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December 2012

1
No. 657

Impossible Holiday Card Exchange!

Patrick Tobin, | 173 days ago

Deck your cards with words so jolly!

It’s always nice to receive personal messages during the holiday season. A little nicety goes a long way to making the recipient feel warm and fuzzy. Send us a holiday card via snail mail and in return we will send you a Happy New Year card! Your card can be something you illustrated, an Impossible Postcard featuring one of your instant shots, or simply an Impossible photo itself dropped in the mail with a note written on the back!

Please get your card to us by December 31st and come January, you’ll get a card from us! Happy Holidays from Impossible!

Read all
2
No. 657

Impossible's Sunday Brunch with Guest Chef Toby Hancock

Patrick Tobin, | 172 days ago

Photo by Katy Maziarz

Welcome back to Sunday Brunch, our series in which we share lovely photos taken with Impossible film. We decided to mix up the brunch menu a bit by inviting Impossible friends and photographers to guest curate our Sunday Brunch selections.

Our good friend and fantastic photographer Toby Hancock came up with the menu for this week’s “Guest Chef” entry. Please enjoy these savory photos selected by Toby!

Photos come to us from Katy Maziarz, Kevin Scott Koepke, Ghee Dondlinger, Troy Bradford and Kim Oberski and were taken with the following film types: PX 680 Color Protection, PX 70 Cool, PX 600 Cool and PX 600 UV+ Black Frame.

Toby’s thoughts on each photo…

Read all
3
No. 658

8 Exposures...with Francisco Chavira

Patrick Tobin, | 171 days ago

Hello, instanteers. Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we happily bring you wonderful California photographer Francisco Chavira

1) What kind of Polaroid camera(s) do you use?

Like most photographers, I get GAS or Gear Acquisition Syndrome; It’s incredibly easy to get! There are Polaroid cameras everywhere at my place. However, I was challenged by a fellow photographer to stick to one camera and one film, to learn everything about that one camera and that one film. So, I shoot almost exclusively with an SX-70 Sonar. I’ve learned that the sonar doesn’t work most of the time, so I manually focus all the time. Sticking with this one camera, I’ve grown very comfortable with it and shooting it has become very natural. It’s truly an amazing camera, the depth of field and the sharpness of the SX-70 is stunning.

2) Why do you like instant photography?

As a film photographer, having an instant photo at your disposal is incredibly rad. Not only do you get the satisfaction of seeing how your images will look right away, but your subject gets the feeling of accomplishment as well. All the effort your subject put into makeup, hair, posing ect. is worth it. Instant film is powerful, because it has a unique ability to alter someones mood. To think how this one tiny square image, can uplift and excite is amazing. Having that power to instantly uplift your subject on a portrait shoot is powerful.

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No. 659

Workshops at Project Space Vienna

Marlene Kelnreiter | 171 days ago

by Oliver Blohm

This week is going to be a busy one at our Project Space Vienna!

On Friday, December 7, we cordially invite you to attend a free workshop dedicated to the (im) possibilities of the various Polaroid box type cameras. Afterwards we’d love to see you at the Impossible regular’s table, the last one of this year! Simply bring along your favorite drink and enjoy!

On Saturday, December 8, German photographer Oliver Blohm will introduce you to his experimental techniques which lead to surreal and mystical photos based on analog instant films, his work is regularly being featured in international magazines. The workshop starts at 2pm, to register click here for all details.

4
No. 660

New mold machines for the Impossible factory

Factory Team | 170 days ago

In our factory we are from time to time facing true challenges. Recently we found ourselves in urgent need to find an in-house solution for molding the plastic parts for the film cassettes. Our supplier went bankrupt and it was not possible to find a new supplier on short notice.

FINDING
In order to became fully self sufficient we had to source and purchase the right molding machines and equipment. All of them were bought in an online auction where we managed to place the right bid at the right time, thanks to a special bidding team in a bidding room furnished with fast internet connection and lots of coffee. After lots of excitement we succeeded in getting all “must have” machines and equipment for very reasonable prices.

PACKING
Then came the one and only day when we had to disconnect, dismantle, pack and moving the machines and equipment. For this delicate operation a special team was assigned and an external transportation company had to be hired for moving the 8-11 tons heavy molding machines. As shown on attached pictures, 2 big cranes and 2 big trucks were needed for loading and moving the molding machines. Further excitement was added by the time limiting fact that we only had 1 (one) day available for disconnecting, dismantling, packaging and moving the machines and equipment. An execution plan was made and the different tasks were divided within the team.

The building where we had to dismantle the machines was powerless,...Read All

5
No. 662

Impossible's Analog Travelog - Matt Smith in Spain

Patrick Tobin, | 169 days ago

Welcome to our newest addition to the Impossible Blog: Impossible’s Analog Travelogue! In this series, we’ll be showcasing fantastic Impossible photos taken on voyages the world over. This entry comes from Matt Smith, who just visited Spain and brought along some Impossible film

Back in 1999, a group of 8 or 9 of us travelled from our shared university house in Wales, UK to a friend’s parents’ villa near Denia on the East coast of Spain for a sunny holiday that happened to also be my 21st birthday. You can imagine the 10 days that followed.

This September, a group consisting of mainly the same people met in another villa near Denia, to attend the wedding of our friend who owned the villa from the previous holiday, where the wedding was to be held. Friends travelled from the USA, Oman and other far flung places for the wedding. This was also a reunion of lifelong friends, impossible to believe 13 years had passed since the last trip. A week of good times, parties, relaxing, swimming and ping pong followed, as well as a beautiful wedding, where we were still in the pool at 5am.

Luckily for me I had a few packs of the new PX 70 Color Protection test film and some PX 600UV+ with me, along with my trusted SX-70. This was the point I feel that Impossible film has really made it. Great colours, no shielding, no hassle, just shoot it! The weather was 35 degrees...Read All

No. 662

SNAP! x Impossible Photo Contest - Sept/Oct "Road Trip" Finalists

Patrick Tobin, | 169 days ago

Photo by Megan Kirschenbaum

Hello, friends! We are happy to announce the winners from the September-October round of our ongoing photo contest in collaboration with SNAP! Magazine. The theme for September/October was “Road Trip.”

Winning images come from Megan Kirschenbaum, Thomas Preyer, Gord Iversen, Genevieve, Amber Mahoney, Ashley Saldana, Jade Sheldon, Amalia Chimera, John Carleton and Toby Hancock.

The 10 finalists will receive $5 off their next purchase with Impossible.

Congrats to Megan Kirschenbaum for her Grand prize winning image! Megan will receive a pack of Impossible Film and a mystery prize from Team SNAP!

The theme for September is Plastic! We now have an official SNAP! x Impossible Gallery on our site. For more details on the collaboration, click HERE.

6
No. 663

PX 680 Holiday Edition

Marlene Kelnreiter | 168 days ago

We can’t promise you’ll have a white christmas but our special holiday packaging for PX 680 Color Protection is covered with snowflakes!

Available in festive five or three packs, this limited edition packaging contains the best color film we’ve produced for 600 cameras. It makes a perfect gift and will surely generate a blizzard of thank-yous!

Please note the film in the Holiday packaging does not have decorated frames, they are the classic white frames.

No. 664

The Impossible NYC Holiday Party

Michelle Casper, | 168 days ago

Thursday, December 13
Impossible Project NYC Space
By Michelle Casper

On December 13th, to thank our wonderful analog community, we are hosting a very Impossible holiday party!

Have a glass of wine, meet other instant film aficionados and get crafty with our holiday card making station! Re-live your childhood by creating handmade cards to present to your loved ones this year. We will have Lift-It Kits and Impossible Pen sets available for your creative needs, and all Impossible Postcards will be 15% off!

To make the season even sweeter, from 6pm-9pm all cameras will be 20% off and all film will be 15% off.

Festive holiday attire is optional, but definitely encouraged!

Thursday, December 13th
6PM to 9PM

Where:
Impossible Project Space NYC
425 Broadway, 5th Floor
Between Howard & Canal Streets

7
No. 665

8 Exposures...with Bria Morrison

Patrick Tobin, | 167 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series! This week, we are happy to bring you California photographer Bria Morrison

1) What kind of Polaroid camera(s) do you use?

My folding SX-70 is the love of my life and my very first “real” (as in not automatic everything) Polaroid camera. I found her on eBay in early 2009 and she’s still one of my greatest treasures. Since then I have fallen for my Spectra which is perfect for quicker shooting at weddings or other on-the-go occasions. And, not to forget my latest acquisition, my beloved Polaroid 180 Land Camera.

2) Why do you like instant photography?

I really love everything about instant photography but the one thing I love above all others are the images themselves. They’re soft and clear all at once. Painterly. You can blow them up HUGE and they remain some of the most beautiful photographs I’ve ever seen. There is no equivalent in the digital or standard film worlds.

3) What is your earliest memory of instant film?

Even though instant film was in my life for many years before this, the first time I can honestly say I remember what it was like to be photographed on instant film was on Grandparent’s day when I was in elementary school. My grandma, mom and I all posed for a picture & held up this little paper bunny I had made for Easter.

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No. 666

PZ 680 Color Protection - Money-Back Guarantee

Marlene Kelnreiter | 167 days ago

By Marion Birringer on PZ 680 Color Protection

We are absolutely confident that you will love our new PZ 680 Color Protection film!

In the unlikely case that you should not be satisfied with the results you get, please return ALL 8 frames of the film pack to one of the three addresses below before January 31, 2013. Please also write your original order ID number on the envelope.

We will then issue a refund of the full purchase price of the film pack (less shipping) to your paypal or credit card account.

Impossible GmbH
CP Return
Halbgasse 3/2/1
1070 Vienna
Austria

Impossible America Corp
CP Return
425 Broadway, 5th Floor
New York, NY 10013-2547
USA

Impossible Tokyo
CP Return
Kabushi Kaisha
1-20-5 Aobadai
Meguro-ku, Tokyo
Japan

No. 667

Impossible Vacancy

Marlene Kelnreiter | 167 days ago

By Andrea Palei on PX 100 Silver Shade UV+

“Really, there is still film for old Polaroid cameras?!” Despite all the attention that our project has enjoyed from its very beginning we still hear this surprised question. We are looking for an experienced PUBLIC RELATIONS MANAGER who is eager to help us change this.
You are experienced in approaching and communicating with the press and have excellent contacts, you know how to transport content to relevant target media and audiences and how to optimally feature Impossible products, you are motivated to build and raise the Impossible brand awareness together with a passionate team.

YOUR TASKS
-> Strategic planning, execution and controlling of international press as well as external and internal communication
-> Set up and control of a yearly media plan, implementation of PR pro-active efforts, engage in media relations and create and secure media with PR pitches
-> Increase presence of the Impossible brand substantially in the international media landscape

-> Set up, nurture and maintain contacts with international press contacts
-> Build and manage a highly effective communications department. Provide direction and international guidelines to local PR & marketing teams for domestic implementation
-> Report and analyze outcome to the CMO
-> Employment: Full-time
-> Job start date: January / February 2013

-> Job location: Berlin

YOUR QUALIFICATIONS
-> At least a bachelor degree (major in communications, marketing or branding is of advantage)

-> Minimum of 4 years of working in the PR and Communication...Read All

No. 668

Stefanie Schneider - Old Book, New Film

Marlene Kelnreiter | 167 days ago

German artist and photographer Stephanie Schneider is one of our most beloved artists when it comes to usage of analog instant film materials.

Her popular series 29 PALMS, CA from 1999 have become significant for the aesthetics of her work, featuring a surreal mood and the magic of analog instant film.
Published by Schwarzerfreitag we are proud carrying the splendid fourth issue of the Pocket Polaroid Series

For the last two and a half years, Stefanie has been on the feature “The Girl behind the White Picket Fence”. The film premieres December 7 at the Light Assembly Film Festival and December 9 at the Colony Theater in Miami Beach during the Art Basel Miami. Click here for more.

8
No. 670

8 Exposures...with Andrea Palei

Patrick Tobin, | 166 days ago

Hello, friends. Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we’re happy to bring you long-time Impossible supporter and wonderful photographer, Italy’s own Andrea Palei

1) What kind of Polaroid camera(s) do you use?

I started shooting instant film with the “Polaroid 1000 red button” of my dad. I am passionate and I bought an original SX-70 (my favourite camera), from there I became insane, and I started collecting as many instant cameras as possible. I often use original SX-70 and SLR 680. And sometimes the Spectra and Colorpack II.

2) Why do you like instant photography?

It’s magical. The thing I love most about the instant photography is the unpredictability of the outcome, and the possibility to “touch” the photo and see it “born” slowly under my eyes. Those are things that fascinate me again like the first time.

3) What is your earliest memory of instant film?

The very first memory: I was a child and my father was taking polaroids at the beach and birthday parties.

Read all
9
No. 669

Imposible's Sunday Brunch with Guest Chef Andrew Millar

Patrick Tobin, | 165 days ago

Photo by Alexandre Bouchon

Welcome back to Sunday Brunch, our series in which we share lovely photos taken with Impossible film. We decided to mix up the brunch menu a bit by inviting Impossible friends and photographers to guest curate our Sunday Brunch selections.

Our good friend and fantastic photographer Andrew Millar came up with the menu for this week’s “Guest Chef” entry. Please enjoy these savory photos selected by Andrew!

Photos come to us from Alexandre Bouchon, Penny Felts, Landry, Lambis Stratoudakis and Hugo Goudswaard, and were taken with the following film types: PX 70 Color Protection, PX 70 Cool, PX 680 Cool and PX 680 First Flush.

Thanks so much to Andrew for taking time to assemble this tasty bunch! Keep shooting, and be sure to submit to the Impossible Gallery and the Impossible Flickr Group! Your Impossible moment may end up in a future edition of Sunday Brunch!

No. 672

BOOK WEEK at Impossible!

Patrick Tobin, | 165 days ago

READ ALL ABOUT IT!

We’re simply M.A.D. for the books in our online shop so we thought we’d show them a little love. From December 10th-16th, enjoy special deals on all of these tomes. Ranging in topics From Polaroid To Impossible, We’ve got 101 Ways to TickL your fancy!

Go to our Online Shop & pick one up this Instant

10
No. 673

8 Exposures...with Cyrus Mahboubian

Patrick Tobin, | 164 days ago

Hello friends, and welcome back to 8 Exposures, our instant film Q&A series! This week, we’re happy to bring you London photographer Cyrus Mahboubian

1) What kind of Polaroid camera(s) do you use?

I’ve collected an unhealthy number of Polaroid cameras in my time and I’ve used most of them, apart from the very early models. My favourite is the original SX-70, but the one I use most often is an SLR 690. It was made in the 80s, based on the SX-70 design and it’s a wonderful camera.

2) Why do you like instant photography?

I like it instinctively, I’ve been hooked since I shot my first Polaroid and watched as the image appeared. Whenever I try to explain it in words, it always comes back to two things: the tangible nature of the prints and their singularity. For those reasons the photographs are more than just photographs, they’re objects. I also like the integrity of instant photography; once you’ve shot the image, there’s nothing more, you can’t edit it – actually that will make you a better photographer. Today everything is digital, but it’s hard to connect with digital images – the vast majority exist only on computer drives and will never be printed. It’s sad. Instant photography is the remedy.

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11
No. 674

The Camera Museum: Polaroid SX-70 OneStep

Patrick Tobin, | 163 days ago

With its rigid white and black plastic body and its iconic rainbow stripe, the classic SX-70 OneStep is one of the most recognizable cameras Polaroid ever produced. It was first released in 1977 as a more affordable alternative to the folding SX-70s and has been a fan favorite ever since.

The SX-70 OneStep has a single-element plastic lens with fixed aperture (103mm, f14.6), 4 ft minimum focus distance, an exposure dial and a socket for flashbars. The OneStep can be used with the Impossible Flashbar by Mint or disposable flash bars, and works with any of our film for SX-70s, which can be found HERE.

