1) What kind of Polaroid camera(s) do you use?

I have several folding SX-70s, as well as a plastic box-type Pronto SX-70. For pack film, I shoot an Automatic 104 Land Camera. My dad is conveniently a vintage camera dealer. He recently gave me three Spectra cameras that are so new to me, I haven’t had a chance to shoot them yet.

2) Why do you like instant photography?

Instant film breathed new life into my work. I’ve always been an analog photographer, and I work a lot with alternative print processes because the element of chance brings a freshness and beauty that you don’t often see in digital work. I like happy accidents and imperfections. I shot with 35mm film for many years, but I have found that shooting instant film adds a new layer of complexity to my compositions.

3) What is your earliest memory of instant film?

Most of the pictures my parents took of me as a child were with a Polaroid camera, probably a One Step. It was there for every milestone and event while I was growing up.

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No. 418

8 Exposures...with Thomas Krauss

Patrick Tobin, | 375 days ago

Hello, Impossibles! Welcome back to 8 Exposures, our instant film Q&A series. This entry brings you photographic Frenchman Thomas Krauss

Q1) What kind of Polaroid camera(s) do you use?

A: From the moment I fell for instantaneous photographs I‘ve tried different ones, but mostly those that use 600 film. The very first one, the trigger, the Archduke of Austria, was the fruit of an exchange for a Holga. Lately I’ve mostly been using an SLR 680, a 690, and an instant Type 100 back for my 4×5 camera.

Q2) Why do you like instant photography?

A: I honestly don’t know, my banker is after me. My wife and him agree so much in restraining my buying frenzy that I’m beginning to think there’s something between them…My photographs lack perfection. I don’t master any of the parameters at shooting…

Q3) What is your earliest memory of instant film?

A: The one and only time during my childhood when I used a Polaroid was for Manu’s birthday. Manu was the little fair-haired boy who lived opposite us. (Since then he has grown and moved).
The boy I’ve always known.
The boy I cycled with.
The boy I watched the Tour de France withthe boy who made me hate the Tour de France.
The boy I played Monopoly withthe boy who made me hate Monopoly…So maybe he’s the one who made me hate birthdays and love Polaroid!

Q4) What’s your favorite Impossible film type?

A: Meat is my hobby-horse. The colour of meat. I’ve...Read All

No. 380

8 Exposures...with Lou Noble

Patrick Tobin, | 396 days ago

Welcome back to 8 Exposures, our instant film Q&A series! This week, we bring you polaroid portrait wizard Luciano Noble

Q1) What kind of Polaroid camera(s) do you use?

A: I use two Polaroid cameras, a Polaroid SLR 680 and an SX-70. I’ve got loads in my apartment, but they’re decorative more than anything else. I’ve gone through my packfilm period, my simple Polaroid period, used a Big Shot for a bit. But there’s just nothing like the SX-70 and its kin that fits me better, the amount of control I like, the quality I require, the form factor, hell, even the little noises the motors make in the SLR 680, that there is music to my ears.

Q2) Why do you like instant photography?

A: I love it because it’s utterly unique. Unique in the pictures that are created, in the interactions using such strange cameras creates between you and your subject, unique in the palette, in the creation of a physical artifact. I’ve been using Polaroid since 1996, it’s been with me for, well, for the majority of my life. Polaroid is responsible for my love of photography.

And it’s not really about film, it’s about Instant film. It’s about having it immediately, about creating this little piece of work that you made mere moments ago, and having it in your hands, showing the person you photographed what you saw, that this picture right here is how I see you.

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No. 361

8 Exposures...with Emilie Lefellic.

Patrick Tobin, | 410 days ago

Hi there. Welcome back to 8 Exposures, our instant film Q & A series! This week, we bring to you Parisian photog Emilie Lefellic

1) What kind of Polaroid camera(s) do you use?

Mainly my 180 and my SX70 model 2, which are my two favorite cameras.

2) Why do you like instant photography?

What I love about instant photography is its completely unpredictable character, the whimsical suprises it creates whenever you click the button. I also love the fact that development takes place before your eyes and you can even influence it once you know the film. As the awesome 101 Impossible Ways Project shows, instant photography leaves infinite room for experimentation and creativity – before, while and after the picture is taken : you can decide to double-expose, use special filters, put your picture in the fridge, in the oven, write, draw, paint, stick stuff on it, create artifacts with it – I actually feel a bit like a craftswoman when I fiddle with my pictures, which is a great source of joy. But what I love above all in instant photography is the instant film itself : its colour, depth, painterly texture, its retro feel – it alters reality in a way that is surreal, dreamy and poetical to me. Somehow, it’s perfect in its many imperfections.

