Blog

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Hello again, friends, and welcome back to 8 Exposures, our popular instant film Q&A series. This week, we are happy to bring you marketing director and photographer Tim Logan…

1) What kind of Polaroid camera(s) do you use?

Most of the time I use an SX-70 or SX-70 sonar. I have a variety of other Polaroid cameras and backs as well, though, and will often use one of those. It’s not uncommon to see me out with a Polaroid Spectra, Polaroid 250 or my Graflex Crown Graphic with a Polaroid 545 or 550 back. I enjoy shooting as many instant film formats as I can get my hands on so I tend to have a lot of different cameras with me at any given time.

2) Why do you like instant photography?

As strange as it may sound, one of the biggest reasons I enjoy instant photography is because of what it has taught me – Patience. Whether you are shooting with Impossible’s films or some the remaining expired Polaroid stock you really need to be much more mindful of how you work. It’s become very easy to shoot in excess because of digital technology, but, because I don’t want to waste a single frame of instant film I’ve really learned to slow down and take more into consideration before I release the shutter. Ultimately, I think that lesson has made me a better photographer regardless of the format I’m shooting.

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Greetings, instanteers, and welcome back to 8 Exposures, our instant film Q&A series. This week’s guest is a good friend of ours from the UK, all-around nice guy and brilliant photographer Benjamin Innocent…

1) What kind of Polaroid camera(s) do you use?

I have a few instant cameras but have found that I gravitate to 3 that I use often: A Polaroid SLR 680, a Land 250 pack film camera (newly acquired) and an SX-70 Model 1. I find the SX-70 is my most frequently used camera; it was my first folding Polaroid and I adore it. Its design is genius, more a work of art.

2) Why do you like instant photography?

I am fairly new to instant film, however (and this may sound crass), I find this 40-50 year old technology absolutely blows my mind, it is magic! Taking each shot makes me a little giddy with a click, thud, whirr sound. I am very much self-taught/learnt from friends when it comes to taking photographs and I have found that instant photography is where I have settled; it resonates with how I approach making a picture. I love that it slows you down, when you press the shutter button you are committed; no deletes or retakes. The nervous wait to see the image and then you are left with the tangible element that is unique; physically holding an image, passing it round, sticking it up on a wall, giving that one copy away.

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Welcome back to 8 Exposures, our instant film Q&A series. This week, we’re happy to bring you Texas photog Troy Bradford…

1) What kind of Polaroid camera(s) do you use?

I have three working SX-70s, one 250 pack film camera, one modified 250 pack film camera with a Rodenstock 127mm lens added, one 100 pack film camera, two Spectra cameras, one 600 One Step Closeup and a 104 pack film camera converted to a pinhole camera.

2) Why do you like instant photography?

As most people will say, I like the fact that you get to hold the image immediately. In addition to that, I also like the fact that you get to watch the image come to life. The thrill of this process takes me back to my days in high school when I had my own darkroom and was able to watch film images develop before my eyes in the chemical bath. So that takes care of touch and sight, but I also like the smell of the peel-apart films. It is not like the smell is a pleasant one, it is just the fact that you can relate this smell to a developing picture…Now if you separate out just Impossible film and ask the same question, I would say that holding an Impossible image is like instantly holding a small piece of artwork.

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Hello, old friends. Welcome back to Viewfinder, our series chronicling interesting and exciting projects people are working on that incorporate Impossible film. This entry has a musical bent, with images of musicians and bands by Jeff Mather, founder of Indiana music venue Jurassic Park…

Jurassic Park was an idea I conceived early on in college at Purdue University in West Lafayette, IN. The music scene there for a long time was lacking of a small music space for bands to play, for both local and touring bands. When I wanted to see bands I liked, I found myself driving to Chicago or Bloomington, IN for shows, and I thought why not try to get those bands through West Lafayette? So I moved into a house with the full intent of turning the basement into a music space, and I built a stage, installed lights, bought a sound system, and started booking bands for every weekend.

In the beginning, most of the shows were either local bands or out-of-town bands with a local presence, but the buzz started early and Jurassic Park grew with each show. Every weekend, more people were showing up to the new and somewhat only music venue in town. As attendance was growing, so were the caliber of acts, including Reading Rainbow (Philly), coming off a tour with the Dodos, and Cast Spells (Dave Davison from Maps & Atlases).

Photo by James Matthew Carroll

Continuing our Impossible Workshop series, we are pleased to announce the return of a classic workshop on one of our favorite cameras, the Polaroid 600 camera. The Impossible Project will hold a three hour interactive workshop on maximizing Impossible film in the Polaroid 600 Camera.

Let’s talk about PX, baby!

Tackling the Impossible takes time, dedication and expertise − and we can all get by with a little help from our friends. Come join in on the ever-growing Impossible community for our next monthly Analog Feedback Night.

Next Thursday, May 31st, come by the NYC Space to show off your work. Talk film and photography with like minded instant enthusiasts over a few beers. Discover new camera and film secrets, geek out and maybe even get your work featured on The Impossible Blog – this is your chance to connect with other artists and photographers involved in the instant film community!

WHEN: THURSDAY, MAY 31, 2012 6:00 PM to 9:00 PM
WHERE: Impossible Project Space NYC 425 Broadway, 5th Floor Between Howard & Canal Streets
RSVP: Email rsvp@theimpossibleproject.com or call +1 212 219 3254
FREE and open to the public!

Photo by Melanie Rodriguez

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Cycle 5 of the Holden x Impossible Timeless In An Instant photo contest has closed.

The winners of round five were chosen by California born photographer Kassia Meador. A world traveler at heart, Kassia draws influence from the sun and surf, communicating youthfulness through her sun soaked images.

And the winner is…

BARCELONA
by Melanie Rodriguez
Film: PX 70 Color Shade

And Runner Up:

SUMMER
by Dylan Boyd
Film: PX 680 COOL

Congratulations to Melanie and Dylan! Each will receive an Impossible film pack and a Holden t-shirt.

Don’t miss your chance to become a winner of the 6th and FINAL ROUND and win the last of the bi-weekly prizes – SUBMIT HERE and best of luck!