Just in time for the holidays, we have a very limited quantity of SX-70 OneSteps available in our special White Christmas Rainbow SX-70 Kit. Act now and make your holiday merry and bright!

12
No. 661

Impossible's Analog Travelog - Abe Bingham in Morocco

Patrick Tobin, | 162 days ago

Welcome back to our newest addition to the Impossible Blog: Impossible’s Analog Travelog! In this series, we’ll be showcasing fantastic Impossible photos taken on voyages the world over. This entry comes from Abe Bingham, who just visited Morocco and brought along some Impossible film

In October, my partner and I spent a couple weeks in Morocco, traveling from Tangier to Casablanca and Marrakech by train. We didn’t know a lot about the country except for what we’d read: but we were interested in the dry, hypnotic beauty of the desert, and the feeling of being in a completely new place. In Tangier, we visited the sites of beat and literary history, staying in the same, surprisingly unfussy room that Jack Kerouac did when he visited fifty years prior. Casablanca was full of friendly locals and pickpockets and beautiful architecture. And Marrakech? Well, let’s say it was a little too touristy for our taste, but we did see some remarkable and beautiful sites.

In my previous trip abroad, I hadn’t brought my SX-70, and this time I decided that I wanted to. The camera itself travels remarkably well. I found a snap-locking tupperware that fit my camera perfectly to protect it from bumps and water. The film took up more room in my bag than the camera, and took some explaining at customs in Tangier! Beyond practical logistics, though, the SX-70 is a wonderful camera to travel with. I found myself taking fewer “tourist” shots with it (smiling head in front of whatever famous or beautiful landmark) and more “souvenir” shots. By that I mean close-up photos of small details that can really transport me back there.

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13
No. 677

PX 680 American Woods Edition

Marlene Kelnreiter | 161 days ago

Impossible celebrates the woods that built America in this limited edition analog film bundle, featuring frames of (somewhat accurately reproduced facsimiles of) American Hard Maple, Canyon Live Oak and Hickory Nut.

Each pack contains 8 frames of PX 680 Color Protection film, our latest, and greatest color film. Thanks to the innovative color protection formula there is no need to immediately shield your photos from direct light.

Much like a tree taking time to reach its full height, PX 680 film will take 30 to 40 minutes to fully develop (in colder weather it may take a bit longer.)

The film is slightly slower so we suggest adjusting the L/D setting on your camera a tick or two towards lighten.

Enjoy this unique limited edition now!

No. 678

Impossible 20x24 Workshop

Josie Keefe, | 161 days ago

This month we hosted our first ever 20×24 workshop, taught by John Reuter and Nafis Azad of the 20×24 studio. The workshop began with an evening lecture by John at Impossible NYC, covering the development and historical use of the camera. John showed images shot by a diverse group of talented artists, shot since the camera’s inception in 1976. The group was inspired by the large format work of Lucas Samaras, Joel Janowitz, Betty Hahn, Chuck Close, Barbara Kasten, and more. We had a q&a session on the set-up, lenses, and technical specifics of the camera so the group could prepare for the studio day.

The second day of the workshop was a full studio day at the 20×24 studio in downtown manhattan. Participating in the workshop were filmmaker Dan Weissman, writer Chris Bonanos, and photographers Frank Stewart, Carrie Roseman and Fabrice and Varial. Everyone shot had a chunk of time to shoot with the camera, guided by John and Nafis. The group shot a wide variety of images, some still lifes, classic portraits, nudes, multiple exposures, and emulsion lifts. The workshop was an amazing experience to learn about, shoot with, and watch others use this rare and legendary large format camera. We will offer the 20×24 workshop again soon so stay tuned and don’t miss your chance to shoot with the 20×24 camera!

14
No. 677

Dr. Love's Tips - SX-70 Troubleshooting Guide

Patrick Tobin, | 160 days ago

Welcome back to Dr. Love Tips where Impossible USA’s Camera Resource Manager Frank Love provides insight and advice on how to get the best out of your Polaroid cameras and Impossible film. This week: SX-70 Troubleshooting Guide!

After some requests, and many general inquiries, we have created a comprehensive online troubleshooting guide for your SX-70. Simply bookmark the link, and you can always access the guide from anywhere you have an internet connection. You can also download as a PDF, or print it out.

Read through the guide in its entirety before you begin troubleshooting, but as any problem pops up, you will become more familiar with issues that may arise and how you can resolve them.

The goal here is first and foremost to keep everyone shooting with their cameras, and right after that, it’s to prevent people from wasting their precious film to an inexplicable problem that may be easily remedied.

So with that said, here is the SX-70 Troubleshooting Guide. Please feel free to submit questions and feedback on things that may be added or clarified.

As always, Keep your rollers clean,

-f

No. 680

What To Do With Your Time(r)

Patrick Tobin, | 160 days ago

Once upon a time, the Polaroid Digital Timer was used to time the development of Polaroid peel-apart films. Now that they’re extinct, we encourage you to find clever new uses for this device.

For example, see how long it takes you to run a mile, how long you can hold your breath, or how long it takes you to eat a pizza.

Share your creative use for the timer in the comments section below and we’ll send you one for free (We’ll contact you for your shipping address if we don’t have it on file).

Note: Supplies are limited, so act fast

16
No. 681

Impossible's Sunday Brunch with Guest Chef Sol Allen

Patrick Tobin, | 158 days ago

Photo by Bruno Haas

Welcome back to Sunday Brunch, our series in which we share lovely photos taken with Impossible film. We decided to mix up the brunch menu a bit by inviting Impossible friends and photographers to guest curate our Sunday Brunch selections.

Our good friend and fantastic photographer Sol Allen came up with the menu for this week’s “Guest Chef” entry. Please enjoy these savory photos selected by Sol!

Photos come to us from Bruno Haas, Jerome Cimolai, David Sankey, Flore de Sermet and Lisa Duran, and were taken with the following film types: PX 70 Color Protection, PX 100 UV+, PX 680 Gold Frame and PX 600 Black Frame film.

Here are Sol’s thoughts about each photo…

Bruno Haas

I’m a complete sucker for reflections. Love the blue to yellow to blue shift as well. That red lil’ car? C’mon, too perfect! :)

Jerome Cimolai

A super creative, and well displayed triptych. Feel super bad for them about the accident, though!

David Sankey

I think this is perfect. The slight wonkiness, the couple of birds and of course, the delicious creams of the PX 100. Decadent.

Flore de Sermet

Charming, secret and inviting. So lush, I can only hope there are more photos from this.

Lisa Duran

Love vistas. I have found myself searching for wide open views for the last couple of years. Whenever there is a beautiful landscape in front of me, I instantly get drawn in.

Thanks so much to Sol for taking time to assemble this tasty bunch! Keep shooting, and be sure to submit...Read All

17
No. 682

8 Exposures...with Sarah Seené

Patrick Tobin, | 157 days ago

Hi friends, and welcome back to 8 Exposures, our ongoing instant film interview series. This week, we are very happy to present you with French photographer and filmmaker Sarah Seené

1) What kind of Polaroid camera(s) do you use?

Since I began to work with instant film, I use a Polaroid 636 Close-up camera from 1992, which my dear aunt gave me. When I was a child, I used this device to photograph my grandmother’s animals…

2) Why do you like instant photography?

What interests me in the instant photography is its spontaneity, suspense and surprise. I prepare my instant photos a lot… During one hour or two, I set up costumes, sets and make-up which are going to give sense to the central characters of the photo. It is the contrast between the direction and the speed of the development that interests me and, of course, the magic grain of the instant photo, inimitable.

When the photo comes out, my heart is beating at top speed ! For me, instant photography is synonymous with emotion and sensation!

3) What is your earliest memory of instant film?

A few weeks ago, my mother offered me her first photo of me when I was an infant, and it was a polaroid. Obviously I didn’t remember taking this picture… But I do remember very well the very first Polaroid I made: when I was 7, the day of Christmas with my Grandma, we had just decorated the Christmas tree, I was so happy to decorate it with her,...Read All

No. 683

And the winner will...

Patrick Tobin | 157 days ago

… be announced by the end of this week!

Honestly, we are still not done reading your more than 1500 comments. Thank you for all of them, we are overwhelmed by your passionate participation!

Florian Kaps himself will let you know just before the holidays via a personal blog post who the lucky winner of the golden SX 70 Alpha Ivory is – stay tuned!

Thank you for your patience… but the greatest joy is in the anticipation anyway, isn’t it?

18
No. 683

New: Ordering by Phone

Marlene Kelnreiter | 156 days ago

by Ioanna Mavrou

Would you rather speak with someone nice instead of simply filling your online basket?

Our friendly Impossible staff is all ears, ready to take your order or to answer any questions you might have.

USA: (212) 219 3254 – 111
Monday-Friday: 12 – 5 pm EST

EUROPE: 0049 (30) 577 0150 – 10
Monday-Friday: 10 am – 1 pm & 2 – 5 pm CET

We look forward to speaking with you!

19
No. 679

Impossible's Analog Travelog - Maree Spraggon in Nice

Patrick Tobin, | 155 days ago

Welcome back to the newest addition to the Impossible Blog: Analog Travelog. We’ll be sharing with you fantastic instant photos taken on voyages the world over. This entry focuses on Maree Spraggon and her recent visit to Nice, France…

I went to Nice for four days at the end of the November…officially for a conference but unofficially to eat lots of food, drink Provençal wine, shop and take photos; some digital, some iPhone and some polaroids. My SX-70 OneStep had a few shots left on a PX 70 Color Shade Cool film pack and then I had the opportunity to try the new PX 70 Color Protection film that I’d recently bought in Vienna. I’m impressed….not having to whisk it straight into the dark somehow made it so much more relaxing compared to the previous generations of film and the colours seem to be holding much better. The light along the promenade is particularly special in the morning and evening….you can’t go wrong; and I enjoyed conversations with random people asking about the camera and where the film comes from… people seem genuinely pleased when they find out that the Polaroid experience is not dead. I’ll be taking some more PX 70 to the other side of the world for Christmas…and some PZ 680 Color Protection for the Spectra camera… bring on summer.

Thank you to Maree for taking part in Analog Travelog! To see more of her photos, please visit her Flickr photo stream.

If you’ve recently...Read All

20
No. 686

Getting creative with 8x10 photos

Marlene Kelnreiter | 154 days ago

We were curious to figure out how one can get creative with 8×10 photos. Developed and tested with all our passion and lots of time we are now proud to present creative techniques that can be applied to 8×10 photos.

From classics like transparencies, emulsion lift and image manipulation we also discovered how to shift the photo’s shape, bleach the negative or use 8×10 film for printmaking. We hope to inspire new creative techniques to be developed by you!

Download the free 8×10 Creative Techniques Manual here.

As some of this technique are very experimental we always recommend wearing gloves and to keep towels and water close by in order to remove any chemical paste.

No. 687

Installation of SHUT X Impossible Exhibition

Josie Keefe, | 154 days ago

Check out this stop motion video of our installation of the SHUT X Impossible Exhibition
Watch the light change through the day as we transform our south wall with 72 skate boards! The show is a collaboration with Shut Skates and features original photographs and limited edition boards featuring Impossible images from skaters Alex Olson, Chris Nieratko, Eli Morgan Gesner, Scott Caan, Scott Oster, and Zered Bassett. The show will be on view at Impossible NYC until January 7th, and the boards are for sale at Shut NYC.

21
No. 688

Ivory and Gold SX-70 Winner!

Patrick Tobin, | 154 days ago

AND THE WINNER IS….

Ody and Kila Mae! One of our advent calendar delights was a free SX 70 Gold Edition to one lucky fan. We got more than 1500 comments and after many hours of reading, Impossible Co-founder Dr. Florian Kaps selected Ody and Kila Mae’s submission:

Read all
No. 689

8 Exposures...with Lee Summers

Patrick Tobin, | 153 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series. This week, we are happy to bring you Georgia photographer Lee Summers

1) What kind of Polaroid camera(s) do you use?

My first love, the SX-70 original. An SLR 680 SE that saved me in the dark days of Time Zero discontinuation. And the beautiful, translucent Spectra Onyx for when I want to roll wide.

2) Why do you like instant photography?

It’s like the difference between a tamagotchi and a real pet. It’s one of a kind and unpredictable. Tangible. It’s a conversation starter. It’s been said so often before but this is real magic right here and we need more of that in this world. Plus, when my hard drive eventually dies and I lose all of my digital photos, I’ll still have my Polaroids. And someday, someone else will have them and wonder why I’ve kept so many blurry photos.

3) What is your earliest memory of instant film?

For some reason, I can’t recall ever growing up with a Polaroid camera in the family, though my parents have albums of them that run counter to my memory. The turning point in my adult life was when I was given a donated original SX-70 by a manager at a thrift store I used to work at in the early 2000s. I fell in love with the mechanics and design and since Time Zero was still readily available at the time, I was instantly hooked.

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23
No. 690

Impossible's Sunday Brunch with Guest Chef Patrick J. Clarke

Patrick Tobin, | 151 days ago

Photo by Claudia Toloni

Welcome back to Sunday Brunch, our series in which we share lovely photos taken with Impossible film. We decided to mix up the brunch menu a bit by inviting Impossible friends and photographers to guest curate our Sunday Brunch selections.

Our good friend and fantastic photographer Patrick J. Clarke came up with the menu for this week’s “Guest Chef” entry. Please enjoy these savory photos selected by Patrick!

Negative space is something that is very compelling in all art, but the uniqueness of Impossible film is that even in the negative spaces there is texture, content and soul. The images I chose for this Sunday Brunch blew me away with their beauty and textural negative space from all over the world.

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26
No. 691

Impossible's Analog Travelog - Andrew Rose at Yellowstone

Patrick Tobin, | 148 days ago

Welcome back to Impossible’s Analog Travelog! In this series, we showcase fantastic Impossible photos taken on voyages the world over. This entry comes from Andrew Rose, who recently visited Yellowstone National Park and brought along some Impossible film

My girlfriend and I made our first road trip from California to Yellowstone National Park during the summer of 2010. It was my first time ever visiting the park, and I was amazed by the beauty and incredible power of the natural features. I got caught up with capturing the entirety of the park’s landscape, and I often missed out on just experiencing the park and its features. It was an easy mistake to make with a DSLR in hand, allowing for the capture of hundreds of images in a day. Although I came away with some great images and memories, I couldn’t help but feel like I had not experienced all there was to offer.

In the spring of 2011, I discovered The Impossible Project after my stash of original Polaroid 600 film began to run out. After experiencing the magical qualities of this new film, I soon became addicted and I knew our next road trip would have to be documented on Impossible film for its unique characteristics. We decided to make another trip to Yellowstone in July of 2012.

My girlfriend and I decided to spend a week camping in Yellowstone, exploring all that the park had to offer. With our experience from our previous trip to the park, we felt prepared to take it on as a whole. We wanted to make an expedition out of our vacation: discovering locations we missed before, and delving deeper into sites and features we planned to revisit. We explored all of the geyser basins, the wildlife filled Hayden and Lamar valleys, learned about the history of the park, and went on hikes to brinks of waterfalls and other wonderful places.

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27
No. 692

Viewfinder: Portroids at Pardcast-A-Thon 2012

Patrick Tobin, | 147 days ago

Welcome back to Viewfinder, our ongoing series in which we chronicle interesting projects people are working on that incorporate Impossible film. This week, we are happy to bring you photos from this year’s Pardcast-A-Thon, taken by Rick DeMint, AKA Portroids

Every year on the day after Thanksgiving, the popular comedy podcast Never Not Funny holds a 12-hour live-streaming marathon event, the Pardcast-A-Thon, to raise money for the charity Smile Train. The host Jimmy Pardo and co-hosts Matt Belknap and Pat Francis welcome 2-3 new guests each hour from the world of entertainment (writers, comedians, musicians, actors, etc.). This year, they raised over $100,000 to help provide cleft repair surgeries to children in developing countries.