(More after the jump!)

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No. 350

8 Exposures...with Maritza de la Vega

Patrick Tobin | 417 days ago

Hello, instanteers! Welcome back to 8 Exposures, our instant film Q & A series. This entry focuses on New York-based Maritza de la Vega

1) What kind of Polaroid camera(s) do you use?

Primarily I use an SX-70 Alpha, and an SLR 680 SE for integral film and a 440 for pack film. I recently acquired a Keystone 60 Second Everflash (a non-Polaroid pack film camera) that I really like to use and that is slowly replacing my 440. I have a few other Polaroid cameras but I don’t really use them very often.

2) Why do you like instant photography?

I like that it is instant, of course, but also that it’s tangible. It’s great to hold an image in my hand and admire it without the aid of a brightly lit screen!

3) What is your earliest memory of instant film?

??I don’t have specific early memories of instant film, but I do feel that it was a constant part of my world especially from the late seventies through the mid-nineties.

(More after the jump!)

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No. 340

8 Exposures...with Andy Jenkins.

Patrick Tobin | 424 days ago

Hello, friends. We’re back again with another entry in our popular instant film Q & A series, 8 Exposures. This week, we bring you Ohio’s own Andy Jenkins

1) What kind of Polaroid camera(s) do you use?

I mainly use my SX-70 Sonar, 440, Graflex Crown Graphic and my 110a converted to take pack film. I also mix in several other SX-70s with their own quirks, a couple 250s, one600, Supercolor 635 CL, Big Swinger 3000, Polaroid Reporter, Square Shooter 2, and Holgaroid back.

2) Why do you like instant photography?

I like the artistic outlet instant photography provides. The nuances of each type of film and camera allows for so many creative options. I know some people would just give up on a film like Push!, but personally, taking the mundane and transforming it to something else is what makes it fun. I like Jack White’s quote regarding his guitars, “I wanna work and battle it and conquer it and make it express whatever attitude I have at that moment. I want it to be a struggle.”

3) What is your earliest memory of instant film?

I remember making Mother’s Day cards when I was probably 10 years old using my mom’s Supercolor 635 CL (which I still use currently). Neon shirts, parachute pants and Air Jordans really popped on old Polaroid 600 film.

(More after the jump!)

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No. 331

8 Exposures...with Laura Taylor.

Patrick Tobin | 431 days ago

Photo by Lou Noble

Hello, again. Welcome back to 8 Exposures, our instant film interview series. This week, we bring you a lovely lady from the west coast, photographer Laura Taylor

1) Q: What kind of Polaroid camera(s) do you use?

A: The SX-70 is my main camera, though I have a couple other Land cameras that I like to play around with.

2) Q: Why do you like instant photography?

A: It’s just magical to me. I love that the photo is tangible like a small treasure. The element of surprise is fun, too. You never know exactly what to expect because forces out of your control are at play. All of these aspects create a special experience, and beautiful photographs.

3) Q: What is your earliest memory of instant film?

A: When I was in preschool, I had a Polaroid photo taken of me sticking my head through a big wooden cut out clown. I still have that Polaroid.

(More after the jump!)

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No. 322

8 Exposures...With Matthew Fry.

Patrick Tobin, | 438 days ago

Hi friends, and welcome back to 8 Exposures, our weekly instant film Q & A series. This entry turns the spotlight on California-based photographer Matthew Fry

Q1) What kind of Polaroid camera(s) do you use?

I have a Polaroid SX-70 Alpha 1 SE with a Polaroid Polatronic 2350 flash. I love it, and it looks as good as it shoots. I used to have a Onestep Closeup 600, but I gave that to Nettie Harris after a shoot. Actually, I guess I have two other 600s somewhere around here. That’s the great thing about Polaroids, someone always has one laying around from back in the day.

Q2) Why do you like instant photography?

I think most everyone would say that it gives them something tangible in a world consumed by digital. But I only shoot film, so instant is my version of digital. I don’t have to wait days to see it, I have it there in my hands the moment I shoot it. And I always love the anticipation as it turns from blue, slowly forming the shapes and colors. It’s like opening a christmas present for me.