Photo by Nick and Dave Photography

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It’s time for another foray into 8 Exposures territory. This entry revolves around California photographer Heather Polley

1) What kind of Polaroid camera(s) do you use?

I have several folding SX-70s, as well as a plastic box-type Pronto SX-70. For pack film, I shoot an Automatic 104 Land Camera. My dad is conveniently a vintage camera dealer. He recently gave me three Spectra cameras that are so new to me, I haven’t had a chance to shoot them yet.

2) Why do you like instant photography?

Instant film breathed new life into my work. I’ve always been an analog photographer, and I work a lot with alternative print processes because the element of chance brings a freshness and beauty that you don’t often see in digital work. I like happy accidents and imperfections. I shot with 35mm film for many years, but I have found that shooting instant film adds a new layer of complexity to my compositions.

3) What is your earliest memory of instant film?

Most of the pictures my parents took of me as a child were with a Polaroid camera, probably a One Step. It was there for every milestone and event while I was growing up.

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To celebrate the recent opening of Traces of Time, the vibrant new exhibition to open on our South wall, photographers and fellow travelers Varial and Fabrice Nadjari will visit the NYC Space to talk about their experience shooting Impossible film in the remote deserts and villages of the Wakhan corridor, Afghanistan. Guests will have the opportunity to ask the artists about their shooting and survival techniques and hear the inside story on their adventure. If you haven’t had a chance to see this unique exhibition, Traces of Time will be showing in the NYC Space until June 1st.

While you prepare your burning questions for the artists, check out their story on The New York Times LENS blog or listen to their interview on NPR!

WHEN: THURSDAY, MAY 24, 2012 from 6:00 PM to 8:00 PM
WHERE: Impossible Project Space NYC 425 Broadway, 5th Floor Between Howard & Canal Streets
RSVP: Email rsvp@theimpossibleproject.com or call +1 212 219 3254
FREE and open to the public!

Welcome back to Viewfinder, our ongoing series showcasing interesting projects that incorporate Impossible film. This week, we bring you Texas photographer Kyle Vaughn…

“My name is Kyle Vaughn, and I am a writer, teacher, and photographer in Dallas, Texas. As an artist, though I’ve predominantly worked as a writer over the last 15 years, I’ve increasingly turned to photography for inspiration and have even made a go at photography at a more professional level, publishing images and making and selling Polaroid posters. And though I continue on mainly as a writer, I’d say that photography somewhat saved my writing, teaching me how to better see the images I was after and how to study multiple points of view (even the inside of something), somewhat like the sculptor Auguste Rodin challenged his secretary to do. As it happens, his secretary was the poet Rainer Maria Rilke! I learned that as a writer, I am not separate from the things I am writing about, not somehow above the world, not in character nor in spirit nor in mind. I learned that I needed to interact with the world, be involved. That merging of the metaphysical back into the physical is what, in part, drew me to instant photography. And as an artist who loves to both preserve the important parts of my past, but also experiment, I have been fascinated and inspired by the Impossible Project from the moment I read of their plan to continue...Read All

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Last weekend we were lucky enough to host TWO special events with Italian maestro and analog instant master photographer Maurzio Galimberti at the NYC Space.

During his visit to New York, Maurizio shared his experiences and thoughts on the instant analog medium and on his transition from Polaroid to Impossible films. Some lucky guests were selected as subjects for some of his unique instant mosaic work, and the Impossible team was there to capture a video of the action.

To send him off in style, The NYC Space will host one final event with Maurizio, a farewell pizza party and documentary screening!

Come by The Impossible Project NYC Space on Tuesday the 22nd of May for a one time screening of a wonderful documentary on the photographic life of Maurizio Galimberti. If you missed the chance to meet him earlier this month, now’s your chance to eat pizza and drink some beers with Maurizio himself at this informal event.

MAURIZIO GALIMBERTI DOCUMENTARY & PIZZA PARTY!

WHEN: TUESDAY, MAY 22ND, 2012 from 7:00 PM to 9:00 PM
WHERE: Impossible Project NYC Space, 425 Broadway, 5th Floor Between Howard & Canal Street
FREE and open to the public!

Photo by Kisha Bari

Master an Iconic Tool in the History of Analog Photography!

The Impossible Project NYC Space is excited to welcome back a classic workshop on the most celebrated of Polaroid cameras, the SX-70. On Sunday, May 20th, the Impossible team will host a three hour interactive workshop on maximizing Impossible film in the Polaroid Sx-70 Camera. Our introductory workshops are designed to give you the confidence you need to let your imagination run wild! We’ll discuss the features of the SX-70 camera and focus on shooting techniques to ensure you achieve the best results out of the newest Impossible films available.

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Last Thursday we celebrated the opening of our latest exhibition, Traces of Time, at the NYC Space. The show consists of images taken by photographers and fellow travelers Varial and Fabrice Nadjari along their travels in the deserts and villages of Afghanistan.

Guests enjoyed the vibrant showcase of Impossible films alongside a video presentation of the artists’ journey. DJ Rodolphe filled the room with vinyl music, refreshments were generously provided by Brooklyn Brewery and Impossible photographers captured the night on the new PX100 COOL film.

Thank you to all who attended, and congratulations to the artists. Traces of Time will be on display at the Impossible Project NYC Space during regular open hours: Monday through Friday 11am–7pm and on Weekends 12pm–6pm until June 3rd. Don’t miss your chance to see it!

Photo by Thomas Krauss

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Hi friends, and welcome to Impossible’s Sunday Brunch. Each week, we’ll be posting 5 tasty photos that caught our eye over the past week.

Photos this week were taken by Thomas Krauss, Bradley Johnson, Thomas Bottcher, Josie Keefe and Zia Khan, using the following film types: PX 680 Cool, PX 70 Cool and PX 100

Photo by Michelle Karpman

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Cycle 4 of the Holden x Impossible Timeless In An Instant photo contest has closed.

The winners of round four were chosen by American photographer Jimmy Fontaine. A fashion and music photographer by trade, Jimmy is interested in communicating candid truth through portraiture.