As a comedy fan, many of the portroids (autographed Polaroid portraits) I’ve taken over the past nine years have been of comedians, which is how I ended up meeting Jimmy, Matt, and Pat and getting involved, even in a small way, with Pardcast-A-Thon. For the past three years, I’ve been given access to take Polaroids backstage of all the guests. It is truly one of the highlights of my year. So much fun! These portroids are then auctioned off afterwards to raise additional money for Smile Train. I also put together a poster of all the photos to commemorate the event, which they have hanging on their studio wall.

Last year I used the Impossible Project PZ 600 UV+ Silver Shade Black Frame film to beautiful result, and this year I switched for the...Read All

29
No. 692

8 Exposures...with Andrew Twyman

Patrick Tobin, | 145 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we’re happy to bring you Andrew Twyman

1) What kind of Polaroid camera(s) do you use?

For now I just own a Polaroid SLR 680

2) Why do you like instant photography?

Instant film is pure and it’s honest. It tells you everything happening in the moment. You are given a real gift to hold onto and share in that moment that you are experiencing and that will carry with you for the rest of your life.

3) What is your earliest memory of instant film?

4 or 5 years ago or so I remember I was just about to get into it and Polaroid stopped production. when I found it came back, I bought a camera as soon as I could.

4) What’s your favorite Impossible film type?

So far the best film I have used is the PIGEONHOLE PX 680 Color Protection, the new PX 680 COLOR PROTECTION, and Holden PX 680 COOL film.

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No. 803

8 Exposures...with Jon Syverson

Patrick Tobin, | 13 days ago

Hello everyone, and welcome back to 8 Exposures, our popular instant film Q&A series! This entry focuses on Wisconsin photographer Jon Syverson

1) What kind of Polaroid camera(s) do you­ use?

The most used in my collection would have to be the Polaroid Spectra SE and the Polaroid Land Camera 150.

*2) Why do you like instant photography???

It sometimes resembles a far away place, or another time, something other than the sterility of other forms of imaging.

Instant photography is of course one of the last truly magical things, I believe. I am still captivated and left in awe, quite frankly, of all of the different types and ages of instant films that are available for use to this day. I wish some of the oldest of the Polaroid films were still available, or that I could time travel, whatever.

I also really like instant photography because it requires you to have greater knowledge of film scanning, which was something I used to do for years on the job. Although, come to think of it, I had never attempted taping a Polaroid to a drum scanner.

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No. 796

8 Exposures...with Hilary Clarke

Patrick Tobin, | 20 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series! This week, we’re happy to bring you British writer and photographer Hilary Clarke

1) What kind of Polaroid camera(s) do you use?

The first camera I bought was a 600, which I still love as it’s so easy to use and takes fantastic images. I’ve also got a Spectra and a folding SX-70 sonar which is fast becoming my favourite. I seem to be building up quite a collection as I’ve just bought a Land 1000, the type of Polaroid I remember best from childhood.

2) Why do you like instant photography?

I’m quite shy about approaching strangers to take their photographs, but carrying a Polaroid camera means that people are intrigued and very often will ask me to take their photo! It’s easy to get chatting to people, and they always have memories of Polaroid cameras themselves which they like to share.

I love the variety and depth of the images that can be produced; they sometimes have a lovely dark smokiness that can be quite hypnotic and at other times, the sharpness takes my breath away.

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No. 781

8 Exposures...with Andrew Bartram

Patrick Tobin, | 34 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series. This entry focuses on UK photographer Andrew Bartram

1) What kind of Polaroid camera(s) do you use?

Mainly SX-70 Originals, I have two of those but one has recently stopped working; an SLR 680, and 250 and 103 Automatic Land Cameras.

2) Why do you like instant photography?

I can’t draw, paint or play a musical instrument so, along with my passion for the darkroom, instant photography allows me an accessible creative release from the day job.

Although I have been a film user and printer for 25 years I have only been into instant photography for the last year since I bought my first 600 box camera on Ebay, shortly followed by my first SX-70. I love the sheer unpredictable nature of the Impossible films, even the fabulous Color Protection film behaves in different ways depending on light, heat and the variables associated with your camera. So it’s that unpredictability, the uniqueness of each image combined with those wonderful Polaroid Cameras that I love about instant photography.

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No. 770

8 Exposures...with Douglas Pope

Patrick Tobin, | 38 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series! This week, we’re happy to present to you a photographer friend from down under, Douglas Pope

1) What kind of Polaroid camera(s) do you use?

A beat up old SX-70 that is very much on its last legs, and a dusty, neglected 450 that I’ve not used in months.

2) Why do you like instant photography?

I like the quirks, knowing my camera so well I can plan a bleed or a leak – feels more personal…I also like knowing there is one copy, one original that is aging and deteriorating. It gives each image more weight I think.

3) What is your earliest memory of instant film?

Having a Polaroid taken of me at a circus in the UK, an elephant had its trunk around me, I couldn’t imagine a better way to remember it than that Polaroid.

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No. 767

8 Exposures...with Chris Mettraux

Patrick Tobin, | 48 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series. This week, we turn the spotlight on Chris Mettraux

1) What kind of Polaroid camera(s) do you use?

J’ai la chance d’avoir une grande collection de Polaroids. J’utilise un Polaroid SLR 690, sx70, Polaroid 110 modifié pack 100, et un Polaroid 600 SE modifié par mes soins avec un dos 600 et sx70 qui me permet de régler diaphragme et vitesse…

I am very happy because I have a big collection of Polaroids. I work with several cameras, for example the Polaroid SLR 690, the SX-70, the Polaroid 110 modified for Type 100 pack film and the 600 SE modified by myself with a 600/SX70 back which allows me to set the aperture and the speed.

2) Why do you like instant photography?

Je suis photographe et ne travaille qu’avec des appareils argentiques ou des procédés anciens “cyanotype, Vandyke, ziatype et wetplate” donc le Polaroid et venu à moi comme une evidence. Je suis également modérateur sur un forum de Polaroid at www.polaroid-passion.com

I am a photographer and I only work with analog cameras or old processes like Cyanotype, Vandyke, Ziatype and Wetplate. So the instant photography came to me like evidence. I am also a moderator of a polaroid forum at www.polaroid-passion.com.

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No. 752

8 Exposures...with Carine Wallauer

Patrick Tobin, | 66 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series! This week, we are happy to present you with the dreamy photography of Carine Wallauer

1) What kind of Polaroid camera(s) do you use?

I have a Polaroid 1000. When I was a teenager my literature teacher gave it to me. It was a gift from her grandma when she was eight years old, but she never used it. It was still in the box, untouched.

2) Why do you like instant photography?

I love the atmosphere. I love the way things appear just like I saw them in my imagination. I love the colors. I love the square format. I love to have it inside my shirt and close to my heart when I hide it from the light until the magic happens.

3) What is your earliest memory of instant film?

When I was a kid my uncle had a polaroid and used it to take pics of our family lunches. It was so magical to me! I still have one of them. (:

4) What’s your favorite Impossible film type?

I love both Color and Silver Shade.

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No. 749

8 Exposures...with Agafia Polynchuk

Patrick Tobin, | 76 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series! This week, we’re happy to bring you Agafia Polynchuk

1) What kind of Polaroid camera(s) do you use?

My one and only beloved is my SX-70. It’s a little crazy, like me. It loves to mess with me – sometimes it starts shooting dozens of pictures without my permission! It always plays tricks on me when I’m trying to decide to turn the L / D control to the darker or lighter side, if the room is dark. It doesn’t have a name, but I love it.

2) Why do you like instant photography?

Simply because it is magic.

3) What is your earliest memory of instant film?

There are a lot of polaroid pictures taken by my parents on in my photo album. I was about 4, I remember that I was putting ripe apricots into a blue bucket, standing on the roof of the shed surrounded by thousands of wasps. I wasn’t too interested in photography at that time.

4) What’s your favorite Impossible film type?

My absolute favorite was PX 600 + Black Frame. Daylight, black, white, and of course, grey – in my opinion, these guys make a great combination. If I decide I want all the colours of the rainbow, I’ll paint them in myself. This film is perfect for it. Some water, paper, aquarelle, PX 600 Lift … and voilà!

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No. 743

8 Exposures...with Dylan Boyd

Patrick Tobin, | 80 days ago

Welcome back to 8 Exposures, our instant film Q&A series! This week, our star is Oklahoman Dylan Boyd

1) What kind of Polaroid camera(s) do you use?

I have a large shelf dedicated specifically toward displaying my vast Polaroid and instant camera collection, but I primarily use my SLR 680, SX-70 Sonar, Original SX-70, Spectra Onyx, Macro 5, and for packfilm I use a 250 Land Camera and a Holgaroid from time to time.

2) Why do you like instant photography?

There are so many reasons to love instant photography, for me it’s not only the nostalgic feeling it gives me, but also the tangibility and the time it gives me to escape this always growing digital world. I suffer from high anxiety and it gives me a chance to slow down, breathe, and be at one with myself and my art. I appreciate that I can compose a photo, snap the shutter and then have the image spit straight out of the camera. After that I love that I can watch all of these beautiful chemicals create an image right before my eyes. It’s an actual creation, not just a bunch of 0’s and 1’s on a hard drive. I consider it real magic.

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No. 735

8 Exposures...with Phillip Pessar

Patrick Tobin, | 94 days ago

Hello friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you Miami-based photographer Phillip Pessar

1) What kind of Polaroid camera(s) do you use?

I have over 40 Polaroid cameras that I have found at the thrift store but I find myself going back to the same four over and over again: A Polaroid Pronto!, a Colorpack II for pack film, a Spectra 2 and the first Polaroid I ever bought at the thrift store in December 2009, a 636 Close-Up.

2) Why do you like instant photography?

I love the surreal look, especially with The Impossible Project films, and of course, I love that I get immediate results. I used to shoot a lot of 35mm film and although the results weren’t immediate I would have them in an hour after finishing the roll. Unfortunately, as fewer people shoot film local drugstores and big box stores are discontinuing processing and the few that still do process film do so little of it that the results are horrible. It now takes about 2 weeks to get 35mm back from a place that does decent work and I’m much too impatient to wait so long to see my photos. With instant film I have my photographs right away and not in two weeks and I love the results.

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No. 733

8 Exposures...with David Bartholow

Patrick Tobin, | 97 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series! This week we’re happy to bring you Gorilla VS Bear Creative Director and photographer David Bartholow

1) What kind of Polaroid camera(s) do you use?

Polaroid Spectra System, Polaroid 600 OneStep, Polaroid SX-70 Pronto! B, Holgaroid, Polaroid One 600.

2) Why do you like instant photography?

Instant photography is responsible for consistently amazing work by countless photographers and individuals, and the mere existence of the medium is one of mankind’s many great achievements.

3) What is your earliest memory of instant film?

Having my portrait taken at tennis camp in the summer of 1983.

4) What’s your favorite Impossible film type?

Tough call. The new PX 680 Color Protection film, last year’s PX 680 beta, and/or the PX 600 Silver Shade UV + Gold Frame.

5) What are your favorite subjects to photograph?

Musicians, travels, walls, my cat + girlfriend’s dog.

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No. 727

8 Exposures...with Ashley Saldana

Patrick Tobin, | 101 days ago

Hi friends, and welcome back to 8 Exposures, our ongoing instant film Q&A series. This week, we’re happy to bring you Maryland photographer Ashley Saldana

1) What kind of Polaroid Camera do you use?

I use a variety of Polaroid cameras. The majority of the time I use my grandparents’ Supercolor 635 CL Polaroid camera. Lately I have been shooting with my SX-70 Model 3 and my Spectra camera.

2) Why do you like instant photography?

I like the fact that every photo you take is completely different, even if you take the same shot twice. I love the minimal control I have of how the photo will develop – that’s what makes instant film so mysterious to me! You just never know exactly how your photo will end up. I also love how the anticipation builds up to watch something right in front of me develop in my hands. It’s like I’m capturing different bits and pieces of the world and taking them with me wherever I go.

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No. 725

8 Exposures...with Patrick J. Clarke

Patrick Tobin, | 104 days ago

Hello friends, and welcome back to 8 Exposures, our ever-popular instant film Q&A series. This week, we are pleased to bring you California photographer Patrick J. Clarke

1) What kind of Polaroid camera(s) do you use?

I was lucky and bought some Polaroids before the prices started going up….and I’m a bit of a camera nut, so I have more than a few.

My first Polaroid camera was actually my son’s One 600. It’s the camera that got me back into using instant film and then discovering The Impossible Project.

I have an SX-70 Sonar that’s been with me since First Flush came out, and then recently got my Uncle Larry’s SX-70 Alpha 1 Model 2 with the split-viewfinder. It’s been dubbed “The Uncle Larry” for obvious reasons. I love the Sonar, but I’ve been shooting with the Model 2 a lot more since it’s smaller than the Sonar, beat up looking and I love the split viewfinder in it.

I had a Spectra, but it started smelling like it was on fire every time I used it, so I replaced it with a black and red Spectra 2 with a close-up lens and the copy stand. I haven’t had a chance to play with it much, but love the Spectra format and will be using it more soon.

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No. 719

8 Exposures...with Celina Wyss

Patrick Tobin, | 111 days ago

Hello and welcome back to 8 Exposures, our ongoing instant film Q&A series! This week, we turn our lens on Celina Wyss

1) What kind of Polaroid camera(s) do you use?

I’m always scouting sales and thrift shops for more but currently I shoot with a few different SX-70s, 3 Spectras and have just started playing with a Colorpack IV. My vintage camera collection extends far beyond those however and my closet is full of various 600 models and more. I’m pretty certain I’m going to need a new system for storing them soon.

2) Why do you like instant photography?

I love that what you see is what you get. There is no digital doctoring after the fact and for me that actually feels freeing. I love the imperfection that comes with instant photography. You are free to let the photo be what it is, flaws and all. Instant photography is truly about being in the moment. You stop, just for a moment and witness the world around you. You notice the temperature, the light, the shadows all in a moments time. You take a breath in and then you click. Then waiting for the shot to develop is the icing on the cake. It’s like magic!

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No. 712

8 Exposures...with Ghee Dondlinger

Patrick Tobin, | 115 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are very happy to bring you German photographer Ghee Dondlinger

1) What kind of Polaroid camera(s) do you use?

I own two SX-70 models, one of which is a sonar, which is the model I prefer as at allows me to use auto focus; and I also own a Supercolor 635 CL model which I use primarily in low-light conditions.

2) Why do you like instant photography?

I like lo-fi photography in general for its unpredictability and the way the images turn out less than perfect. Instant film in particular I enjoy because they add their own specific sense of ‘unreal’ to the resulting image, a somewhat painterly quality. And for the challenge to make every exposure count. Also, in this digital age, it’s nice that there still are a few things which you can actually touch and hold.

3) What is your earliest memory of instant film?

I think my first conscious exposure to instant film was a book published in 1984 by singer/songwriter David Sylvian. Entitled ‘Perspectives’, it featured collages made from Polaroid photographs. My first hands-on experience with instant film was when I moved to Berlin and one of my flatmates owned a Polaroid camera, which was much used by everyone living in or visiting the flat.

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No. 711

8 Exposures...with Erin McGuire

Patrick Tobin, | 122 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you California photographer Erin McGuire

1) What kind of Polaroid camera(s) do you use?

The types of Polaroid cameras that I have are an SX-70, Spectra, and a few OneStep 600 box type camera. I also have a few Polaroid backs for large format and pinhole cameras that I like to use, and one Holgaroid.

2) Why do you like instant photography?

There are a lot of reasons why I like instant photography but what it all really boils down to is the quality of the images taken on any kind of instant film. They have their own special look and personality, especially Impossible Project film. No matter what you do with an Impossible Project image, whether it be an emulsion lift, drawing on it, or manipulating it in the digital darkroom, you can tell it’s an IP image because of its distinct characteristics.

3) What is your earliest memory of instant film?