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No. 310

8 Exposures ... with Jarrod Renaud

Patrick Tobin, | 446 days ago

Welcome, friends, to another foray into instant-filmdom, via our popular interview series 8 Exposures! This week, we turn the spotlight on Jarrod Renaud

1) What kind of Polaroid camera(s) do you use?

A Polaroid 195 and Polaroid SX-70 Alpha 1.

2) Why do you like instant photography?

It’s analog and it’s instant. I shoot a lot of 35mm film also, but have the hardest time being patient when it comes to waiting for development and scans. With Polaroid, it’s like Christmas morning with every shot. I love that I’ve got something physical in my hand at the end of a shoot. I also feel like you automatically capture a sense of nostalgia with the slight inconsistency of film and the general color palette.

3) What is your earliest memory of instant film?

Growing up, I never had a Polaroid stuck in my face, there was never one laying around, although my parents took a million photos. It was all point/shoot and SLR cameras. So my first real experience with one was a Polaroid Auto 100 that I found at a thrift shop…

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No. 297

8 Exposures...with George Weiss III.

Patrick Tobin, | 459 days ago

Hello, Impossibles! We’re happy to bring you another entry in our ever-popular question and answer series, 8 Exposures. In this episode, the man of the hour is George Weiss III, a photographer based in Philadelphia, specializing in weddings and portraits, with a love for analog photography…

1) Q: What kind of Polaroid camera(s) do you use?

A: I have a bunch, I’m a bit of a hoarder, er, I mean collector, but I primarily use a couple SX-70 Sonars, an SLR 680, and I have a 250 for packfilm.

2) Q: Why do you like instant photography?

A: Hmph, where do I start? I think the biggest reason is the fact that it has a life and a soul that can’t be found in any other medium. I love the feeling of anticipation I get when I’ve taken a photo and I’m waiting for it to develop or to peel it. It’s magic.

3) Q: What is your earliest memory of instant film?

A: I have a lot of pictures of myself as a child (probably in the 3-year-old range) that were taken by my grandfather but I don’t actually remember them being taken. When I was a young child in the 80’s, Polaroid photos were so ubiquitous it was hard to avoid them.

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No. 292

8 Exposures...with Sean Rohde.

Patrick Tobin | 466 days ago

Hi there, friends! Welcome back to 8 Exposures, our instant film question & answer series. This week, we spoke with Phoenix, AZ-based Sean Rohde

1) Q: What kind of Polaroid camera(s) do you use?

A: Loaded Question! I mostly use my 190 and 195, but I also have a 180, Fuji Fotorama FP-1, Mamiya Universal, Crown Graphic with Polaroid and Fuji backs, SX-70 Model 2 (white), SX-70 Alpha 1 Model 2 (black and modified for 600), Colorpack III, Big Swinger 3000, and some other stuff, plus things I have owned and sold in the past, like a Konica Instant Press and modified roll film cameras, as well as various plastic hard case and folder cameras. I would love to have a 185 to complete my collection, but they seemed to have gone up in value in the past two years to some ridiculous prices. I have to use my cameras, not just look at them on a shelf.

2) Q: Why do you like instant photography?

??A: Well, certainly the fact that it is instant is a draw. Though sometimes I don’t peel my 100 and 80 for six hours so I guess they aren’t always so instant. There is just a certain quality that instant films have that film doesn’t have. Color shifts, textures…it all kind of gives photos a vintage quality that I like.

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No. 284

8 Exposures...with Jade Sheldon.

Patrick Tobin | 473 days ago

Hello, Impossibles! Welcome back to 8 Exposures. This week, we spoke with Portland, OR-based photographer, illustrator and MAE student Jade Sheldon

1) Q: What kind of Polaroid camera(s) do you use?

A: I have a small collection of Polaroid cameras that my grandparents have given me over the years. They love estate sales and whenever they come across a camera, they can’t resist getting it for me (you won’t catch me complaining). Not all of them are in working order, but they are beautiful to look at nonetheless. The main cameras I use for my instant film photography are my Sun 660 and Fuji Instax 210. I’m looking to add a Polaroid 195 to my modest collection.

2) Q: Why do you like instant photography?

A: I earned my BFA in illustration in 2009. That was four long years of sketches, thumbnails, roughs, color comps, second-guessing, finals, and critiques. Creating an illustration can take hours… days… even months. There is so much planning and so much preparation that goes into it. When I discovered instant film, I felt so free. With instant film, I could create a piece of original art in seconds.