And the winner is…

Photo by Adam Custins

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Last week at the NYC Space we had our first ever Analog Feedback Night. Impossible photographers and enthusiasts gathered to discuss their images in an informal open table discussion. The night was a warm gathering of like minded individuals and an excellent way for people to meet other passionate Impossible photographers. We discussed shooting methods, differences in film types, and the advantages and disadvantages of shooting analog instant film in various settings. Adam Custins came in with his portfolio and talked about how he integrates instant film into his commercial work. Dave Knapik was preparing for an art exhibition (up now!) and requested input about framing and presentation methods. We also had some great imagery shown by Josie Keefe, Patrick Tobin and Wendy Strauss.

Analog Feedback Night will be a reoccurring event at our space. If you miss those art school class critiques or just want to discuss other people’s work while getting feedback on your own, come to the next Analog Feedback night on May 31st!

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Hello, Viewfinder fans. Welcome back to our feature celebrating interesting projects that incorporate Impossible film. This week, we bring you photographer and new father James Erin de Jauregui…

“Shortly before my daughter was born, I began thinking of a personal project that I could do with her. Being a photographer, taking pictures of her was a given. So, I began to think of how I could challenge myself. I knew that I wanted to do something that wouldn’t be easy and would have lots of options to be displayed in a possible final art piece.

With that in mind, I decided that I would try my best to take at least one Polaroid of her a day. From there, I decided to limit myself to only SX-70 cameras. I do have a Polaroid 600 SE, a Spectra camera, a couple of folding Land Cameras, Polaroid backs for medium format cameras and a 4×5. I could try to utilize them all, but keeping this project to just integral film would give me a consistently-sized medium. Plus, the folding SX-70 is a great camera that can be taken anywhere without being cumbersome.

Another reason I choose to use Impossible Project film is because I really wanted this medium to work. Being born in the late 70s, it was easy to take Polaroid for granted. They were always there and available just about everywhere. Polaroid film was one of those items that you just never thought would be gone. However, when Polaroid ceased production in 2008, I was heartbroken.

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As The Impossible Project NYC Space gears up for another busy month, we invite you to all of the following events! This Thursday celebrate the imaginative approach of Impossible explorers Varial and Fabrice Nadjari with the opening of Traces of Time, then follow up on their adventure at their Artist Talk later in the month. Don’t miss the rare and special duo of events with Italian maestro Maurizio Galimberti, and practice honing your skills with a classic camera at our upcoming SX-70 Workshop. Come and experience these very special events for yourself, or bring some friends to everything happening this month at the NYC Space!

Photo by Thom Jackson

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For this installment of Artist in Residence, Thom Jackson shares his experience shooting with PX100 and PX70 for MOMENTUM, an exhibition currently on view on the North wall at The Impossible Project NYC Space. Interested in the instant image as a tangible object, Thom explains his struggle with lighting for an unknown emulsion, and giving in to the element of surprise:

“In my commercial work I shoot fashion and stills. I shoot digital everyday but use archival inkjet or platinum/palladium for my fine art work that I print myself. I appreciate that an Impossible print is something tangible you can touch, feel, and hold. In an age of endless digital copies it’s exciting to actually shoot something that is one of a kind…”

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Italian photographer Maurizio Galimberti has been working with Polaroid film since the early 90s, but has now adapted his techniques to incorporate new Impossible film materials. Maurizio uses instant photographs to create stunning multi dimensional mosaics, consisting of up to 140 individual images, capturing personalities like Johnny Depp, George Clooney and Sofia Coppola among many others.

The Impossible Project NYC Space is proud to offer TWO special events lead by Maurizio Galimberti in early May. During his very special visit to New York, Maurizio will share his experiences and thoughts on the instant analog medium and on the transition from Polaroid to Impossible films. Participants in this very rare workshop will have the opportunity to ask Maurizio all their artistic and technical questions, and also get an exclusive look into his signature techniques and observations using Impossible films.

Don’t miss this rare opportunity to learn from a master of instant photography, and RSVP today!

Photo by Varial & Nadjari

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A Photographic Journey with the Afghan Pamiris

During July and August 2011, childhood friends and photographers Varial and Fabrice Nadjari traveled by foot to the North-Eastern part of Afghanistan armed with Polaroid cameras, Impossible films and solar powered scanners.

In the remote village of Kash Goz, they photographed mischievous Ismaili children, housewives, opium smokers, village chiefs and peasants. Each subject received their own portrait as a gift from the artists.

These portraits are what makes up “Traces of Time,” opening at The Impossible Project Space NYC alongside a video presentation of the artists’ journey from May 3 to June 3 2012 and on www.the-impossible-project.com. The opening reception will take place in presence of the artists with DJs and refreshments.

For more information about the artists’ experience, check out the story on The New York Times LENS blog or listen to their interview on NPR!

WHEN: THURSDAY MAY 3RD, 2012, 6PM-9PM
WHERE: Impossible Project NYC Space, 425 Broadway, Floor 5, NYC 10013
RSVP: rsvp@theimpossibleproject.com or call (212) 219-3254
OPEN HOURS: Mon–Fri 11am–7pm and Weekends 12pm–6pm
For further information, please visit the exhibition site.

Photo by Jessica Reinhardt

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Alongside our exhibition with ACE Hotels in NYC and our Limited Edition PX 600 Silver Shade UV+ film, ACE has been hosting an online photo contest, selecting new winners every month! ACE is collecting submissions of YOUR Impossible images in an ever-growing gallery located online at acehotel.com/impossible. ACE’s panel of romantics and analog enthusiasts will curate a physical gallery show at Ace Hotel New York this Fall, exhibiting selected shots from the contest.

Congratulations to Jessica Reinhardt, Jason Benning and Demian Jacob Mendes – the most recent selected photographers of the ACE contest!

Check out ACE’s gallery and pick your favorite images or submit your own for a chance to win and be featured. Good luck!

Photo by Andrew Millar

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Cycle 3 of the Holden x Impossible Timeless In An Instant photo contest has ended.

The winners of round three were chosen by American photographer Brandon Long. A man of few words, Brandon visually communicates his manifesto through his unending work exclusively on instant film: The Only Magic Left is Art and Nothing on Earth Can Hold it as Prisoner.