I was born in ’65 and it seems like instant film was always around, but my own personal experiences with the film came when a coworker gave me her old Spectra camera and I took pictures of my boy when he was just a toddler. I still have some of those pictures and the very first IP picture I ever took was with that same Spectra camera.

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No. 709

8 Exposures...with Greg Brophy

Patrick Tobin, | 125 days ago

Hello dear friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are very happy to bring you Greg Brophy

1) What kind of Polaroid camera(s) do you use?

I own one of just about all of the major Polaroid cameras. I use the SX-70 Sonar for color, an SLR 680 for black and white and a Spectra AF for both. I also love my Automatic 250 Land Camera for Chocolate film. I have a modified 110B, but the rangefinder is very sensitive to motion so I only use it in the studio.

2) Why do you like instant photography?

I love it I think for the same reasons most other people do. You can take a photo and have something in your hand that develops without the need for a darkroom. The fact that you have a physical object. I love the vintage-style colors and the way it looks without having to do anything to it in the computer. I used to spend a lot of time on the computer to get my images to look the way that Impossible films look. Now I can spend more time taking photos and developing my ideas.

The happy accidents I get when I shoot with it, the unpredictability of it. When I shoot digital, I know exactly what it will look like before I even shoot it. With Impossible film, there is still room for unexpected surprises.

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No. 699

8 Exposures...with Justin Goode

Patrick Tobin, | 135 days ago

Hello again, Instapals! Welcome back to 8 Exposures, our ongoing instant film Q&A series. This week, we bring you our good friend, Dallas photographer Justin Goode

1) What kind of Polaroid camera(s) do you use?

A Mamiya RB67 w/ an instant back, Polaroid Automatic 100, Spectra AF, Sonar SX-70 and a SLR 680.

2) Why do you like instant photography?

The whole process is special. You expose a frame, which is then pushed through rollers, smearing developer goop across a negative. A chemical reaction takes place and voila, an image materializes. That is tangibility at its finest. Within minutes you have a work of art in your hands. I like that, because of its analog nature, outside variables can shape the final outcome of the image. Another bonus of instant photography is the connection people have with the film. It’s incredibly nostalgic. Most, if not every person I’ve shot using instant film, smile & exclaim something about how neat, cool, awesome, amazing, unique it is. I couldn’t agree more. It’s all of that and then some.

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No. 696

8 Exposures...with Amy Siân Green

Patrick Tobin, | 139 days ago

Greetings Impossible friends, and welcome back to 8 Exposures, our very popular instant film Q&A series. This week, we’re happy to bring you UK photographer Amy Siân Green

1) What kind of Polaroid camera(s) do you use?

My SX-70 gets used the most and is my most beloved. I also have two 600 Onestep cameras, one of which used to belong to my dad. They take turns on breaking, usually because I keep getting sand inside them by accident. And who could forget my poor little I-Zone that hasn’t been used since I was ten years old…

2) Why do you like instant photography?

I like that I’m using the same medium that my grandfather used to use. I like that I can hold a Polaroid taken in the late seventies next to a Polaroid taken forty years later and the difference is miniscule.

Funnily enough it’s the slowing down that I prefer when it comes to instant photography. There is a tendency to shoot digital at speed and in multitudes, but with film you have to take your time. And even once the photograph has shot out of the camera, you can sit and wait for the picture to develop in your hands.

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No. 689

8 Exposures...with Lee Summers

Patrick Tobin, | 153 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series. This week, we are happy to bring you Georgia photographer Lee Summers

1) What kind of Polaroid camera(s) do you use?

My first love, the SX-70 original. An SLR 680 SE that saved me in the dark days of Time Zero discontinuation. And the beautiful, translucent Spectra Onyx for when I want to roll wide.

2) Why do you like instant photography?

It’s like the difference between a tamagotchi and a real pet. It’s one of a kind and unpredictable. Tangible. It’s a conversation starter. It’s been said so often before but this is real magic right here and we need more of that in this world. Plus, when my hard drive eventually dies and I lose all of my digital photos, I’ll still have my Polaroids. And someday, someone else will have them and wonder why I’ve kept so many blurry photos.

3) What is your earliest memory of instant film?

For some reason, I can’t recall ever growing up with a Polaroid camera in the family, though my parents have albums of them that run counter to my memory. The turning point in my adult life was when I was given a donated original SX-70 by a manager at a thrift store I used to work at in the early 2000s. I fell in love with the mechanics and design and since Time Zero was still readily available at the time, I was instantly hooked.

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No. 682

8 Exposures...with Sarah Seené

Patrick Tobin, | 157 days ago

Hi friends, and welcome back to 8 Exposures, our ongoing instant film interview series. This week, we are very happy to present you with French photographer and filmmaker Sarah Seené

1) What kind of Polaroid camera(s) do you use?

Since I began to work with instant film, I use a Polaroid 636 Close-up camera from 1992, which my dear aunt gave me. When I was a child, I used this device to photograph my grandmother’s animals…

2) Why do you like instant photography?

What interests me in the instant photography is its spontaneity, suspense and surprise. I prepare my instant photos a lot… During one hour or two, I set up costumes, sets and make-up which are going to give sense to the central characters of the photo. It is the contrast between the direction and the speed of the development that interests me and, of course, the magic grain of the instant photo, inimitable.

When the photo comes out, my heart is beating at top speed ! For me, instant photography is synonymous with emotion and sensation!

3) What is your earliest memory of instant film?

A few weeks ago, my mother offered me her first photo of me when I was an infant, and it was a polaroid. Obviously I didn’t remember taking this picture… But I do remember very well the very first Polaroid I made: when I was 7, the day of Christmas with my Grandma, we had just decorated the Christmas tree, I was so happy to decorate it with her,...Read All

No. 670

8 Exposures...with Andrea Palei

Patrick Tobin, | 166 days ago

Hello, friends. Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we’re happy to bring you long-time Impossible supporter and wonderful photographer, Italy’s own Andrea Palei

1) What kind of Polaroid camera(s) do you use?

I started shooting instant film with the “Polaroid 1000 red button” of my dad. I am passionate and I bought an original SX-70 (my favourite camera), from there I became insane, and I started collecting as many instant cameras as possible. I often use original SX-70 and SLR 680. And sometimes the Spectra and Colorpack II.

2) Why do you like instant photography?

It’s magical. The thing I love most about the instant photography is the unpredictability of the outcome, and the possibility to “touch” the photo and see it “born” slowly under my eyes. Those are things that fascinate me again like the first time.

3) What is your earliest memory of instant film?

The very first memory: I was a child and my father was taking polaroids at the beach and birthday parties.

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No. 665

8 Exposures...with Bria Morrison

Patrick Tobin, | 167 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series! This week, we are happy to bring you California photographer Bria Morrison

1) What kind of Polaroid camera(s) do you use?

My folding SX-70 is the love of my life and my very first “real” (as in not automatic everything) Polaroid camera. I found her on eBay in early 2009 and she’s still one of my greatest treasures. Since then I have fallen for my Spectra which is perfect for quicker shooting at weddings or other on-the-go occasions. And, not to forget my latest acquisition, my beloved Polaroid 180 Land Camera.

2) Why do you like instant photography?

I really love everything about instant photography but the one thing I love above all others are the images themselves. They’re soft and clear all at once. Painterly. You can blow them up HUGE and they remain some of the most beautiful photographs I’ve ever seen. There is no equivalent in the digital or standard film worlds.

3) What is your earliest memory of instant film?

Even though instant film was in my life for many years before this, the first time I can honestly say I remember what it was like to be photographed on instant film was on Grandparent’s day when I was in elementary school. My grandma, mom and I all posed for a picture & held up this little paper bunny I had made for Easter.

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No. 658

8 Exposures...with Francisco Chavira

Patrick Tobin, | 171 days ago

Hello, instanteers. Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we happily bring you wonderful California photographer Francisco Chavira

1) What kind of Polaroid camera(s) do you use?

Like most photographers, I get GAS or Gear Acquisition Syndrome; It’s incredibly easy to get! There are Polaroid cameras everywhere at my place. However, I was challenged by a fellow photographer to stick to one camera and one film, to learn everything about that one camera and that one film. So, I shoot almost exclusively with an SX-70 Sonar. I’ve learned that the sonar doesn’t work most of the time, so I manually focus all the time. Sticking with this one camera, I’ve grown very comfortable with it and shooting it has become very natural. It’s truly an amazing camera, the depth of field and the sharpness of the SX-70 is stunning.

2) Why do you like instant photography?

As a film photographer, having an instant photo at your disposal is incredibly rad. Not only do you get the satisfaction of seeing how your images will look right away, but your subject gets the feeling of accomplishment as well. All the effort your subject put into makeup, hair, posing ect. is worth it. Instant film is powerful, because it has a unique ability to alter someones mood. To think how this one tiny square image, can uplift and excite is amazing. Having that power to instantly uplift your subject on a portrait shoot is powerful.

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No. 650

8 Exposures...with Ashley Jae Fly

Patrick Tobin, | 181 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we bring you Tennessee photographer and new mom Ashley Jae Fly

1) What kind of Polaroid camera(s) do you use?

I use several different Polaroid cameras, but the three I use the most are a Spectra System, an SX-70 Sonar & a Sun 660 I’ve pretty much retired the rest of them.

2) Why do you like instant photography?

I’m in love with instant photography because of its permanence, magic, and the nostalgia I feel when I shoot with it. It’s imperfect, which in my eyes makes it that much cooler. I love the static of it, and the fact that what you see is what you get. We don’t scan our instant photographs and then edit them in photoshop. It is what it is.

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No. 643

8 Exposures...with Carla Triolo

Patrick Tobin, | 188 days ago

Welcome back to 8 Exposures, our ever-popular instant film Q&A series. This week, we’re very happy to bring you the photography of Carla Triolo

1) What kind of Polaroid camera(s) do you use?

My favorite camera is my folding SX-70 Sonar. I take it with me everywhere. If not for the fear that I would roll over and crush it, rendering it useless and reducing me to a blubbering incoherent heap on the floor…I would snuggle with it in bed every night. It was the first Polaroid camera I was truly successful with. Out of all the cameras I have, I find it the most portable and it has always yielded great results. I also use a Spectra SE, a Polaroid Land Model 250 and my grandfather’s Polaroid Land Model 350.

2) Why do you like instant photography?

I love the unpredictability of instant photography. No matter how I picture an image turning out I am never 100% on point. You never know exactly what will happen. Also, I appreciate the fact that unlike digital photography, I can’t just delete and retake as I please. This makes me focus a lot more on what I want to photograph and how. I think the extra care and thought really shows through in the pictures. You can tell how much love was put into it.

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No. 640

8 Exposures...with Gregory Geiger

Patrick Tobin, | 192 days ago

Hello, friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you Rhode Island artist and photographer Gregory Geiger

1) What kind of Polaroid camera(s) do you use?

Other than a few button pushes when I was very young, I started my own instant film aventure with a Polaroid Joy Cam. I got frustrated with the strange form-factor, even though I loved the ease of multiple exposures. After that my constant companion, for about two years, was an i-Zone camera. I loved the ease of use and the size of the camera, but when I got frustrated with the ultra tiny images, I transitioned to a Polaroid One. I used that grey box cam until I ran out of the original Polaroid film. I finally gave that camera away, which was a sad day indeed.

When Impossible Project started making film, I was a little bit hesitant. I wasn’t sure if it was going to be the real thing or how long it was going to last, so I picked up a Green One Step Express from the NYC store. I fell in love with the First Flush film, fell in love with the Impossible Project itself, and three months later got the SX-70 Alpha One that I am madly in love with and literally carry with me everywhere.

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No. 634

8 Exposures...with Giacomo Inches

Patrick Tobin, | 199 days ago

Hello everyone, and welcome back to 8 Exposures, our instant film Q&A series. This week, we are happy to present to you Italian photographer Giacomo Inches

1) What kind of Polaroid camera(s) do you use?

I feel very comfortable with the SX-70 and Image cameras. If I have enough space, I definitely put them both in my bag. But I like to test and experiment with different cameras as well. I recently acquired an SLR 680 and I also like a Land Camera 340 that was given to me as a present. I also turned an Image camera with broken shutter into an Image pinhole camera that returns wonderful b/w images. Sometimes I play with a 630 LightMixer or a 1000 camera. At the end of the day, my wife is always complaining about all the cameras I have around (too many).

2) Why do you like instant photography?

I love photography in general because it can capture a particular moment (that is already gone, due to the impossibility of stopping time) into a particular frame. Instant photography, however, is one step further: a second after you shot, that moment you fixed through the camera becomes ‘tangible’ in your hands. You can observe the picture becoming reality and finally seeing and remembering and feeling that moment you just lived & shot. Moreover, compared to the modern digital photography, the instant returns a unique picture: even if you scan it, it will never be the same as the single original one. I still find people getting surprised by the self-developmment of the picture and its appearing ‘like magic’

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No. 629

8 Exposures...with Leanne Surfleet

Patrick Tobin, | 202 days ago

Welcome back to 8 Exposures, our ongoing instant film Q&A series. This week, we are pleased to bring you UK photographer Leanne Surfleet

1) What kind of Polaroid camera(s) do you use?

I have a few different Polaroid cameras but the main 3 I use are my Spectra, 450 Land and non-folding SX-70.

2) Why do you like instant photography?

Well, I never thought of myself as an impatient person but when it comes to photography I like to see the results instantly! Then I feel that I can move on with my shoot and change things up. I just find it exciting and feel that it’s a great skill to master, to have a certain control over your instant photographs. I’ve been shooting instant film for around 6 years now and I’m still completely amazed and confused by the whole process! Only having a certain amount of exposures makes me think about each one carefully before pressing the shutter, I’ve learnt over the years to not get too excited about a fresh pack of film and waste them. I cherish each and every one of my instant photographs.

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No. 618

8 Exposures...with Ritchard Ton

Patrick Tobin, | 213 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series! This week, we are proud to present you with Florida photographer Ritchard Ton

1) What kind of Polaroid camera(s) do you use?

I have several sx-70s, an automatic 100, 195 land camera, numerous plastic One Steps, and a modified one shot into a pinhole.

2) Why do you like instant photography?

First, it was about watching the photo develop.
After that, it was about instantly having a photo to document the moment.
And then it was the ability to manipulate the photo.
And then it was the camera. The SX-70 is the best camera ever built. Yeah, I said ever.
And then it was the excitement of being a part of the creation of a new film and process of perfecting the film.
Now, it’s all of the above.

3) What is your earliest memory of instant film?

As a child, my family had a Kodak Handle instant camera. To me, watching instant photos develop was amazing. Not having to take a roll of film to local photomat kiosk in the A&P parking lot and wait a week to see the photos was really something special.

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No. 612

8 Exposures...with Rich Burroughs

Patrick Tobin, | 220 days ago

Hi friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This issue, we’re happy to bring you Oregon native Rich Burroughs

1) What kind of Polaroid camera(s) do you use?

The main one is an Image 1200i, it’s one of the Spectra cameras with an LCD. I’m really enjoying the Spectra aspect ratio lately, it feels very cinematic, so that one is getting most of the work. I have a bunch of others though. A couple of SX-70s, a 180, some 600 cameras, a Clincher, and backs for my Hasselblad and Holga.

2) Why do you like instant photography?

It’s that magic of seeing the images develop. I work a lot with models and they really enjoy seeing the images come to life, it gives them a lot of confidence when they see that we nailed a shot. And it’s nice to be looking at a finished print. When I shoot digital, there are images that look great on the LCD but don’t work when I see them on my monitor.

3) What is your earliest memory of instant film?

We had Polaroids when I was a kid, my dad was into photography and they were so common. Polaroid and Kodak are the two brands that really dominated photography in my childhood.

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No. 609

8 Exposures...with Alan Marcheselli

Patrick Tobin, | 223 days ago

Ciao, friends! Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you Italian photographer Alan Marcheselli

1) What kind of Polaroid camera(s) do you use?