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No. 278

8 Exposures...with Andrew Millar.

Patrick Tobin, | 480 days ago

Hello again, 8 Exposures fanatics! We’re back with another splendid entry in our instant film interview series. This week, we spoke with Andrew Millar

1) Q: What kind of Polaroid camera(s) do you use?

A: I have quite a few SX-70 cameras; some work better than others but I mostly tend to use my trusty old brown SX-70 Land Camera 2.

2) Why do you like instant photography?

A: It can be unpredictable and love it when you try to control or play with the outcome and end up with something unexpected and unique.

3) Q: What is your earliest memory of instant film?

No one in my family owned an instant camera so my earliest memory would be going to get my passport photos done when I was a child in an old-fashioned photo booth.

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No. 273

8 Exposures...with Kristen Perman.

Patrick Tobin | 487 days ago

Hello, friends! We hereby present you with another entry in our instant film Q & A series, 8 Exposures. This week, we profiled California photographer Kristen Perman

1) Q: What kind of Polaroid camera(s) do you use?

A: My favorite camera is my SLR 680. I actually have two of them, both in a delicate state from being dropped. I also love my Spectra camera, gifted to me by a good friend, who found it by her apartment dumpster in Philly. It’s clear, so you can see all the inner workings and it has proven to be a great conversation starter.

2) Q: Why do you like instant photography?

A: Instant photography taught me how to frame a photo and of course, to slow down. I’ve learned that the first shot is always the best, even if that first shot is not the best or your favorite.

3) Q: What is your earliest memory of instant film?

A: We always had a Polaroid camera around. There are random family photos throughout my childhood proving its existence even though I don’t remember it much.

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No. 264

8 Exposures...with Jessica Hibbard Elenstar.

Patrick Tobin | 494 days ago

Hello again from 8 Exposures! This week, we’re highlighting Maryland Event Planner and photo genius Jessica Hibbard Elenstar!

1) Q: What kind of Polaroid camera(s) do you use?

A: My collection is always expanding, but my favorites are SX-70s, Spectra ProCams, and Super Shooters. I always have at least two of each in case one breaks, and multiple cameras also come in handy for shooting different film types at the same time.

2) Q: Why do you like instant photography?

A: I’m drawn to the beauty of vintage cameras, the warmth of film, and the uniquely imperfect nature of each image. Even “bad” polaroids are good, and a nice reminder for a control freak like myself to be open to surprises.

3) Q: What is your earliest memory of instant film?

A: My grandmother’s Spectra camera. I still remember her opening the crinkly silver package of film. She insisted on taking a picture of the entire family at the dinner table when we were all together, so there are many vintage shots of me as a kid with food in my mouth.

(More after the jump!)

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No. 258

8 Exposures...with Ben Shuster.

Patrick Tobin | 501 days ago

Hello again, instanteers, and welcome back to 8 Exposures! This week, we spoke with Washington, DC-based Ben Shuster…

1) Q: What kind of Polaroid camera(s) do you use?

A: I have a couple SX-70s – the Original and the Sonar Onestep – and a Spectra for the current and past integral packs. For packfilm I go with either the Model 340 Land Camera or my Kiev 88 fitted with the Polaroid magazine. I also still have a fair amount of Type 80 series packfilm, and those go straight into my Holgaroid.

2) Q: Why do you like instant photography?

A: Like so many other people, I love its vintage coolness, nostalgia-soaked colors and analog unpredictability. It sets your shots apart from everything else out there. It can take a perfectly normal snapshot and make it perfectly unique. The variety of manipulation and lift techniques really make creative possibilities endless. AND! Name someone you know who doesn’t have a “make my photos look like instant film” app on their phone – you can’t do it. WE know what’s up. WE have the prints to prove it.

(More after the jump!)

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No. 254

8 Exposures...with Jake Messenger.

Patrick Tobin | 508 days ago

We’re happy to bring you another entry in our popular instant film question-and-answer series 8 Exposures! This week, we proudly feature UK-based photographer and digital artist Jake Messenger

1) Q: What kind of Polaroid camera(s) do you use?