And the winner is…

Let’s talk about PX, baby!

Tackling the Impossible takes time, dedication and expertise − and we can all get by with a little help from our friends. Come join in on the ever-growing Impossible community for our first ever Analog Feedback Night.

On April 26th, The Impossible Project NYC Space invites YOU to showcase your favorite Impossible images to knowledgeable peers and fellow enthusiasts. Spend the evening reviewing your work and getting feedback while making new analog-loving friends. This is your chance to connect with other artists and photographers involved in the instant film community!

The night will take place from 6-9pm in The Impossible Project NYC Space. Come with originals or digital files on a USB flash drive. Bring your friends!

• When: Thursday, April 26, 2012, 6:00 PM to 9:00 PM
• Where: Impossible Project Space, 425 Broadway, Floor 5, NYC 10013
• Registration: (212) 219 3254 or nycspace@theimpossibleproject.com
• FREE and open to the public

Photo by Brian Henry

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MOMENTUM is currently on view at The Impossible Project NYC Space. This stunning exhibition of PX100 UV+ and PX70 materials includes some of the richest tones and sharpest contrast yet. For this installment of Artist in Residence, surrealist photographer Brian Henry has shared his experiences shooting these new batches of film, as well as his interpretation of the exhibition’s concept. Through a happy accident involving a faulty heater in a freezing basement and explorations in an abandoned hospital, Brian provides insight into his creative process and how unpredictable chance influenced the final images he submitted for MOMENTUM…

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Welcome back, Viewfinder fans. This week, we’re happy to bring you photographer Patrick J. Clarke

If the heart of photography is the camera, then film is its soul. Finding that unique combination of the perfect camera and perfect film is often a long process, and my current project is no different.

Early on in my exploration of film photography I was drawn towards medium format. With tons of resolving power, large negatives and amazing depth of field compared to other film formats, medium format cameras were like some sort of nirvana for me. When I purchased one of the all time medium format icons, the Mamiya RB67, I thought I had struck gold. I shot a few rolls of 120 film and was amazed at how technically perfect the camera and its lenses were. I could control the depth of field, the shutter speed and aperture exactly like I wanted. My exposures were dead on, and the images were sharp as I could want, and looked “medium format”, but they were lacking something. I wracked my brain and asked myself what were my shots missing?

They were lacking “soul”.

During this time I had also been shooting The Impossible Project Silver Shade film. I had purchased an SX-70 and had been having fun experimenting with it and the film. I loved my SX-70, but after using a camera that I had total control over…

Photo by Pierre Manning

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Cycle 2 of the Holden x Impossible Timeless In An Instant photo contest has now ended.

The winners of round two were chosen by American photographer Angela Boatwright. Beginning her career by capturing the grittiness of the underground New York hardcore and skateboarding scenes in the early 90s, Angela’s profound passion for up-and-coming artists—backed by years of experience as a creative director and photo editor—result in her producing countless magazine features, special projects and art shows.

And the winners are…

UPDATE – WORKSHOP HAS BEEN CANCELLED! We apologize for any inconvenience.

Spring into the Magic of Spectra!

Continuing our Impossible Workshop series, we are pleased to announce the return of a classic workshop on one of our favorite cameras, the Spectra. The Impossible Project will hold a three hour interactive workshop on maximizing Impossible film in the Polaroid Spectra Camera.

In the workshop, participants will be guided through the ins and outs of the Polaroid Spectra series camera with a knowledgeable Impossible expert staffer. Workshop participants will learn introductory and intermediate techniques to master their Spectra camera including exposure, functionality, and accessories. The workshop will include an in depth overview of shooting Impossible Project film including light shielding and temperature control.

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Ongoing Exhibition MOMENTUM
1st of March – 26th of June 2012
A 200 square foot show of our
best and brightest new films for the
SX-70 camera. PX-70 & PX 100 UV+
images by a group of our select US
photographers.

For more info please visit:
http://www.the-impossible-project.com/projects/exhibitions/momentum

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Last Thursday, The Impossible Project Space NYC celebrated the opening of its first ever group staff show WORK IN PROGRESS. The exhibition showcased work by our dedicated, creative and analog obsessed staff as well as how far Impossible has come since its very first test batches and beta films. Guests experienced the entire spectrum of Impossible materials produced within the last two years, while our staff captured the event on digital and PX100UV+ with the new Mint Flash Bar. Everyone enjoyed live vinyl music, refreshments and the company of friends and fellow enthusiasts.

Thank you to all who attended, and congratulations to the artists! WORK IN PROGRESS will be on display at the Impossible Project NYC Space during regular open hours: Monday through Friday 11am–7pm and on Weekends 12pm–5pm until May 8th. Don’t miss your chance to see it!

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For the more adventurous of analog enthusiasts, The Impossible Project NYC space held its first ever Manipulations Workshop last Sunday March 26th.
Workshop coordinator Kisha Bari presented a brief history on various manipulation techniques before delving into the wonders of Impossible integral film manipulation, negative bleaching and emulsion lifts. Working with all kinds of Impossible film types, the attending photographers could have stayed all day creating brilliant works of art using all three techniques. 
Check out the photos from Sunday’s Manipulation Crafternoon, and keep an eye out for more workshops at the NYC Space every month!

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Although we’ve almost reached the close of Instant Revolution at The Impossible Project NYC Space, Jennifer Juniper Stratford has graciously shared her experience conceptualizing her work for the show in our next installment of Artist in Residence. By photographing Hollywood with Polaroid Classic Image film, she provides insight into the Polaroid camera’s relationship with movie making and its participants, ultimately reflecting on how a classic medium once influenced an industry:

“These days the use of analog is often misunderstood as being something that is nostalgic, meant to look old, or is reactionary to digital. In a larger scope it should be viewed as a choice of medium like any other and is not on the verge of becoming extinct in the face of digital…

Emulsion Lift

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Announcing a brand new addition to the ever-growing Impossible Workshop Series! On March 25th, 2012, The Impossible Project Space NYC will host its first workshop on alternative techniques in analog instant image making. The workshop will cover three techniques: image manipulation, emulsion lifts and negative bleaching. These classic procedures are revived by Impossible materials, revitalizing techniques that have been lost with the extinction of certain film types. These techniques will give you the freedom to play with your images, allowing you to expand your skill set to create distinctive works of art through experimentation. Participants can expect to work in a small group with an expert Impossible team member to learn and create together!