I own more or less 200 Polaroid cameras, and depending on what I need, I choose the more useful, but my favourites are a silver One 600, an SX-70 Model 2 and a Spectra AF coming from a police CSI kit.

2) Why do you like instant photography?

I like it because of the size, the vintage/POP feelings, the different cameras and moreover I love the possibility to realize unrepeatable pictures.

3) What is your earliest memory of instant film?

I was three years old and my uncle shot some pictures of me with a Spirit 600 CL while on holiday. I fell in love with that system that gave the possibility to look immediately at the picture. Now, 37 years later, that pictures and that camera are still in my studio.

4) What’s your favorite Impossible film type?

AARRRGHH are you sure I have to choose only one?

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No. 598

8 Exposures...with Caleb Jenkins

Patrick Tobin, | 227 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This entry focuses on Virginia photographer Caleb Jenkins

1) What kind of Polaroid camera(s) do you use?

As of now I have a single SX-70 Sears Special with the original skin, two 600 cameras, two Spectra cameras and one 420 Land Camera. Among those, my SX-70 is my favorite and most used. I love the history and pop culture behind the SX-70 camera and how vintage and iconic it is. I’m a big fan of the 70s, so my SX-70 is a perfect fit for me.

2) Why do you like instant photography?

Seeing as this question has been answered many times before me it’s quite hard to sum up an answer that isn’t anywhere near cliche. I guess I’ll have to go ahead and conform to all other answers, because instant photography is simply magical. I love that with each image I take, it’s the only image that will ever look that way. It’s truly a single edition. One main reason that I’ve been pulled into instant photography is that I feel it brings me back to reality.

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No. 599

8 Exposures...with Claire Oring

Patrick Tobin, | 230 days ago

Warmest greetings to you, Impossible friends! Welcome back to 8 Exposures, our instant film Q&A series. Our star this week is Los Angeles-based photographer Claire Oring

1) What kind of Polaroid camera(s) do you use?

I use a regular Polaroid 600 One Step and a Polaroid Spectra. I also just got an old Land Camera I’m refurbishing.

2) Why do you like instant photography?

I love watching all the colors and textures bloom in the palm of my hand.

3) What is your earliest memory of instant film?

I started using instant film when I was 15 and my dad gave me his old camera. I have a box under my bed with hundreds of Polaroids I took in high school.

4) What’s your favorite Impossible film type?

I love the PX 680 Gold Frame color shade because it’s fancy.

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No. 594

8 Exposures...with Tim Logan

Patrick Tobin, | 234 days ago

Hello again, friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you marketing director and photographer Tim Logan

1) What kind of Polaroid camera(s) do you use?

Most of the time I use an SX-70 or SX-70 sonar. I have a variety of other Polaroid cameras and backs as well, though, and will often use one of those. It’s not uncommon to see me out with a Polaroid Spectra, Polaroid 250 or my Graflex Crown Graphic with a Polaroid 545 or 550 back. I enjoy shooting as many instant film formats as I can get my hands on so I tend to have a lot of different cameras with me at any given time.

2) Why do you like instant photography?

As strange as it may sound, one of the biggest reasons I enjoy instant photography is because of what it has taught me – Patience. Whether you are shooting with Impossible’s films or some the remaining expired Polaroid stock you really need to be much more mindful of how you work. It’s become very easy to shoot in excess because of digital technology, but, because I don’t want to waste a single frame of instant film I’ve really learned to slow down and take more into consideration before I release the shutter. Ultimately, I think that lesson has made me a better photographer regardless of the format I’m shooting.

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No. 586

8 Exposures...with Patrick Winfield

Patrick Tobin, | 241 days ago

Hi there, friends. Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we’re happy to bring you creative wizard and all-arounnd nice guy Patrick Winfield

1) What kind of Polaroid camera(s) do you use?

I currently am using the Macro 5 SLR, Spectra and the SX-70.

2) Why do you like instant photography?

The “Thing-ness” of it. That the photo is a direct object of a memory – a tangible memory that can be held immediately and further manipulated as it develops or ‘lives on‘… that quality of being an instant artifact which can be further manipulated to play up the materiality of the medium is what attracts me to the film.

3) What is your earliest memory of instant film?

It was a picture of a dead man. Then the film was sucked back into the camera and the whole time I took pictures of things with my polaroid and tattooed myself to help figure out what happened in my life since I had some sort of amnesia…or was that the plot of Memento?

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No. 585

8 Exposures...with Meghan Davidson

Patrick Tobin, | 244 days ago

Greetings from Impossible! Welcome back to 8 Exposures, our ongoing instant film Q&A series. This week, we’re happy to bring you Nebraska college professor and photographer Meghan Davidson

1) What kind of Polaroid camera(s) do you use?

Most often, I shoot with my SX-70. I love the depth of field that camera allows and the way you can really select the focus. I also love shooting with the Spectra for self-portraits and double exposures, and I have a Polaroid 250 that I need to spend more quality time with. And, I’m really hoping to get my hands on an SLR 680 some day.

2) Why do you like instant photography?

I have a special affection for film, especially instant film. I love when I put a pack in my Polaroid and close the film door, that the camera immediately comes to life, clicking and whirring and shooting out the dark slide. Instant film feels so timeless, so classic to me. There’s simply a magical quality about shooting with it. Because of the limited number of frames, each click of the shutter is special.

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No. 579

8 Exposures...with Amanda Mason

Patrick Tobin, | 248 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you Australian designer and photographer Amanda Mason

1) What kind of Polaroid camera(s) do you use?

I primarily use my folding SX-70 original and an SLR 680. If I was onboard a sinking ship and had to start throwing all my cameras overboard, I would go down with these two. I think they are design masterpieces capable of producing simply lovely images.

2) Why do you like instant photography?

I adore the dreamlike nature of the film. All instant film creates a nostalgic, other-worldly, soft toned patina. It is a dreamy little world that I want to live in all the time. Everytime I shoot instant film I am drawn into another dimension straight away. Everytime I see an instant photograph I feel like I am looking at a memory. Of course having the photograph in your hands in a matter of minutes is quite nice too.

3) What is your earliest memory of instant film?

My earliest memory of instant film is my grandmothers Polaroid camera. As kids we were absolutely fascinated by integral film, the magic of it all. She used that camera as her everyday camera, we still have those Polaroids in our family album. I bought my first Polaroid camera when I was 16.

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No. 565

8 Exposures...with Dustin Yager

Patrick Tobin, | 255 days ago

Hello, instant film lovers, and welcome back to 8 Exposures, our popular analog Q&A series. This week the star is our good friend, Dustin Yager

1) What kind of Polaroid camera(s) do you use?

I have a decent collection of Polaroid cameras but my main cameras are an SX-70 (whichever one is working at the time) and a modified 450 Land Camera. I am currently working on a new pack film mod that i am looking forward to.

2) Why do you like instant photography?

Everyone who sees me shoot instant film asks me this question and I never have a standard answer for it. I love the uniqueness and individuality of every shot. I love that it’s not easily replicated and that your instant shot is a capture of that moment in time, whatever it may be. I love that there is an unknown element with every instant photography shot and there are no “do overs.” Digital photography just feels cold and too perfect to me sometimes and I love the softness and dreamlike quality that instant film has. I also feel that since i have been shooting instant film, it has made me a better photographer and made me think of the shot more before and during the process.

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No. 563

8 Exposures...with Jessica Shimek

Patrick Tobin, | 258 days ago

Hello, Impossible friends! Welcome back to 8 Exposures, our instant film Q&A series. This week, we bring you Minnesota artist and photographer Jessica Shimek

1) What Polaroid cameras do you use?

A Polaroid SX-70, A Polaroid Spirit 600, a 240 Land Camera and a Polaroid back on my Hasselblad 501c/m.

2) Why do you like instant photography?

Every photography medium has a different feeling and portrays a different mood. I love the mood that instant photography gives me. It is warm and sometimes a bit faded…this will sound cheesy, but I feel like each image is a tangible bit of a memory.

3) What is your earliest memory of instant film?

I don’t know that I have an earliest memory that I can really remember. Polaroids and instant film were just always there. My parents had a Polaroid 600 camera and took tons of photos of me when I was younger. I grew up with it. It was never not a thing. I don’t remember the first time I watched an instant photo develop, but I remember that it was magical every time.

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No. 558

8 Exposures...with Andrea Tonellotto

Patrick Tobin, | 262 days ago

Ciao, Impossibles! Welcome back to 8 Exposures, our instant film question & answer series. This week’s entry focuses on Italian photographer Andrea Tonellotto

1) What kind of Polaroid camera(s) do you use?

By now, I’m making a collection!! I use three SX-70s, two of which are the original model (my favorite), an SLR 680, a Spectra system, a 1000 and, recently, I bought a 600 SE, with which I’m starting to become confident.

2) Why do you like instant photography?

At first the tones and colors made me mad for the Artistic TZ’s pastel tones, but now i’m in love with last impossible PX 70 12\11 batch’s colors, wonderful!! Secondly, for the fact that I have the result immediately, after a few minutes, and for an impatient man like me, it’s very important. Paradoxically, altough a dated method, it’s faster than digital photography. Dear old Edwin Land was really too “advanced.” Last, there is a “technical” reason…I like to take photos in balance between real life and an abstract world, with subjects born of imagination. Instant film is an absolutely real and tangible material.

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No. 555

8 Exposures...with Brian Green

Patrick Tobin, | 264 days ago

Hello, friends! Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we present to you South Carolina photographer Brian Green

1) What kind of Polaroid camera(s) do you use?

What I usually have on me at a basic shoot are two Mamiya RB67s with Polaroid pack film backs: one with a 180mm lens and one a 90mm, a Polaroid Colorpack, and an SX-70 Sonar. I have around 30 cameras in my collection but those are my main ones that get used daily.

2) Why do you like instant photography?

The instant aspect of course; I am a person who likes to put work out as it’s created so waiting on developing film would slow that down a little. Also in my opinion nothing comes close to the colors and feel the instant film gives.

3) What is your earliest memory of instant film?

My mom has always been artistic, from painting, to wood work to photography so she introduced me to it at an early age and it has always had a soft spot in my heart some of the only photos I have of my father are on Polaroid 600 film.

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No. 549

8 Exposures...with Rachel Carrier

Patrick Tobin, | 269 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you DC-based photographer Rachel Carrier

1) What kind of Polaroid camera(s) do you use?

Almost always I am using an original model SX-70 that I picked up years ago at a thrift store. I also use an SX-70 model 2 from time to time and the Impulse camera for indoor/party shots where I’m not as worried about composing. I also have worked a lot on double exposures with my Spectra camera.

2) Why do you like instant photography?

I fell in love with Time Zero film a few years before it went out of production. I love the color contrast and saturation of the film and the fact that it often gave me unexpected results. I love Impossible film for the same reason. The colors are gorgeous and I actually love the light sensitivity of the film, it gives each shot its own aura.

3) What is your earliest memory of instant film?

Probably looking at photos in our family albums when I was a kid, so many of them were instant photos.

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No. 546

8 Exposures...with Benjamin Innocent

Patrick Tobin, | 273 days ago

Greetings, instanteers, and welcome back to 8 Exposures, our instant film Q&A series. This week’s guest is a good friend of ours from the UK, all-around nice guy and brilliant photographer Benjamin Innocent

1) What kind of Polaroid camera(s) do you use?

I have a few instant cameras but have found that I gravitate to 3 that I use often: A Polaroid SLR 680, a Land 250 pack film camera (newly acquired) and an SX-70 Model 1. I find the SX-70 is my most frequently used camera; it was my first folding Polaroid and I adore it. Its design is genius, more a work of art.

2) Why do you like instant photography?

I am fairly new to instant film, however (and this may sound crass), I find this 40-50 year old technology absolutely blows my mind, it is magic! Taking each shot makes me a little giddy with a click, thud, whirr sound. I am very much self-taught/learnt from friends when it comes to taking photographs and I have found that instant photography is where I have settled; it resonates with how I approach making a picture. I love that it slows you down, when you press the shutter button you are committed; no deletes or retakes. The nervous wait to see the image and then you are left with the tangible element that is unique; physically holding an image, passing it round, sticking it up on a wall, giving that one copy away.

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No. 542

8 Exposures...with Troy Bradford

Patrick Tobin, | 276 days ago

Welcome back to 8 Exposures, our instant film Q&A series. This week, we’re happy to bring you Texas photog Troy Bradford

1) What kind of Polaroid camera(s) do you use?

I have three working SX-70s, one 250 pack film camera, one modified 250 pack film camera with a Rodenstock 127mm lens added, one 100 pack film camera, two Spectra cameras, one 600 One Step Closeup and a 104 pack film camera converted to a pinhole camera.

2) Why do you like instant photography?

As most people will say, I like the fact that you get to hold the image immediately. In addition to that, I also like the fact that you get to watch the image come to life. The thrill of this process takes me back to my days in high school when I had my own darkroom and was able to watch film images develop before my eyes in the chemical bath. So that takes care of touch and sight, but I also like the smell of the peel-apart films. It is not like the smell is a pleasant one, it is just the fact that you can relate this smell to a developing picture…Now if you separate out just Impossible film and ask the same question, I would say that holding an Impossible image is like instantly holding a small piece of artwork.

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No. 536

8 Exposures...with Fernanda Montoro

Patrick Tobin, | 283 days ago

Welcome back to 8 Exposures, kiddies. This week, our instant film Q&A series focuses on Fernanda Montoro

1) What kind of Polaroid camera(s) do you use?

The camera I love and use the most is the Polaroid SX-70. That’s the dream camera for me, the camera that has become the extension of my eyes. I often use a Polaroid 600 SE and Polaroid Spectra too. My little Polaroid camera collection also includes an SLR 680, a Mio, a couple of Miniportraits. And, of course, many SX-70s! I like to have them handy and to play with them from time to time, depending on the mood.

2) Why do you like instant photography?

I like absolutely everything about it!: Being able to watch the past become picture, in front of my eyes. Those whirring mechanical sounds that instant cameras make. Its distinctive painterly qualities, texture, saturation, ‘imperfections’. I even enjoy the limitation of having a limited number of shots! (Makes me respect the medium, compose more carefully, try my best in every frame). Also, thanks to instant photography I started to look at photography in a more serious way.

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No. 532

8 Exposures...with Thomas Böttcher

Patrick Tobin, | 286 days ago

Welcome back to 8 Exposures, our instant film Q&A series. This week, we bring you German wonder Thomas Böttcher

1) What kind of Polaroid camera(s) do you use?

I have got three SX-70s (all without autofocus), a Spectra, several 600 cameras, two Landcameras: 320 and 330, and one 4×5 Polaback for my Sinar F 2. My favorite camera however is my SX-70 because it allows more room for creative work. I especially appreciate the aspect of the selective focus and the vintage charm of these cameras.

2) Why do you like instant photography?

Most people like instant photography because each photo is unique and can be looked at in a relatively short time. These are certainly also important aspects of instant photography for me, but I value even more the unique charm of the instant photography. It lives partly through its technical deficiency, its not being one hundred per cent perfect. A lot of photos today are defined exclusively through their technical perfection, so that the message of a picture often recedes into the background.

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No. 527

8 Exposures...with Ian Fleming

Patrick Tobin, | 290 days ago

Allo, Guvna! Welcome back to 8 Exposures, our instant film Q&A series. This entry turns the spotlight on our friend from across the pond, Ian Fleming

1) What kind of Polaroid camera(s) do you use?

I have rather too many. The SX-70 is my favourite. I have a SX-70 Sonar, a 645 CL and a Polaroid 1000 ‘red button’. For pack film, I have a lovely 180, a Big Swinger, a Square Shooter (which I have 3 packs of Viva for), plus my Big Shot, an underestimated camera.

2) Why do you like instant photography?

The instant gratification. I think Dr Land new this; it’s highly addictive, having a real picture that has an ‘artistic’ feel to it. Oh, and it’s great fun.

3) What is your earliest memory of instant film?