A: Many! My favourites are my dad’s old original SX-70, and the SX-70 Sonar which belonged to his business partner. I also use a hefty 600SE; the quality you can get from it is fantastic, but it is a beast to lug about. My lighter pack-film option is a Land Automatic 250. I have a few other cameras knocking about – a Super Shooter, a 600 P, an SX-70 3000. On my shelf there are a couple of beauties for show: I love the 800 roll-film camera. Oh, and I have a pack-film back for my Holga!

2) Q: Why do you like instant photography?

A: I love the ‘thingness’ of instant: how you compose your picture, take it, and within a few minutes you have the physical object in your hand. While I love all kinds of image-making, the immediacy of instant is just magical. I love the fact that the film is its own darkroom, that once the image is there, that’s it – there are no processing decisions to be made.

(More after the jump!)

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No. 250

8 Exposures...with Britta Hershman.

Patrick Tobin | 515 days ago

Hello again, friends, and welcome back to 8 Exposures! This week we spoke to Britta Hershman

1) Q: What kind of polaroid camera(s) do you use?

A: For most of my instant photography, I use my trusty green OneStep Express, aka, the Turtle. Actually, I’m mildly obsessed with all things Italian, so I call it by its Italian name, la Tartaruga. It’s cute, green, and round, and I found it in a thrift shop in Naples, Italy. It was my first instant camera, so it will always hold a special place in my heart. I also use a Spectra, a Polaroid 330 for Type 100 peel-apart film, and a Polaroid Land Camera 800 for Type 40 series roll film, nicknamed the Dino because of its impressive size and weight. And also, sadly, because film for it is nearly extinct. It’s difficult to find, and the few films that are left have been expired for decades and are often dried out. So the chances of ending up with actual photos are slim, but once in a while it does happen. And every time it does, I’m reminded of why I love instant photography.

2) Q: Why do you like instant photography?

A: It’s a thrill to create tiny but complete works of art with a camera.

(More after the jump!)

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No. 243

8 Exposures...with Dan Meade.

Patrick Tobin | 522 days ago

Hello, Impossibles! We’re back with another warm and fuzzy entry in our 8 Exposures series. This week, we highlighted NY-based Graphic and Web Designer Dan Meade

1) Q: What kind of Polaroid camera(s) do you use?

A: All of them! No, really…I have this thing where I have to try everything. I probably have at least one of every style and format of Polaroid camera, from Spectra and peel-apart cameras to 500 and even I-Zone!

I really enjoy my SLR cameras (several SX-70s and an SLR680) most, but I’ve also built a few home-made cameras including instant pinhole cameras and a custom rubber-coated “Holga-roid.” I also just got a Crown Graphic, which is just fascinating when used with instant film.

2) Q: Why do you like instant photography?

A: I was initially drawn to instant photography for the nostalgia.

However, I quickly became hooked on the “instant gratification” and the unpredictable nature of instant photos.

(More after the jump!)

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No. 234

8 Exposures...with Brooke Castro.

Patrick Tobin | 527 days ago

Hi again, 8 Exposures fanatics! We’re happy to bring you a special Sunday entry in our series. This episode, the star of 8 Exposures is Seattle-based designer, project manager and mom Brooke Castro…

1) Q: What kind of Polaroid camera(s) do you use?

A: I have 12 Polaroid cameras (there is no such thing as too many cameras, right?), but the ones I use most are my SLR 680 SE, SX-70, and a Polaroid ColorPack II.

2) Q: Why do you like instant photography?

A: I love that it has proved time and time again that the most beautiful or interesting photos aren’t always the ones you planned for or expected.

3) Q: What is your earliest memory of instant film?

A: When I was really young, my grandfather used to take family photos with a Polaroid camera. I can remember waiting, anxious for him to peel back the film and show my cousins and me the photo. (That Polaroid ColorPack II that I mentioned above? That was my grandpa’s camera.)

(More after the jump!)

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No. 232

8 Exposures...with Bradley Johnson.

Patrick Tobin | 529 days ago

Hello, Impossibles! Welcome back to 8 Exposures. This week, we turned the spotlight on Long Beach, CA-based photographer Bradley Johnson:

1) Q: What kind of polaroid camera(s) do you use?

A: I use them all!…or at least, as many as I can get my hands on! Each camera has its own charm, but there are a few that I prefer more than others. I think that the SX-70 is the quintessential Polaroid camera. It does everything you would want a camera to do, and it uses instant film! My runner up would be the Propack. I know that many of my photographer friends will make fun of me for this, but it produces nice photos, and is relatively compact. I use the close-up, and portrait lens attachments (meant for the Polaroid 250, 360, 450 land cameras) to make it even more versatile. Also, it never has the jamming problem associated with Fuji pack film.