• When: Sunday, March 25, 2012, 10am to 1pm
• Where: Impossible Project Space NYC
• Registration: (212) 219 3254
or nycspace@the-impossible-project.com 
• Fee: $75 (includes 1 pack PX 680 Color Shade and all tools necessary for workshop)

Photo by Patrick Tobin

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Just last week, The Impossible Project Space NYC celebrated the opening of MOMENTUM. The exhibition showcased just how far Impossible has come since starting production, highlighting new PX100 UV+ Silver Shade and PX70 Color Shade films. Attendees took in the many shades of new Impossible materials, while our very own Patrick Tobin captured the action on PX70 with the new Mint Flash Bar. Everyone enjoyed live vinyl music and the company of friends and enthusiasts.

As a special treat, Impossible staffer Josie Keefe has compiled a time lapse of MOMENTUM’s installation, to show how much hard work goes into our exhibitions in order make sure attendees are instantly gratified!

Thank you to all who attended, and congratulations to the artists. MOMENTUM will be on display at the Impossible Project NYC Space during regular open hours: Monday through Friday 11am–7pm and on Weekends 12pm–5pm until June 26th. Don’t miss your chance to see it!

TIMELESS IN AN INSTANT! Impossible is proud to team up with Holden – the modern, independent outerwear brand – and to announce an online photo competition: Timeless in an Instant.

We cordially invite YOU to submit your favorite instant memories for a chance to win the opportunity to be included in four worldwide Holden x Impossible exhibitions this coming Fall. To activate this project, Holden has already chosen 10 renowned photographers – YOU now have a chance to fill the last open spot on the team.

Enter now for a chance to to win more prizes including Holden and Impossible swag and features on the Holden and Impossible blogs!

SUBMIT YOUR IMAGES UNTIL May 25, 2012
Click here for all details & good luck!

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Hello, friends. Welcome back to Viewfinder, our blog feature that focuses on interesting projects people are working on using Impossible Project film. This week’s entry exhibits what you can accomplish when you embrace camera and film flaws and work with them to produce something new and unexpected. Please enjoy William Miller’s “Ruined Polaroids”…

“These pictures are taken with a camera that is, by most definitions, broken: an old Polaroid SX-70 camera that I rescued from a yard sale last year. I’ve always loved this camera. It is an ingeniously conceived, complicated bundle of gears and switches with dozens of moving parts packed in tight like a chrome and leather pistol.

With its first use I realized the camera wasn’t functioning properly. It sometimes spills out 2 pictures at a time and the film often gets stuck in the gears, exposing and mangling them in unpredictable ways. The image as it is exposed within the camera becomes pulled and stressed by these violent mechanisms, often to abstraction. Before long I was participating in its process, collaborating with it. I’ve figured out how to control and accentuate aspects of the camera’s flaws but the images themselves are always a surprise. Each one is determined by the idiosyncrasies of the film and the camera.

Maurizio Galimberti @ Meet the Impossible Photographer, 3 March 2012, Vienna, Austria. Photo by Eva Mühlbacher

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We are excited to present and invite you to a new global Impossible talks series: Meet the Impossible Photographer introduces you to inspiring contemporary photographers passionate about working with Impossible film. These unique meet and greet sessions will allow you to directly learn from professionals, and the photographers will be on hand for an in-person Q&A – ask them all your Impossible questions and get a glimpse behind their work and experiences!

Maurizio Galimberti held the first of our upcoming Meet the Impossible Photographer events last Saturday, March 3 in Vienna. You have the chance to join this inspiring session on the following dates:

16 MARCH
@ Impossible Partner Store Barcelona ->click for details

31 MARCH
@ Impossible Booth at Photoshow Rome -> click for details

MAY (tba)
@ Impossible Project Space NYC (tba)

Perfecting Impossible Techniques with a Classic Camera!

Back by popular demand, The Impossible Project is pleased to announce the return of The 600 Workshop at the NYC Space! On Sunday, March 11, the Impossible team will hold a three-hour interactive tutorial on getting the best out of the classic Polaroid 600 camera and Impossible’s film range. The workshop is designed to explore the full potential and versatility of any 600 series camera, including personal tricks you’re not likely to learn anywhere else! Workshop participants will then be guided on an interactive photo walk with one of Impossible’s experienced staff photographers, exploring and capturing the richly photogenic cusp of SOHO, Chinatown and Little Italy. We’ll finally re-convene back at the space to discuss images, ask questions and talk about image preservation techniques.

WHEN: SUNDAY, MARCH 11, 2012, 10:00 AM to 1:00 PM
WHERE: Impossible Project Space: 425 Broadway, 5th Floor, Between Howard & Canal Streets
REGISTER: nycspace@theimpossibleproject.com or +1 212 219 3254
Please notify when registering if renting a camera at no extra cost!
FEE: US$ 50 (price includes 1 pack PX 680 Color Shade FF & Frog Tongue)

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Just last night, we celebrated the opening reception of MOMENTUM at The Impossible Project NYC Space. To commemorate the event, we’re excited to begin a new series to the Impossible Blog, Artist in Residence! Every so often, we’ll feature an artist currently showcased in an exhibition in the NYC Space, delving deeper into their interpretation of the theme of the show and how they went about making the images included. This installment features the dreamy filter techniques of Clay Lipsky, who was kind enough to explain his techniques and experiences with the new PX70 Color Shade:

“When the Impossible Project invited me to shoot my interpretation of  “Momentum” I thought of a place full of life & movement…the beach. Having spent most of my life in Florida and California, beach culture is very close to my heart. I was inspired to capture the sunny spirit and frenetic energy set amongst the iconic palm trees and sea gulls. Additionally I wanted to do it in a style reminiscent of the classic poster art from “The Endless Summer.” The latest incarnation of Impossible’s PX 70 Color Shade was very stable and provided consistent exposures, so I decided to push it by utilizing colored filters to tint my exposures and make my images as graphic as possible…”

Thom Jackson

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It has been almost two years since the very first release of Impossible instant film, the wildly anticipated new black & white instant film for Polaroid SX-70 cameras. Although the film was initially in a developmental stage and highly experimental, it dawned on both fanatics and photographers alike that the impossible actually could become possible.
Just 19 months later, Impossible has released 12 unique film types for three separate Polaroid camera systems. Although the journey has been short, the length Impossible has come represents a milestone in reviving instant analog photography.