We used Polaroids all the time in the Film and TV business for ID, Pack Shots, reference shots, etc. But I always found all the film and camera types very confusing; I’m not sure it helped Polaroid in the long term.

4) What’s your favorite Impossible film type?

Well, I have shot a ton of PX 680 First Flush in my SX-70 and got great results, but now it has to be PX 70 COOL, closely followed by PX 70 Nigo edition. For B&W I love PX 600 Black Frame, I bought a load of the Poor Pod film from last year; it’s a really easy film to use.

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No. 522

8 Exposures...with Sol Allen

Patrick Tobin, | 293 days ago

Welcome back to 8 Exposures, our instant film Q&A series. This week, we are happy to present to you our good friend, Arizona wonder Sol Exposure

1) What kind of Polaroid camera(s) do you use?

Although it seems like a good amount of my cameras are in an inoperable state, I tend to lean on my Polaroid SX-70 that I got refurbished from Unsaleable (Impossible’s predecessor), Hasseblad 503cw, Polaroid 450, Polaroid Spectra Pro and an Agfa Viking. I’ll usually throw one or two other ancient cameras in the bag, depending on what the shoot/trip is.

2) Why do you like instant photography?

Primarily, because of the unexpectedness of the film, especially if it’s expired. Every type of film has a learning curve and that’s fascinating to me. It’s wonderful to want, or to be told by a client, to achieve a certain look and to know what combination of camera and film will be able to create it. Also, I’m probably impatient.

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No. 521

8 Exposures...with Penny Felts

Patrick Tobin, | 297 days ago

Photo by Zia Khan

Hello instanteers, and welcome back to 8 Exposures, our instant film Q&A series. This week, we’re happy to bring you Penny Felts, who has produced a series of diptychs, with each representing a different decade of the 20th century…

1) What kind of Polaroid camera(s) do you use?

Most of the time I use SX-70s, an SLR 680, Land Camera 180 and a Holga with a Polaroid back. I also have a 600SE, Reporter, Polaroid Pinhole 80, Polaroid Pathfinder 110A and a Polaroid Big Shot that I use occasionally.

2) Why do you like instant photography?

What can I say, I love instant gratification with blur, softness, magic, and without pixels. It’s pure happiness.

3) What is your earliest memory of instant film?

When I was a kid, my parents bought one of the cheap plastic 600 model cameras, I’m not sure which one, but I remember the first time that I held a polaroid in my hand and watched it develop. I was hooked right then and there.

4) What’s your favorite Impossible film type?

Right now it is definitely the newest PX 70. I absolutely love the colors. It’s so versatile under different conditions. You can make them really bright, or soft and warm.

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No. 517

8 Exposures...with Balthazar Simões.

Patrick Tobin, | 300 days ago

Greetings from 8 Exposures Land! It’s good to see you again! This week in our instant film Q&A series, we spoke with Balthazar Simões

1) What kind of Polaroid camera(s) do you use?

My favorite Polaroid cameras are my SX-70 (of course) and a Polaroid 350. I have a Spectra, too and a Polaroid Studio Express 484 that has 4 lenses and is quite fun.

2) Why do you like instant photography?

Because it’s an experience of true magic. Because it’s an instant tangible artifact. Because each image is one-of-a-kind and can’t be reproduced.

3) What is your earliest memory of instant film?

My Grandpa was always the one with the cameras when I was growing up. I can still remember the feeling of watching a polaroid develop when we went to visit my grandparents for Christmas. Most things become less magical as we grow older, but it persists with my experience of instant film. My Grandpa passed away two summers ago and I was recently given all of his cameras. Sadly, he no longer had his Polaroid cameras, but he had quite a few film cameras that I now cherish. One of the cameras still had some film in it, and I just had it developed last week. All the photos were of this vase of tulips.

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No. 489

8 Exposures...with Steve Maniscalco

Patrick Tobin, | 304 days ago

Greetings, instanteers! Welcome back to 8 Exposures, our instant film Q&A series. This week, we bring you Arizona’s own Steve Maniscalco

1) What kind of Polaroid camera(s) do you use?

I won’t try to get an accurate count…something like 4 SX-70 Alphas, 2 autofocus Model 2 cameras, and 2 SLR 680s. Two of my SX-70 alphas have been converted to shoot 600 film by modifying the auto exposure circuitry. I have several Spectra cameras, including a Macro 5 SLR. Also, 2 Land 250s, a 195, a 180 and a 430. Oh, and a pack film back for a home-made pinhole camera.

2) Why do you like instant photography?

I tell people I haven’t got enough patience to wait for digital, and immediacy is certainly part of the equation. I love being able to share the results right away. I often take multiple shots so I can give away one. Putting a physical picture in a child’s hands and watching the reaction is priceless.

Instant photography feels very honest to me. When the picture is taken, you’re done. You can scan it and alter it if you like. You can share the altered version on line or in print…but somewhere, hidden in your attic…

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No. 511

8 Exposures...with Micaela Go

Patrick Tobin, | 307 days ago

Welcome back to 8 Exposures, friends. This week in our popular instant film Q&A series, we’re happy to bring you California photographer Micaela Go

1) What kind of Polaroid camera(s) do you use?

Recently, I’ve been using an SLR 680 I’ve borrowed from a friend (I’ve gone through 3 already), but I also use my SX-70, ProPack and have picked up a Minolta Instant Pro and hope to use it more often.

2) Why do you like instant photography?

Right before all those little compact digital cameras became so ubiquitous, I picked up my first SLR 680. I loved it because it was instant – I could take a photo and have something tangible in my hands within seconds, then see the actual image within minutes. Now, Impossible Project film adds so many more qualities to instant photography that I love. I’m drawn to the unpredictability of the film, and every image is unique. The novelty of having this one image and it being the only one of its kind is remarkable. There’s also the aspect of how ephemeral the images are; watching each exposure develop and seeing how it continues to change after days, weeks, and months is something I find rather exciting.

3) What is your earliest memory of instant film?

I was probably around 12 years old when I found my dad’s old One Step (with film in it!) and I took it with me everywhere. I took pictures of my friends and family mostly (not much has changed since then).

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No. 507

8 Exposures...with Joep Gottemaker

Patrick Tobin, | 311 days ago

Hello, Impossible friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to present you with a special 8 Exposures featuring one of our biggest fans and greatest friends, Joep Gottemaker

1) What kind of Polaroid camera(s) do you use?

I mainly use my SX-70 original from 1972. I also own packfilm cameras, a Spectra and SLR 680 camera. I use the Spectra 1200 (with LCD screen) a lot too. The SX-70 goes everywhere with me. If it’s to Paris or just a dog walk, the SX-70 is in my pocket.

2) Why do you like instant photography?

I think the main reason is the fact that every Impossible is one of a kind. There is just that special quality to the pictures that no other medium has. Not 35mm or digital, the pictures just have that “magical” color to it.

And the fact that the pictures are instantly pushed in your hands. The sound of the motor, the picture coming out and the development. The thing with Impossible film is that you can’t predict what the picture will turn out like. With old fashioned Polaroid film, you could see the the picture develop before your eyes.

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No. 496

8 Exposures...with Kat White

Patrick Tobin, | 318 days ago

G’day from Impossible, and welcome back to 8 Exposures! This week, we’re happy to bring you one of our favorite Aussies, graphic designer/photographer Kat White

1) What kind of Polaroid camera(s) do you use?

My favourite two cameras are my Automatic 180 and my SX-70 Original.

2) Why do you like instant photography?

The characteristics of expired film, and the fact that it’s permanent and tangible.

I love seeing the reaction of passersby, in awe of a seemingly old camera still getting used. And even better when someone stops you to tell you they had a camera just like it!

I also love how passionate the instant/polaroid community is. About the cameras, the film, and always willing to share and collaborate their tips.

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No. 493

8 Exposures...with Kim Oberski

Patrick Tobin, | 321 days ago

Greetings, instamaniacs. Welcome back to 8 Exposures, our instant film Q&A series. This entry brings you Michigan photographer and good Impossible friend Kim Oberski

1) What kind of Polaroid camera(s) do you use?

I primarily use a Polaroid SX-70 original but have recently added a modified Polaroid 110a with integral and pack film backs. Also on the camera shelf: Mamiya RB67 with integral film back, Polaroid rainbow onestep (which was my Grandmother’s), Polaroid 210 (what my mom used 40-some years ago), a Spectra, and a variety of Polaroid 600s.

2) Why do you like instant photography?

I love how instant film has taught me to let go of trying to make an image “perfect.” Sure a divot shows up, one of the chemical pods streaks, or the image is slightly out of focus; it doesn’t matter because those can be the very imperfections which make the image perfect.

3) What is your earliest memory of instant film?

I don’t have an exact memory of when I first remember instant film, it seems instant film/cameras have always been around me somehow. Growing up, every time I looked in the coat closet, I remember seeing…

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No. 487

8 Exposures...with Philippe Bourgoin

Patrick Tobin, | 325 days ago

Portrait of Phillip, © Frenchcockpit 2011

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we bring you French photographer and author Philippe Bourgoin

1) What kind of Polaroid camera(s) do you use?

The Polaroid cameras I most use are the SX-70 and the 600 SE.

In my usual rig, I also always carry a Hasselblad 503cx with a Pola back. My second best camera is a Holga with a Pola back, for specific projects, or to bring along at polameets at our usual waterhole in Paris.

2) Why do you like instant photography?

As a portraitist and a photographer of female nudes, I work on a one to one relationship with the models (no assistant, no MUA). Intimacy is a given.

When the first couple of test shots eject and develop, the idea of the picture I want to make becomes flesh, it can be touched, it’s alive: instant photography is all about sharing.

Trust rises: a “not so good” picture can be thrown right out the window, and I obviously can’t pretend that it’s going to look good when it comes back from the lab (and after two hours of Photoshop)…Flaws show right up…No lies, no disguise, we take it from there.

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No. 484

8 Exposures...with Kelly Knaga

Patrick Tobin, | 328 days ago

Hello, friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we’re happy to bring you a Midwest girl, Kelly Knaga

1) What kind of Polaroid camera(s) do you use?

I’ve collected a number of cameras mostly through garage sales, Goodwill stores and eBay, but I tend to use the same 4 over and over: my SX-70, my refurbished 340 Land Camera, a Spectra I got from a retired cop and my very first 600 that my grandmother gave me one summer when I was about 10.

2) Why do you like instant photography?

I love the moment just before, the one where I hold my breath, waiting for the film to develop. I love the imperfections and inconsistencies of instant film, which seems relevant to the constant fluctuations and vulnerabilities that occur in life. Experimental films, expired films, a scratched camera lens or vintage, barely working, taped together cameras all invite moments of exploration of space, color, time or the material composition of the film itself.

3) What is your earliest memory of instant film?

Someone taking a picture of my grandfather holding me on his lap while he is sitting on his tractor. I still have the photo.

4) What’s your favorite Impossible film type?

I love experimenting with them all. I think my favorite right now are the Spectra Cool films. My sincerest thanks to Impossible for helping keep instant film alive.

5) What are your favorite subjects to photograph?

I have always been drawn to natural landscapes and...Read All

No. 474

8 Exposures...with Toby Hancock

Patrick Tobin, | 335 days ago

Photo by Rommel Pecson

Hello, Impossibles! We’re back with another entry in our instant film Q&A series, 8 Exposures. This week, we are happy to bring you LA-based Brit wonder Toby Hancock

1. What kind of Polaroid camera(s) do you use?:

I built an extensive collection of Polaroid cameras in the 1990s, which was a time when they could be bought dirt cheap at flea markets and on eBay. So, I regularly use two somewhat beaten up SLR 680s and two or three SX-70 Sonars. I usually have at least two on hand loaded with different types of film. I have turned my 680s into Frankenroids by swapping the film doors for SX-70 ones, which has resulted in fewer divots (not that there’s anything wrong with divots!). Impossible Project’s Dr “Frankenroid” Love has a very informative blog post about this simple transformation HERE.

2. Why do you like instant photography?:

As many before me have said, it’s magic in the palm of your hand. It’s unpredictable and often creates unexpected, but beautiful results. Undoubtedly, the more you shoot, the more predictable it becomes, but there’s always the potential for one of those perfect mistakes to be lurking around the next corner.

3 simple rules to shoot Impossible film by:

1. Always expect the unexpected and embrace the fact that it might give you some of your best images
2. There’s no such thing as a wasted Polaroid
3. Never throw any photograph away
4. There’s probably a fourth rule, but I can’t...Read All

No. 467

8 Exposures...with Justin Craigen

Patrick Tobin, | 342 days ago

Hi there, Impossibles. Welcome back to 8 Exposures, our instant film Q&A series. This week, we’re happy to bring you one of the original members of the Save Polaroid movement, Justin Craigen

1) What kind of Polaroid camera(s) do you use?

SX-70 Alpha 1 Model 1, SX-70 Model 1 Sonar, Spectra, 450, and a pinhole camera with a packfilm back.

2) Why do you like instant photography?

It’s a variety of reasons. One that has been particularly important is the social aspect of the medium. Instant photos are, more than any other type, perfect for sharing with others. More importantly, getting involved with instant photography has brought me into contact with a large number of absolutely wonderful and inspiring people that otherwise, I would have likely never met. I’ve had the pleasure of meeting a handful of them in person, and so far all are as good, or better, in the flesh.

There’s also the element of unpredictability that comes with the medium. It forces the photographer into a zone where the varying degree of lack of control is embraced. And with Impossible’s in-house produced films, there has been a real effort required to get predictable results. It’s much less of a struggle now, but even so, I find that the emotional payoff of a successful image is significantly greater than with other types of film, or digital photography.

I also enjoy the manipulations that can be done—partly for aesthetics, and partly because once a manipulation is made, there’s no going back. The...Read All

No. 461

8 Exposures...with Daniel G. Fuster

Patrick Tobin, | 345 days ago

Welcome back to 8 Exposures, our instant film Q&A series. This week, our featured photographer is Daniel G. Fuster

1) What kind of Polaroid camera(s) do you use?

A great thing about instant photography is that cameras are usually easy to find and quite affordable. I have to admit to having many of them, but, at the end, I usually stick to an old SX-70 Sonar and a more recent SLR 690 camera. These last weeks I am also using a flashy blue Impulse.

2) Why do you like instant photography?

I like its colours, the texture, the frame, the way it captures light, but the fact that you can see – and touch – the result immediately is to me, the best thing about instant photography. I also enjoy the difficulties that this kind of photography has, in terms of need of light, limited capacity to use lens, etc. as I believe that this brings more simplicity and spontaneity to pictures. I also like the nostalgic feeling that this material often has, not to say the accidental trait that, time to time, does appear.

3) What is your earliest memory of instant film?

My grandmother bought a Polaroid camera in the early eighties, and she used to take pictures of both my sister and me in the summertime. Since then, I have always associated instant film with holidays…

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No. 456

8 Exposures...with Laura Alice Watt

Patrick Tobin, | 349 days ago

Welcome back to 8 Exposures, our instant film Q&A series. This week, we bring you California-based Laura Alice Watt

Q1) What kind of Polaroid camera(s) do you use?

A: The workhorse is my trusty SLR 680, looking a bit worse for wear these days as it’s usually my travel Polaroid. It’s kept company by a tan SX-70 (such an elegant creation!), a Spectra and an Automatic 250, plus packfilm camera backs for the Hasselblad and, most recently, Crown Graphic. Plenty of fine cams to choose from!

Q2) Why do you like instant photography?

A: There’s of course the relatively-instant gratification (compared to regular film, not digital) of seeing them develop, and the sheer tangibility of a pola, that it’s both an image and an object; for me, the biggest allure is the way these cameras and films “see.” Light glows differently through instant film than through any other kind, there’s just nothing else like it—all those Pola-Droid apps are sad, sad imitations at best—real instant film provides a unique and characteristic view of the world, a way of seeing the subject that directly enhances and contributes to its beauty or intrigue. And I like that sense of interaction, not only between photographer and subject but also through the distinctive medium of the film—and of course the serendipity.