2) Q: Why do you like instant photography?

A: First and foremost is the instant feedback. However, with the advent of digital, that isn’t such a novelty anymore. I suppose the real reason I love instant film so much is the fact that each photo is an original work of art. There is no negative. The print you hold in your hand is one of a kind. There will never be another. Sure, you could scan and print a copy, but it will never be the same.

(More after the jump!)

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No. 226

8 Exposures...with Jesse Freidin

Patrick Tobin, | 536 days ago

Hello, 8 Exposures fans! This week, the star of 8 Exposures is Bay Area Dog Portrait Aficionado Jesse Freidin

1) Q: What kind of polaroid camera(s) do you use?

A: This is a dangerous question, because I am a collector. I own about 30 Polaroid cameras, all salvaged for around $5 from various yard sales over the past 10 years. Most of them are retired, littered throughout my apartment in some sort of display. But many of them work perfectly. My two favorites are the Spectra Image (which I now shoot exclusively with Impossible Film), and the Land Camera 103. They smell good, they feel good, they are like extensions of my body. If my house were burning down, I’d be the jerk with singed hair and 30 instant cameras around my neck.

2) Q: Why do you like instant photography?

A: Instant photography was my first love, and I fell hard. There is something so powerful about making the images in your head exist in the real world, and instant photography has always articulated my personal vision perfectly. As a photographer dedicated to analog means, I will never let go of the physical interaction I have with my cameras and film.

(More after the jump!)

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No. 211

8 Exposures...with Oliver Zelinski.

Patrick Tobin, | 543 days ago

Hello friends, and welcome back to 8 Exposures! This week, we spoke with German photographic wizard Oliver Zelinski…

1) Q: What kind of polaroid camera(s) do you use?

A: There is a Barilla pinhole and some old plate cameras with Polaroid backs, a Macro 3, a couple of 636s, an EE100, an Image Spectra, two SX-70 Alpha, a 340, two EE44 and something in the cellar

2) Q: Why do you like instant photography?

A: Because of its own limitation and in connection the results + the smell on x-posed in polanoid.

3) Q: What is your earliest memory of instant film?

A: I remember my mum dissing grandpa’s Sun 660 and those unstable pictures with the boring frame.

4) Q: What’s your favorite Impossible Film type?

A: PX 100 FF and PX 680 beta.

5) Q: What are your favorite subjects to photograph?

A: Mr Giulio Stucchi but generally I am trying not to see the subjects as such but let them speak out. Then you can listen, looking at the picture…

(More after the jump!)

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No. 206

8 Exposures...with Brad Elterman.

Patrick Tobin, | 550 days ago

Welcome back to 8 Exposures! This week, we spoke with the amazing Brad Elterman, who since the 1970s has been photographing celebrities and musicians such as Blondie, David Bowie, Michael Jackson and The Who!

1) Q: What kind of polaroid camera(s) do you use?

A: Polaroid One.

2) Q: Why do you like instant photography?

A: It’s so sexy.

3) Q: What is your earliest memory of instant film?

A: My mom was a painter and in the 70’s she went out and got an SX70. That was really something special. I still have it, somewhere.

4) Q: What’s your favorite impossible film type?

A: PX 680.

5) Q: What are your favorite subjects to photograph?

A: Modern Pop Culture

(More after the jump!)

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No. 197

8 Exposures...with Jessica Reinhardt

Patrick Tobin, | 557 days ago

Welcome back to 8 Exposures! This week, we talked with LA photographer/sweetheart Jessica Reinhardt

1) Q: What kind of polaroid camera(s) do you use?

A: I consider myself extremely fortunate when it comes to my cameras. I have four Polaroid cameras that I use all the time…as well as an ever growing collection of wayward cameras rescued from various states of neglect. I have two Land Cameras…a 360 that belonged to my father. He won it as a college student—-a top of the line set with filters, self-timer, cable release, and portrait lens—-the works. When I was in college he had it reconditioned and gave it to me as a birthday gift. It was the camera that really solidified my love affair with Instant Film. My other Land Camera is a 320 I found languishing in the supply closet at work. It had not been touched pretty much since it was purchased. My boss was impressed with what the camera could do with a fresh battery and some film. My Polaroid cameras that I don’t leave home without are two original model SX-70s. My first SX-70 was a Swap Meet find, complete with a carrying case and manual.