Using Impossible’s latest color and black & white films, twelve carefully selected photographers are illustrating a MOMENTUM that will carry instant analog photography through the digital age and beyond: Anne Bowerman, Brian Henry, Brooke Castro,
Thom Jackson, Bradley Johnson, Whitney Johnson, Clay Lipsky, Peter Plaia, Jessica
Reinhardt, Patrick Tobin, Yana Toyber and Max Wanger.

The Opening Reception will take place on March 1 from 6pm to 9pm in presence of
some of the artists with live music by DJ Tied Eyed and refreshments provided.
Please rsvp@the-impossible-project.com

CLICK HERE to view exhibition DETAILS

Photo by Jesse Freidin

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This past Thursday, both Impossible and Polaroid celebrated the opening of Instant Revolution at the Impossible Project NYC Space. With this inaugural exhibition commemorating the Polaroid Classic Line and an ongoing collaboration between two world-leading analog instant pioneers, Instant Revolution portrayed the revolutionary aspects of how artists create, consider and define analog photography. Attendees took in the many shades of the last original Polaroid Spectra film ever produced, while enjoying the warmth of live vinyl music and the company of friends and enthusiasts. Our good friends and fellow Impossible fanatics, Jesse Freidin and Patrick Tobin, were there to capture all the action on PX100 UV+ and PZ600 UV+.

Thank you so much to all who attended, and congratulations to the artists! Instant Revolution will be on display at the Impossible Project NYC Space during regular open hours: Monday through Friday 11am–7pm and on Weekends 12pm–5pm until March 23rd, don’t miss your chance to see it!

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The Impossible Project is thrilled to announce a partnership with Holden Outerwear to celebrate 10 years of creative and cutting edge outerwear. Holden is proud to support Impossible on their mission to bring analog instant photography back to life by offering limited edition Holden X Impossible camera kits, which will include a Holden customized and refurbished vintage SX-70 Polaroid camera, Holden X Tanner Goods leather camera case, and a custom Holden X Impossible co-produced instant film and filter presented in a custom wooden box.

To activate this collaboration, Holden chose 10 well known photographers to use Impossible film to shoot and capture their vision of an independent lifestyle through instant photography…

This Thursday evening together with Polaroid, we are excited to host the opening of INSTANT REVOLUTION – the first in an upcoming series of artistic collaborations throughout 2012, celebrating the launch of the Polaroid Classic line.

For this unique exhibition, the artists provided us with feedback on their experiences using Polaroid cameras again with original Soft Tone Image film.

GARY BASEMAN
“I wanted to use the camera the way I originally used such a device in the 1970s and 80s…to capture an immediate memory. My art is about discovering one’s ‘True Self,’ and Polaroid cameras have been an important tool in assisting in this truthfinding and free expression.”

Image by By Niki

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Continuing our collaboration with ACE Hotels through an exhibition in NYC and our Limited Edition PX 600 Silver Shade UV+ film, ACE has been hosting an online photo contest, selecting new winners every month! ACE is collecting submissions of everyday and exalted Impossible images at an ever-evolving gallery located at acehotel.com/impossible. ACE’s ad hoc panel of romantics and analog enthusiasts will then co-curate a physical gallery show at Ace Hotel New York next fall, comprised of selected shots from this growing community gallery.

Congratulations to the most recent selected photographers of the ACE contest!

December 2011:
Andrea Buia, Judith Kyvik, Gregory Bencivego, Frederik Holmér and Morgane Santamarianova – enjoy your Pink Martini’s Joy To The World holiday record!

January 2012:
Weronika Gajda aka By Niki – enjoy your limited PX Gold Edition Set from Impossible!

Peruse the winners of the past two months here, then check out the growing collection and pick your favorites or submit your own for a chance to win!

Gary Baseman

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POLAROID and IMPOSSIBLE present
INSTANT REVOLUTION

To celebrate the collaboration between Polaroid and Impossible, The Impossible Project NYC Space will host a very special group exhibition dedicated to showcasing five of the world’s freshest contemporary photographers. For more than 60 years, the instant image has been a revolutionary aspect of how artists create, consider and define analog photography. The five artists featured in INSTANT REVOLUTION all take different approaches to illustrating their relationship with analog photography.

Featuring photos captured with the last original Polaroid Spectra film production run from 2008, one of the first products introduced as part of the Polaroid Classic line, five of the world’s most dynamic and contemporary artists have contributed to INSTANT REVOLUTION: Gary Baseman, James Franco, Maripol, Mary Ellen Mark and Jennifer Juniper Stratford. INSTANT REVOLUTION will be shown at The Impossible Project Space NYC from February 9 to March 23 2012 and on our official website. The Opening Reception will take place on February 9 from 6pm to 9pm, in the presence of the artists and with refreshments provided.

POLAROID and IMPOSSIBLE present
INSTANT REVOLUTION
at The Impossible Project Space NYC

The Impossible Project NYC Space will host it’s Bi-annual Sample Sale on January 28th and 29th, featuring all day bargains only available in store. On this very special weekend, analog enthusiasts are invited to dig through our boxes of seriously discounted Impossible stock! This includes 600 Cameras from $15, Spectra system cameras from $25, discounted film, rare accessories, limited edition prints, art books, and our famous Impossible Bruch film bags, including matured film mix 5 & 10 packs for 600, Image/Spectra and SX-70 cameras!

5 Pack (for $55!) & 10 Pack (for only $99!) Film Bundles of everyone’s favorite Impossible film types, including:

PX 600 ’06 TWIN PACKS
PX 600 UV+ (Japan edition)
PX 680 (manufactured 08/11)
PX70 PUSH! (manufactured 08/11)
PX 70 Triple Packs

If you’ve been waiting for an opportunity to visit the NYC Space now is the perfect time!