Q3) What is your earliest memory of instant film?

A: I’m perhaps a bit unusual among instant photographers, in that I don’t have any nostalgic memories of polaroids from the past; both of...Read All

No. 452

8 Exposures...with Pierre Manning

Patrick Tobin, | 352 days ago

Hello again, 8 Exposures fans. This week, we are happy to bring you Canadian photographer Pierre Manning

1) What kind of Polaroid camera(s) do you use?

SX-70

2) Why do you like instant photography?

The suprise , the tones , the richness of colors.

3) What is your earliest memory of instant film?

I remember my mother gave me my first Polaroid and it was a revelation for me to see my images developing in front of my eyes.

4) What’s your favorite Impossible film type?

PX-70. I also liked Polaroid’s Fade To Black that Impossible sold.

5) What are your favorite subjects to photograph?

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No. 437

8 Exposures...with Tyler Tyndell

Patrick Tobin, | 363 days ago

Welcome back to 8 Exposures, our popular instant film Q&A series. This week, we turn our lens on Texas teacher and photographer Tyler Tyndell

1) What kind of Polaroid camera(s) do you use?

The truth is that by the time this interview runs, it will have changed. Realizing the potential for all Polaroid camera models to be useful, I acquire them readily. Of course, my SX-70 is with me at all times as well as two 250 Land Cameras. Being as it is, when my SX-70 needs troubleshooting, my father-in-law is kind enough to lend me one of his. Other cameras that are usually with me are an SX-70 Pronto and a Polaroid Spectra.

2) Why do you like instant photography?

Can I give a dissertation? In all seriousness, instant photography breathes creativity. For me it provides an avenue for creativity that I would have never been exposed to otherwise. I believe the addictive quality induced from instant photography is best explained by truly understanding the magnitude of what happens the moment you press the shutter. It could be everything or nothing that you imagined. The 35-year-old camera could false shoot and you may end up transferring the pack to another camera, just to harvest the image.

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No. 422

8 Exposures...with Heather Polley

Patrick Tobin, | 370 days ago

Photo by Nick and Dave Photography

It’s time for another foray into 8 Exposures territory. This entry revolves around California photographer Heather Polley

1) What kind of Polaroid camera(s) do you use?

I have several folding SX-70s, as well as a plastic box-type Pronto SX-70. For pack film, I shoot an Automatic 104 Land Camera. My dad is conveniently a vintage camera dealer. He recently gave me three Spectra cameras that are so new to me, I haven’t had a chance to shoot them yet.

2) Why do you like instant photography?

Instant film breathed new life into my work. I’ve always been an analog photographer, and I work a lot with alternative print processes because the element of chance brings a freshness and beauty that you don’t often see in digital work. I like happy accidents and imperfections. I shot with 35mm film for many years, but I have found that shooting instant film adds a new layer of complexity to my compositions.

3) What is your earliest memory of instant film?

Most of the pictures my parents took of me as a child were with a Polaroid camera, probably a One Step. It was there for every milestone and event while I was growing up.

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No. 418

8 Exposures...with Thomas Krauss

Patrick Tobin, | 377 days ago

Hello, Impossibles! Welcome back to 8 Exposures, our instant film Q&A series. This entry brings you photographic Frenchman Thomas Krauss

Q1) What kind of Polaroid camera(s) do you use?

A: From the moment I fell for instantaneous photographs I‘ve tried different ones, but mostly those that use 600 film. The very first one, the trigger, the Archduke of Austria, was the fruit of an exchange for a Holga. Lately I’ve mostly been using an SLR 680, a 690, and an instant Type 100 back for my 4×5 camera.

Q2) Why do you like instant photography?

A: I honestly don’t know, my banker is after me. My wife and him agree so much in restraining my buying frenzy that I’m beginning to think there’s something between them…My photographs lack perfection. I don’t master any of the parameters at shooting…

Q3) What is your earliest memory of instant film?

A: The one and only time during my childhood when I used a Polaroid was for Manu’s birthday. Manu was the little fair-haired boy who lived opposite us. (Since then he has grown and moved).
The boy I’ve always known.
The boy I cycled with.
The boy I watched the Tour de France withthe boy who made me hate the Tour de France.
The boy I played Monopoly withthe boy who made me hate Monopoly…So maybe he’s the one who made me hate birthdays and love Polaroid!

Q4) What’s your favorite Impossible film type?

A: Meat is my hobby-horse. The colour of meat. I’ve...Read All

No. 380

8 Exposures...with Lou Noble

Patrick Tobin, | 398 days ago

Welcome back to 8 Exposures, our instant film Q&A series! This week, we bring you polaroid portrait wizard Luciano Noble

Q1) What kind of Polaroid camera(s) do you use?

A: I use two Polaroid cameras, a Polaroid SLR 680 and an SX-70. I’ve got loads in my apartment, but they’re decorative more than anything else. I’ve gone through my packfilm period, my simple Polaroid period, used a Big Shot for a bit. But there’s just nothing like the SX-70 and its kin that fits me better, the amount of control I like, the quality I require, the form factor, hell, even the little noises the motors make in the SLR 680, that there is music to my ears.

Q2) Why do you like instant photography?

A: I love it because it’s utterly unique. Unique in the pictures that are created, in the interactions using such strange cameras creates between you and your subject, unique in the palette, in the creation of a physical artifact. I’ve been using Polaroid since 1996, it’s been with me for, well, for the majority of my life. Polaroid is responsible for my love of photography.

And it’s not really about film, it’s about Instant film. It’s about having it immediately, about creating this little piece of work that you made mere moments ago, and having it in your hands, showing the person you photographed what you saw, that this picture right here is how I see you.

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No. 361

8 Exposures...with Emilie Lefellic.

Patrick Tobin, | 412 days ago

Hi there. Welcome back to 8 Exposures, our instant film Q & A series! This week, we bring to you Parisian photog Emilie Lefellic

1) What kind of Polaroid camera(s) do you use?

Mainly my 180 and my SX70 model 2, which are my two favorite cameras.

2) Why do you like instant photography?

What I love about instant photography is its completely unpredictable character, the whimsical suprises it creates whenever you click the button. I also love the fact that development takes place before your eyes and you can even influence it once you know the film. As the awesome 101 Impossible Ways Project shows, instant photography leaves infinite room for experimentation and creativity – before, while and after the picture is taken : you can decide to double-expose, use special filters, put your picture in the fridge, in the oven, write, draw, paint, stick stuff on it, create artifacts with it – I actually feel a bit like a craftswoman when I fiddle with my pictures, which is a great source of joy. But what I love above all in instant photography is the instant film itself : its colour, depth, painterly texture, its retro feel – it alters reality in a way that is surreal, dreamy and poetical to me. Somehow, it’s perfect in its many imperfections.

(More after the jump!)

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No. 350

8 Exposures...with Maritza de la Vega

Patrick Tobin | 419 days ago

Hello, instanteers! Welcome back to 8 Exposures, our instant film Q & A series. This entry focuses on New York-based Maritza de la Vega

1) What kind of Polaroid camera(s) do you use?

Primarily I use an SX-70 Alpha, and an SLR 680 SE for integral film and a 440 for pack film. I recently acquired a Keystone 60 Second Everflash (a non-Polaroid pack film camera) that I really like to use and that is slowly replacing my 440. I have a few other Polaroid cameras but I don’t really use them very often.

2) Why do you like instant photography?

I like that it is instant, of course, but also that it’s tangible. It’s great to hold an image in my hand and admire it without the aid of a brightly lit screen!

3) What is your earliest memory of instant film?

??I don’t have specific early memories of instant film, but I do feel that it was a constant part of my world especially from the late seventies through the mid-nineties.

(More after the jump!)

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No. 340

8 Exposures...with Andy Jenkins.

Patrick Tobin | 426 days ago

Hello, friends. We’re back again with another entry in our popular instant film Q & A series, 8 Exposures. This week, we bring you Ohio’s own Andy Jenkins

1) What kind of Polaroid camera(s) do you use?

I mainly use my SX-70 Sonar, 440, Graflex Crown Graphic and my 110a converted to take pack film. I also mix in several other SX-70s with their own quirks, a couple 250s, one600, Supercolor 635 CL, Big Swinger 3000, Polaroid Reporter, Square Shooter 2, and Holgaroid back.

2) Why do you like instant photography?

I like the artistic outlet instant photography provides. The nuances of each type of film and camera allows for so many creative options. I know some people would just give up on a film like Push!, but personally, taking the mundane and transforming it to something else is what makes it fun. I like Jack White’s quote regarding his guitars, “I wanna work and battle it and conquer it and make it express whatever attitude I have at that moment. I want it to be a struggle.”

3) What is your earliest memory of instant film?

I remember making Mother’s Day cards when I was probably 10 years old using my mom’s Supercolor 635 CL (which I still use currently). Neon shirts, parachute pants and Air Jordans really popped on old Polaroid 600 film.

(More after the jump!)

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No. 331

8 Exposures...with Laura Taylor.

Patrick Tobin | 433 days ago

Photo by Lou Noble

Hello, again. Welcome back to 8 Exposures, our instant film interview series. This week, we bring you a lovely lady from the west coast, photographer Laura Taylor

1) Q: What kind of Polaroid camera(s) do you use?

A: The SX-70 is my main camera, though I have a couple other Land cameras that I like to play around with.

2) Q: Why do you like instant photography?

A: It’s just magical to me. I love that the photo is tangible like a small treasure. The element of surprise is fun, too. You never know exactly what to expect because forces out of your control are at play. All of these aspects create a special experience, and beautiful photographs.

3) Q: What is your earliest memory of instant film?

A: When I was in preschool, I had a Polaroid photo taken of me sticking my head through a big wooden cut out clown. I still have that Polaroid.

(More after the jump!)

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No. 322

8 Exposures...With Matthew Fry.

Patrick Tobin, | 440 days ago

Hi friends, and welcome back to 8 Exposures, our weekly instant film Q & A series. This entry turns the spotlight on California-based photographer Matthew Fry

Q1) What kind of Polaroid camera(s) do you use?

I have a Polaroid SX-70 Alpha 1 SE with a Polaroid Polatronic 2350 flash. I love it, and it looks as good as it shoots. I used to have a Onestep Closeup 600, but I gave that to Nettie Harris after a shoot. Actually, I guess I have two other 600s somewhere around here. That’s the great thing about Polaroids, someone always has one laying around from back in the day.

Q2) Why do you like instant photography?

I think most everyone would say that it gives them something tangible in a world consumed by digital. But I only shoot film, so instant is my version of digital. I don’t have to wait days to see it, I have it there in my hands the moment I shoot it. And I always love the anticipation as it turns from blue, slowly forming the shapes and colors. It’s like opening a christmas present for me.

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No. 310

8 Exposures ... with Jarrod Renaud

Patrick Tobin, | 448 days ago

Welcome, friends, to another foray into instant-filmdom, via our popular interview series 8 Exposures! This week, we turn the spotlight on Jarrod Renaud

1) What kind of Polaroid camera(s) do you use?

A Polaroid 195 and Polaroid SX-70 Alpha 1.

2) Why do you like instant photography?

It’s analog and it’s instant. I shoot a lot of 35mm film also, but have the hardest time being patient when it comes to waiting for development and scans. With Polaroid, it’s like Christmas morning with every shot. I love that I’ve got something physical in my hand at the end of a shoot. I also feel like you automatically capture a sense of nostalgia with the slight inconsistency of film and the general color palette.

3) What is your earliest memory of instant film?

Growing up, I never had a Polaroid stuck in my face, there was never one laying around, although my parents took a million photos. It was all point/shoot and SLR cameras. So my first real experience with one was a Polaroid Auto 100 that I found at a thrift shop…

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No. 297

8 Exposures...with George Weiss III.

Patrick Tobin, | 461 days ago

Hello, Impossibles! We’re happy to bring you another entry in our ever-popular question and answer series, 8 Exposures. In this episode, the man of the hour is George Weiss III, a photographer based in Philadelphia, specializing in weddings and portraits, with a love for analog photography…

1) Q: What kind of Polaroid camera(s) do you use?

A: I have a bunch, I’m a bit of a hoarder, er, I mean collector, but I primarily use a couple SX-70 Sonars, an SLR 680, and I have a 250 for packfilm.

2) Q: Why do you like instant photography?

A: Hmph, where do I start? I think the biggest reason is the fact that it has a life and a soul that can’t be found in any other medium. I love the feeling of anticipation I get when I’ve taken a photo and I’m waiting for it to develop or to peel it. It’s magic.

3) Q: What is your earliest memory of instant film?

A: I have a lot of pictures of myself as a child (probably in the 3-year-old range) that were taken by my grandfather but I don’t actually remember them being taken. When I was a young child in the 80’s, Polaroid photos were so ubiquitous it was hard to avoid them.

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No. 292

8 Exposures...with Sean Rohde.

Patrick Tobin | 468 days ago

Hi there, friends! Welcome back to 8 Exposures, our instant film question & answer series. This week, we spoke with Phoenix, AZ-based Sean Rohde

1) Q: What kind of Polaroid camera(s) do you use?

A: Loaded Question! I mostly use my 190 and 195, but I also have a 180, Fuji Fotorama FP-1, Mamiya Universal, Crown Graphic with Polaroid and Fuji backs, SX-70 Model 2 (white), SX-70 Alpha 1 Model 2 (black and modified for 600), Colorpack III, Big Swinger 3000, and some other stuff, plus things I have owned and sold in the past, like a Konica Instant Press and modified roll film cameras, as well as various plastic hard case and folder cameras. I would love to have a 185 to complete my collection, but they seemed to have gone up in value in the past two years to some ridiculous prices. I have to use my cameras, not just look at them on a shelf.

2) Q: Why do you like instant photography?

??A: Well, certainly the fact that it is instant is a draw. Though sometimes I don’t peel my 100 and 80 for six hours so I guess they aren’t always so instant. There is just a certain quality that instant films have that film doesn’t have. Color shifts, textures…it all kind of gives photos a vintage quality that I like.

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No. 284

8 Exposures...with Jade Sheldon.

Patrick Tobin | 475 days ago

Hello, Impossibles! Welcome back to 8 Exposures. This week, we spoke with Portland, OR-based photographer, illustrator and MAE student Jade Sheldon

1) Q: What kind of Polaroid camera(s) do you use?

A: I have a small collection of Polaroid cameras that my grandparents have given me over the years. They love estate sales and whenever they come across a camera, they can’t resist getting it for me (you won’t catch me complaining). Not all of them are in working order, but they are beautiful to look at nonetheless. The main cameras I use for my instant film photography are my Sun 660 and Fuji Instax 210. I’m looking to add a Polaroid 195 to my modest collection.

2) Q: Why do you like instant photography?

A: I earned my BFA in illustration in 2009. That was four long years of sketches, thumbnails, roughs, color comps, second-guessing, finals, and critiques. Creating an illustration can take hours… days… even months. There is so much planning and so much preparation that goes into it. When I discovered instant film, I felt so free. With instant film, I could create a piece of original art in seconds.

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No. 278

8 Exposures...with Andrew Millar.

Patrick Tobin, | 482 days ago

Hello again, 8 Exposures fanatics! We’re back with another splendid entry in our instant film interview series. This week, we spoke with Andrew Millar

1) Q: What kind of Polaroid camera(s) do you use?

A: I have quite a few SX-70 cameras; some work better than others but I mostly tend to use my trusty old brown SX-70 Land Camera 2.

2) Why do you like instant photography?

A: It can be unpredictable and love it when you try to control or play with the outcome and end up with something unexpected and unique.

3) Q: What is your earliest memory of instant film?

No one in my family owned an instant camera so my earliest memory would be going to get my passport photos done when I was a child in an old-fashioned photo booth.

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No. 273

8 Exposures...with Kristen Perman.

Patrick Tobin | 489 days ago

Hello, friends! We hereby present you with another entry in our instant film Q & A series, 8 Exposures. This week, we profiled California photographer Kristen Perman

1) Q: What kind of Polaroid camera(s) do you use?