(more after the jump!)

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No. 189

8 Exposures...with Dan Ryan.

Patrick Tobin, | 564 days ago

Welcome to another exciting edition of 8 Exposures, our new interview series highlighting interesting people using Impossible film. This week we talked with UK-based photographic wizard Dan Ryan.

1) Q: What kind of polaroid camera(s) do you use?

A: I’ve got loads of Polaroids in various states of repair, but day-to-day I normally use a battered, brown SX-70 Alpha and a nice and shiny 180.

2) Q: Why do you like instant photography?

A: I don’t know…Why do you like breathing?

3) Q: What is your earliest memory of instant film?

A: I have a bit of a false memory of instant film which, as it turns out was taken on a Kodak. It was a family snap of a walk, with dad and a backpack. I rediscovered it a few years ago in an old album. My modern love affair with Polaroid came at a party about 6 or 7 years ago, when someone pulled out an old 330 or something – I was blown away with the simple beauty of it.

(More after the jump!…)

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No. 180

8 Exposures...with His & Hers.

Patrick Tobin, | 571 days ago

Welcome to another thrilling episode of 8 Exposures, our new interview series highlighting interesting people using Impossible film. This week we talked with Oregon-based instant film magicians His & Hers (Dave Tuttle and Whitney Johnson)…

1) What kind of Polaroid camera(s) do you use?

Hers: Between the two of us, we have a lot of cameras. We actually have an entire closet devoted to cameras, accessories and film.

His: The cameras are in various working conditions, of course. I think we probably have only 30-40 total. There are more than a few that could probably stand to be donated for parts.

Hers: Ha! Only 30 or 40.

His: Yeah, it is a bit ridiculous considering we really only use the same ones over and over again.

Hers: I love my SLR 680. It has a tiny hole in the bellows that I have to tape every few months, a burn mark on the sonar from where I attempted to dislodge a piece of stuck straw with a lighter (note to others: this is not a good idea) and the entire top cover melted off on a Caribbean cruise (seriously), but it still works like a champ. It is the best $75 I’ve ever spent.

(More after the jump!)

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No. 175

8 Exposures...With Azuree Wiitala.

Patrick Tobin | 579 days ago

Welcome to another episode of 8 Exposures, our new feature consisting of 8 photography and instant film-related questions, accompanied by 8 Impossible images from the featured artist. This week, we interviewed Chicago-based photographer, rabbit-lover and life-liver Azuree Wiitala

1) Q: What kind of Polaroid Cameras do you use?

A: My favorite Polaroid camera to use is the SLR 680. Sadly that camera died while my husband and I were visiting my family in Puerto Rico last year. Since then I’ve been shooting with three Sonar One Step SX-70 cameras. Yes, three. They each have different film in them although I have to admit that I can never remember which has what film, which turns out to be a fun surprise, for the most part.

2) Q: Why do you like instant photography?

A: I am drawn to instant photography because it is…instant. I do not prefer to shoot digitally and find that I drag my feet to develop 35mm (which I also love to shoot) so instant film just makes sense to me. I also love the perfect imperfections that come along with shooting instant film.

(More after the jump!)

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No. 170

8 Exposures...With Charlie Wagers.

Patrick Tobin, | 585 days ago

Welcome to a new feature on the Impossible Blog: 8 Exposures. We’ll be asking artists and photographers 8 questions revolving around photography, especially instant photography. Also included will be 8 Impossible images submitted by the featured artist.

Our inaugural edition of 8 Exposures focuses on Charlie Wagers, an Ohio-based graphic designer, art director and illustrator, and a founding member of Three Bears Design.

1) Q: What kind of Polaroid camera(s) do you use?

A: I have a vintage folding SX-70 that I prefer to use, in addition to a bunch of old thrifted 600 cameras. I like the SX-70 because I can use 600 films in it, with a filter. And it folds up nicely, which makes it easy to carry around with me.

2) Q: Why do you like instant photography?

A: I always prefer analogue photography to digital. I most commonly photograph with 120 films in my Holga, so using instant cameras is a treat to see the photos within minutes. I especially appreciate the colors and new effects that come with using Impossible’s film types.

(More after the jump!)

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