As one of the few and privileged Impossible “Partner Store Plus” spaces in the USA, our friends at Aperture Tremont are hosting their first workshop ever, offering you an exclusive perspective on new Impossible films, tricks and tips.

During this hands-on workshop they’ll be covering techniques of working with Impossible film and vintage Polaroid cameras. The workshop will be ran by Aperture owner and photographer, Scott Meivogel, plus Cleveland Polaroid expert, Tim Logan. Tim shot for our One Hundred Impossible Portraits event last year, with fantastic results!

Finally, 1/3 of the workshop will be spent photographing two live models dressed in perfect vintage attire. Participants are guaranteed to leave with photographs that’ll knock their socks off, taken with the latest Impossible film! If you have your own Polaroid camera, please feel free to bring it. If not, they’ll have loaner cameras for you to use while you’re there.

Registration is $39.99 and includes a pack of Impossible film as well as refreshments. Registration can be completed by calling 216-574-8977, or purchasing on Aperture’s website HERE.

The good doctor.

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Another topic we got requests for was when the mirror in the camera gets stuck up out of place or mid cycle for one reason or another. This can often be recognized by a black VF and a camera that won’t close all the way.

There’s actually a couple tricks to getting your mirror back in place. If your camera is empty and you have an empty pack, you can try to put that in the camera and fire it a few times, or put the pack in, pull it out, back in, out a couple of times letting it cycle each time you close the door. This may get the camera back into the proper rhythm of things so that when you put a full pack in, everything is where it should be for proper operation to take pictures.

More after the jump…

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Analog instant film has been an integral part of the fashion world for decades. For this installment of our “Viewfinder” series, our featured photographer Jorge Valle sheds light on how Impossible films can not only refresh a photographer’s attitude, but also help communicate a unique style in an industry so dominated by digital photography.

“I’m 29 and I live in Madrid, Spain, but I’m moving to London in a few months. I work as a graphic designer, but my big passion is photography. That’s the reason why I left my job in Madrid and moved to New York City, where I spent the last three months of 2011 taking some courses and workshops at the International Center of Photography. While I was in the Fashion Photography course I noticed that almost every picture was taken with digital cameras, and at that time I was a little bit tired of digital. I needed to make something different. So inspired by my teacher Andrea Blanch, who always wanted us to go further, I created for my last assignment a fashion editorial with pictures taken with Impossible Film. And the result was exactly what I wanted, something fresh, natural and with attitude. It’s funny how instant film is considered something refreshing now, when it was so common in the fashion industry not so long ago!

More after the jump…

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This past Thursday, we were so grateful to celebrate the opening of Oskar Landi’s Also in India exhibition at the NYC Space! With his debut show at Impossible, Landi portrays the country through dry image transfers of original Type 679 Polaroid film, revealing imperfections and faint colors reminiscent of early photographic processes and hand coloring techniques. Attendees took in the many textures of India as portrayed by the artist and enjoyed delicious artisan chocolate from FINE & RAW!

Those wishing to see the exhibition may visit the Impossible NYC Space any time during store hours: Monday through Friday 11am–7pm and on Weekends 12pm–5pm until February 9th. Thanks so much (and congratulations!) to Oskar and everyone who attended!

Jimmy Pardo

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You’ll find Rick DeMint, founder of Portroids and his Spectra camera behind every red rope and at every press conference worth photographing. For this installment of our “Viewfinder” series, we take a look at only a few of the thousand (!) instant images he’s shot of inspiring personalities over the past decade.

“My name is Rick DeMint and for over 8 years I have been documenting my life and the people I’ve met by taking Polaroid portraits of them and having the photos autographed. I call them portroids and have collected almost 1,400 so far. From my home in Fort Collins, Colorado, I’ve been lucky enough to be able to travel to many places and I always make sure to have my Polaroid Spectra camera with me, plenty of film, and a Sharpie. I enjoy attending film festivals, comedy events, theater, and just seeing who I may meet by exploring various cities.

In association with the comedy podcast Never Not Funny, for the past two years I have taken portroids (Polaroid portraits) backstage at their 12 hour marathon podcast Pardcast-A-Thon. For this year’s event I exclusively used the Impossible Project PZ600 UV+ Silver Shade Black Frame film to take portraits of each of the guests, the hosts, and associated crew.

More after the jump…

The good doctor.

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We put out the question to you all about what kinds of tips you all would like to hear. One topic we heard several times was about cleaning and maintenance of your folding SX-70 and SLR 680 cameras.

There are a few simple things you can do to help keep your cameras running well and looking good. Now not to sound like a broken record, but I again cannot stress keeping your rollers clean. You can refer back to our Door swapping post about how to get the door off your camera to make cleaning easier and safer. Then you can go back to our first video with Dave about cleaning rollers for how to do this.

After that you can keep the inside of your camera clean with a can of compressed air or an air blower some of you may have for keeping lenses clean which can help keep dust out of the film compartment of the camera (more after the jump!).

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Photobooth, the world’s only Tintype and Polaroid portrait studio, exhibited our good friend and fellow Impossible photographer Brandon Long last Friday, January 6th, and Brandon has been kind enough to share a sneak peek of his SX-70 shots with those of us that couldn’t be in San Francisco!

See more of Brandon Long’s dreamy portraits on his flickr!

Amassing four separate worldwide journeys over the past decade, Oskar Landi translates multiple communities of India with a unique visual language, when discovery through spoken word was insufficient. Landi was born and raised in Italy and has lived and worked in New York since 1998. His personal projects have been recognized by the International Photo Awards and Prix de la Photographie Paris as well as numerous publications worldwide.

On Thursday, January 12th, Oskar Landi’s “Also in India” opens on the south wall at The Impossible Project Space NYC. With “Also in India,” Landi portrays the country through dry image transfers of original Type 679 Polaroid film, revealing imperfections and faint colors reminiscent of early photographic processes and hand coloring techniques. Conditions such as uncontrollable humidity, heat, dust and expired photographic chemicals caused unexpected but enchanting consequences even for the artist. The resulting exhibition is a visual introduction to the rich cultures of India dependent on Landi’s astounded curiosity.