A: My favorite camera is my SLR 680. I actually have two of them, both in a delicate state from being dropped. I also love my Spectra camera, gifted to me by a good friend, who found it by her apartment dumpster in Philly. It’s clear, so you can see all the inner workings and it has proven to be a great conversation starter.

2) Q: Why do you like instant photography?

A: Instant photography taught me how to frame a photo and of course, to slow down. I’ve learned that the first shot is always the best, even if that first shot is not the best or your favorite.

3) Q: What is your earliest memory of instant film?

A: We always had a Polaroid camera around. There are random family photos throughout my childhood proving its existence even though I don’t remember it much.

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No. 264

8 Exposures...with Jessica Hibbard Elenstar.

Patrick Tobin | 496 days ago

Hello again from 8 Exposures! This week, we’re highlighting Maryland Event Planner and photo genius Jessica Hibbard Elenstar!

1) Q: What kind of Polaroid camera(s) do you use?

A: My collection is always expanding, but my favorites are SX-70s, Spectra ProCams, and Super Shooters. I always have at least two of each in case one breaks, and multiple cameras also come in handy for shooting different film types at the same time.

2) Q: Why do you like instant photography?

A: I’m drawn to the beauty of vintage cameras, the warmth of film, and the uniquely imperfect nature of each image. Even “bad” polaroids are good, and a nice reminder for a control freak like myself to be open to surprises.

3) Q: What is your earliest memory of instant film?

A: My grandmother’s Spectra camera. I still remember her opening the crinkly silver package of film. She insisted on taking a picture of the entire family at the dinner table when we were all together, so there are many vintage shots of me as a kid with food in my mouth.

(More after the jump!)

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No. 258

8 Exposures...with Ben Shuster.

Patrick Tobin | 503 days ago

Hello again, instanteers, and welcome back to 8 Exposures! This week, we spoke with Washington, DC-based Ben Shuster…

1) Q: What kind of Polaroid camera(s) do you use?

A: I have a couple SX-70s – the Original and the Sonar Onestep – and a Spectra for the current and past integral packs. For packfilm I go with either the Model 340 Land Camera or my Kiev 88 fitted with the Polaroid magazine. I also still have a fair amount of Type 80 series packfilm, and those go straight into my Holgaroid.

2) Q: Why do you like instant photography?

A: Like so many other people, I love its vintage coolness, nostalgia-soaked colors and analog unpredictability. It sets your shots apart from everything else out there. It can take a perfectly normal snapshot and make it perfectly unique. The variety of manipulation and lift techniques really make creative possibilities endless. AND! Name someone you know who doesn’t have a “make my photos look like instant film” app on their phone – you can’t do it. WE know what’s up. WE have the prints to prove it.

(More after the jump!)

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No. 254

8 Exposures...with Jake Messenger.

Patrick Tobin | 510 days ago

We’re happy to bring you another entry in our popular instant film question-and-answer series 8 Exposures! This week, we proudly feature UK-based photographer and digital artist Jake Messenger

1) Q: What kind of Polaroid camera(s) do you use?

A: Many! My favourites are my dad’s old original SX-70, and the SX-70 Sonar which belonged to his business partner. I also use a hefty 600SE; the quality you can get from it is fantastic, but it is a beast to lug about. My lighter pack-film option is a Land Automatic 250. I have a few other cameras knocking about – a Super Shooter, a 600 P, an SX-70 3000. On my shelf there are a couple of beauties for show: I love the 800 roll-film camera. Oh, and I have a pack-film back for my Holga!

2) Q: Why do you like instant photography?

A: I love the ‘thingness’ of instant: how you compose your picture, take it, and within a few minutes you have the physical object in your hand. While I love all kinds of image-making, the immediacy of instant is just magical. I love the fact that the film is its own darkroom, that once the image is there, that’s it – there are no processing decisions to be made.

(More after the jump!)

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No. 250

8 Exposures...with Britta Hershman.

Patrick Tobin | 517 days ago

Hello again, friends, and welcome back to 8 Exposures! This week we spoke to Britta Hershman

1) Q: What kind of polaroid camera(s) do you use?

A: For most of my instant photography, I use my trusty green OneStep Express, aka, the Turtle. Actually, I’m mildly obsessed with all things Italian, so I call it by its Italian name, la Tartaruga. It’s cute, green, and round, and I found it in a thrift shop in Naples, Italy. It was my first instant camera, so it will always hold a special place in my heart. I also use a Spectra, a Polaroid 330 for Type 100 peel-apart film, and a Polaroid Land Camera 800 for Type 40 series roll film, nicknamed the Dino because of its impressive size and weight. And also, sadly, because film for it is nearly extinct. It’s difficult to find, and the few films that are left have been expired for decades and are often dried out. So the chances of ending up with actual photos are slim, but once in a while it does happen. And every time it does, I’m reminded of why I love instant photography.

2) Q: Why do you like instant photography?

A: It’s a thrill to create tiny but complete works of art with a camera.

(More after the jump!)

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No. 243

8 Exposures...with Dan Meade.

Patrick Tobin | 524 days ago

Hello, Impossibles! We’re back with another warm and fuzzy entry in our 8 Exposures series. This week, we highlighted NY-based Graphic and Web Designer Dan Meade

1) Q: What kind of Polaroid camera(s) do you use?

A: All of them! No, really…I have this thing where I have to try everything. I probably have at least one of every style and format of Polaroid camera, from Spectra and peel-apart cameras to 500 and even I-Zone!

I really enjoy my SLR cameras (several SX-70s and an SLR680) most, but I’ve also built a few home-made cameras including instant pinhole cameras and a custom rubber-coated “Holga-roid.” I also just got a Crown Graphic, which is just fascinating when used with instant film.

2) Q: Why do you like instant photography?

A: I was initially drawn to instant photography for the nostalgia.

However, I quickly became hooked on the “instant gratification” and the unpredictable nature of instant photos.

(More after the jump!)

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No. 234

8 Exposures...with Brooke Castro.

Patrick Tobin | 529 days ago

Hi again, 8 Exposures fanatics! We’re happy to bring you a special Sunday entry in our series. This episode, the star of 8 Exposures is Seattle-based designer, project manager and mom Brooke Castro…

1) Q: What kind of Polaroid camera(s) do you use?

A: I have 12 Polaroid cameras (there is no such thing as too many cameras, right?), but the ones I use most are my SLR 680 SE, SX-70, and a Polaroid ColorPack II.

2) Q: Why do you like instant photography?

A: I love that it has proved time and time again that the most beautiful or interesting photos aren’t always the ones you planned for or expected.

3) Q: What is your earliest memory of instant film?

A: When I was really young, my grandfather used to take family photos with a Polaroid camera. I can remember waiting, anxious for him to peel back the film and show my cousins and me the photo. (That Polaroid ColorPack II that I mentioned above? That was my grandpa’s camera.)

(More after the jump!)

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No. 232

8 Exposures...with Bradley Johnson.

Patrick Tobin | 531 days ago

Hello, Impossibles! Welcome back to 8 Exposures. This week, we turned the spotlight on Long Beach, CA-based photographer Bradley Johnson:

1) Q: What kind of polaroid camera(s) do you use?

A: I use them all!…or at least, as many as I can get my hands on! Each camera has its own charm, but there are a few that I prefer more than others. I think that the SX-70 is the quintessential Polaroid camera. It does everything you would want a camera to do, and it uses instant film! My runner up would be the Propack. I know that many of my photographer friends will make fun of me for this, but it produces nice photos, and is relatively compact. I use the close-up, and portrait lens attachments (meant for the Polaroid 250, 360, 450 land cameras) to make it even more versatile. Also, it never has the jamming problem associated with Fuji pack film.

2) Q: Why do you like instant photography?

A: First and foremost is the instant feedback. However, with the advent of digital, that isn’t such a novelty anymore. I suppose the real reason I love instant film so much is the fact that each photo is an original work of art. There is no negative. The print you hold in your hand is one of a kind. There will never be another. Sure, you could scan and print a copy, but it will never be the same.

(More after the jump!)

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No. 226

8 Exposures...with Jesse Freidin

Patrick Tobin, | 538 days ago

Hello, 8 Exposures fans! This week, the star of 8 Exposures is Bay Area Dog Portrait Aficionado Jesse Freidin

1) Q: What kind of polaroid camera(s) do you use?

A: This is a dangerous question, because I am a collector. I own about 30 Polaroid cameras, all salvaged for around $5 from various yard sales over the past 10 years. Most of them are retired, littered throughout my apartment in some sort of display. But many of them work perfectly. My two favorites are the Spectra Image (which I now shoot exclusively with Impossible Film), and the Land Camera 103. They smell good, they feel good, they are like extensions of my body. If my house were burning down, I’d be the jerk with singed hair and 30 instant cameras around my neck.

2) Q: Why do you like instant photography?

A: Instant photography was my first love, and I fell hard. There is something so powerful about making the images in your head exist in the real world, and instant photography has always articulated my personal vision perfectly. As a photographer dedicated to analog means, I will never let go of the physical interaction I have with my cameras and film.

(More after the jump!)

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No. 211

8 Exposures...with Oliver Zelinski.

Patrick Tobin, | 545 days ago

Hello friends, and welcome back to 8 Exposures! This week, we spoke with German photographic wizard Oliver Zelinski…

1) Q: What kind of polaroid camera(s) do you use?

A: There is a Barilla pinhole and some old plate cameras with Polaroid backs, a Macro 3, a couple of 636s, an EE100, an Image Spectra, two SX-70 Alpha, a 340, two EE44 and something in the cellar

2) Q: Why do you like instant photography?

A: Because of its own limitation and in connection the results + the smell on x-posed in polanoid.

3) Q: What is your earliest memory of instant film?

A: I remember my mum dissing grandpa’s Sun 660 and those unstable pictures with the boring frame.

4) Q: What’s your favorite Impossible Film type?

A: PX 100 FF and PX 680 beta.

5) Q: What are your favorite subjects to photograph?

A: Mr Giulio Stucchi but generally I am trying not to see the subjects as such but let them speak out. Then you can listen, looking at the picture…

(More after the jump!)

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No. 206

8 Exposures...with Brad Elterman.

Patrick Tobin, | 552 days ago

Welcome back to 8 Exposures! This week, we spoke with the amazing Brad Elterman, who since the 1970s has been photographing celebrities and musicians such as Blondie, David Bowie, Michael Jackson and The Who!

1) Q: What kind of polaroid camera(s) do you use?

A: Polaroid One.

2) Q: Why do you like instant photography?

A: It’s so sexy.

3) Q: What is your earliest memory of instant film?

A: My mom was a painter and in the 70’s she went out and got an SX70. That was really something special. I still have it, somewhere.

4) Q: What’s your favorite impossible film type?

A: PX 680.

5) Q: What are your favorite subjects to photograph?

A: Modern Pop Culture

(More after the jump!)

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No. 197

8 Exposures...with Jessica Reinhardt

Patrick Tobin, | 559 days ago

Welcome back to 8 Exposures! This week, we talked with LA photographer/sweetheart Jessica Reinhardt

1) Q: What kind of polaroid camera(s) do you use?

A: I consider myself extremely fortunate when it comes to my cameras. I have four Polaroid cameras that I use all the time…as well as an ever growing collection of wayward cameras rescued from various states of neglect. I have two Land Cameras…a 360 that belonged to my father. He won it as a college student—-a top of the line set with filters, self-timer, cable release, and portrait lens—-the works. When I was in college he had it reconditioned and gave it to me as a birthday gift. It was the camera that really solidified my love affair with Instant Film. My other Land Camera is a 320 I found languishing in the supply closet at work. It had not been touched pretty much since it was purchased. My boss was impressed with what the camera could do with a fresh battery and some film. My Polaroid cameras that I don’t leave home without are two original model SX-70s. My first SX-70 was a Swap Meet find, complete with a carrying case and manual.

(more after the jump!)

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No. 189

8 Exposures...with Dan Ryan.

Patrick Tobin, | 566 days ago

Welcome to another exciting edition of 8 Exposures, our new interview series highlighting interesting people using Impossible film. This week we talked with UK-based photographic wizard Dan Ryan.

1) Q: What kind of polaroid camera(s) do you use?

A: I’ve got loads of Polaroids in various states of repair, but day-to-day I normally use a battered, brown SX-70 Alpha and a nice and shiny 180.

2) Q: Why do you like instant photography?

A: I don’t know…Why do you like breathing?

3) Q: What is your earliest memory of instant film?

A: I have a bit of a false memory of instant film which, as it turns out was taken on a Kodak. It was a family snap of a walk, with dad and a backpack. I rediscovered it a few years ago in an old album. My modern love affair with Polaroid came at a party about 6 or 7 years ago, when someone pulled out an old 330 or something – I was blown away with the simple beauty of it.

(More after the jump!…)

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No. 180

8 Exposures...with His & Hers.

Patrick Tobin, | 573 days ago

Welcome to another thrilling episode of 8 Exposures, our new interview series highlighting interesting people using Impossible film. This week we talked with Oregon-based instant film magicians His & Hers (Dave Tuttle and Whitney Johnson)…

1) What kind of Polaroid camera(s) do you use?

Hers: Between the two of us, we have a lot of cameras. We actually have an entire closet devoted to cameras, accessories and film.

His: The cameras are in various working conditions, of course. I think we probably have only 30-40 total. There are more than a few that could probably stand to be donated for parts.

Hers: Ha! Only 30 or 40.

His: Yeah, it is a bit ridiculous considering we really only use the same ones over and over again.

Hers: I love my SLR 680. It has a tiny hole in the bellows that I have to tape every few months, a burn mark on the sonar from where I attempted to dislodge a piece of stuck straw with a lighter (note to others: this is not a good idea) and the entire top cover melted off on a Caribbean cruise (seriously), but it still works like a champ. It is the best $75 I’ve ever spent.

(More after the jump!)

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No. 175

8 Exposures...With Azuree Wiitala.

Patrick Tobin | 581 days ago

Welcome to another episode of 8 Exposures, our new feature consisting of 8 photography and instant film-related questions, accompanied by 8 Impossible images from the featured artist. This week, we interviewed Chicago-based photographer, rabbit-lover and life-liver Azuree Wiitala

1) Q: What kind of Polaroid Cameras do you use?

A: My favorite Polaroid camera to use is the SLR 680. Sadly that camera died while my husband and I were visiting my family in Puerto Rico last year. Since then I’ve been shooting with three Sonar One Step SX-70 cameras. Yes, three. They each have different film in them although I have to admit that I can never remember which has what film, which turns out to be a fun surprise, for the most part.

2) Q: Why do you like instant photography?

A: I am drawn to instant photography because it is…instant. I do not prefer to shoot digitally and find that I drag my feet to develop 35mm (which I also love to shoot) so instant film just makes sense to me. I also love the perfect imperfections that come along with shooting instant film.

(More after the jump!)

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No. 170

8 Exposures...With Charlie Wagers.

Patrick Tobin, | 587 days ago

Welcome to a new feature on the Impossible Blog: 8 Exposures. We’ll be asking artists and photographers 8 questions revolving around photography, especially instant photography. Also included will be 8 Impossible images submitted by the featured artist.

Our inaugural edition of 8 Exposures focuses on Charlie Wagers, an Ohio-based graphic designer, art director and illustrator, and a founding member of Three Bears Design.

1) Q: What kind of Polaroid camera(s) do you use?

A: I have a vintage folding SX-70 that I prefer to use, in addition to a bunch of old thrifted 600 cameras. I like the SX-70 because I can use 600 films in it, with a filter. And it folds up nicely, which makes it easy to carry around with me.

2) Q: Why do you like instant photography?

A: I always prefer analogue photography to digital. I most commonly photograph with 120 films in my Holga, so using instant cameras is a treat to see the photos within minutes. I especially appreciate the colors and new effects that come with using Impossible’s film types.

(More after the jump!)

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