Oskar Landi – Also in India
At The Impossible Project Space NYC
January 12, 2012 – February 9, 2012

More after the jump…

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The Impossible Project NYC Space Advent Deals continue this week! Here are the details:

DAY 12: Buy 4 packs of PZ 680 and get a free set of impossible buttons
DAY 13: 2 double packs of flash bars for $30 (25% off)
DAY 14: Buy 4 packs of PX 70 and get a FREE pack of 5 Vintage SX-70 Christmas cards.
DAY 15: Buy 4 packs of any impossible film get a free frog tongue!
DAY 16: Buy 2 packs of PX 600 UV+ and get a free dry age kit!
DAY 17: Buy any camera and get a free camera case
DAY 18: Buy a spectra camera kit and a triple pack of pz 680 for $195 (24% discount)
More after the jump…

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This past Sunday, The Impossible Project celebrated the meticulous art of the Instant Photogram with Patrick Winfield ! Although mastering Patrick’s techniques proved to be quite challenging, workshop attendees worked diligently in the pitch dark to craft wonderfully surprising photograms of their favorite objects. After giving an inspiring history of the photogram, Patrick took the class through a series of integral steps in making photograms possible. Using jewelry, toys, cassette tapes, colored filters and many other assorted items, attendees took turns in a blacked-out NYC Space with only a pack of opened film, a flashlight and their newly acquired skills.

As you can see from our blog’s gallery, the results were fantastic! Thank you to all who participated and to Patrick Winfield of course! We hope he returns very soon to lead another workshop filled with more secret techniques.

Feel free to sign up for our weekly newsletter to always stay up to date on everything Impossible. Call 212-219-3254 or email nycspace@the-impossible-project.com for more info.

By popular demand, The Impossible Project is pleased to announce the return of The Spectra Workshop at the New York Space.
On Sunday, December 11th, the Impossible NYC space will hold a three-hour interactive tutorial on getting the best out of the Polaroid Spectra camera and the Impossible film range.

This workshop is designed to explore the Spectra camera’s full potential and versatility, including an outline of all the camera’s unique accessories and attachments. We will cover in detail all that The Impossible Project film has to offer, including shielding techniques, temperature control and identifying and managing each film type’s unique characteristics.

Workshop participants will then have the opportunity to explore all the photogenic wonders of SOHO, Little Italy and Chinatown with two of Impossible’s experienced staff photographers and then re-convene back at the space to discuss images, ask questions and talk about image preservation techniques.

More after the jump…

On Saturday, December 3rd, from 5pm-6:30pm, artist Patrick Winfield will appear in person at The Impossible Project Space NYC to present a brief slideshow history of The Photogram. Then, using Impossible instant film material, he will demonstrate his own distinctive techniques to create photograms similar to the ones pictured here.

Attendees will be supplied with one pack of Impossible color film, a Polaroid 600 camera, flashlights, transparencies and colored gels. You’re welcome to bring your own photogram objects also! Each participant will get 10% off any store purchase the night of the class.

Don’t miss this very rare opportunity to be involved in an exclusive interactive class by one of the world’s leading instant artists!

More after the jump…

Continuing the series of Impossible Art Works featured on the South Wall at the New York City Impossible Project Space, we are proud to present French born photographer Bruce Soyez-Bernard and his latest work, entitled “Ensemble #1, #2, #3, #4.”

Currently based in New York, Bruce began as a photojournalist in Africa for two years before transitioning into Beauty and Fashion photography in Paris and New York for prestigious clients such as Harper’s Bazaar, Cosmopolitan and Schwarzkopf.

These four composite pieces, called “Ensemble,” are a continuation of Soyez-Bernard’s photographic work on the body. Finding inspiration in shapes, skin texture, color and light. Taking several images with different crops and levels, the frames are then re-united, the body put back together, or part of the body, as a final collage.

While using The Impossible Project’s film range, Bruce pursues this process with a focus on the film grain, format and the “happy accidents” of this specific instant medium to create impressive life-size abstract pieces.

More after the jump…

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In conjunction with his opening of Composites at the Impossible Project’s NYC Space, Patrick Winfield designed 23 (only 15 left!) unique copies of his book “Empty Vessel.” Each is numbered by hand, signed, and includes both an original cover image as well as a personal note.

Visit the space to witness his wonderful show, and leave with a copy of “Empty Vessel,” only available at the Impossible Project NYC Space!

Impossible America is pleased to present the next exciting workshop in our New York Space series.

Sunday August 21st, The Impossible NYC space will hold a 3 hour interactive tutorial on getting the best out of your Polaroid Spectra or 1200 type camera and getting the most out of all the Impossible film range.

After briefly exploring your Spectra camera’s full potential and versatility including unique accessories and attachments, we will then outline all that our new instant film has to offer. From shielding techniques to temperature control to identifying and managing each film types unique characteristics.

We’ll let you loose in the city streets to explore all the photogenic wonders of SOHO, Little Italy and Chinatown with two of our experienced photographers and then re convene back at the space to discuss your images, ask questions and talk about image preservation techniques.

Cost for the workshop is $75. Register today! Call (212) 219-3254 to RSVP or with questions; all major credit cards accepted.

Back by popular demand, The Impossible Project is thrilled to announce another exciting interactive workshop with renowned photographer Chloe Aftel. The workshop will be held on the 31st of July in our New York City retail and exhibition space.

Chloe has a special love for our Impossible instant films and has built her career around her “one frame movies”, confidently moving between fashion, commercial and fine art photography without ever compromising her distinct vision.

This class is specifically designed to focus on working with professional and non professional models on Impossible instant film. At least two female models will be in attendance and Chloe will coach each photographer in talking to your models, directing techniques, and getting the most out your model and film with alternate approaches and angles.

During this very hands-on workshop, Chloe will also share her expertise and techniques working with Impossible instant film and vintage Polaroid SX-70, 600 and Spectra Cameras.

Commencing shooting in our beautiful loft space, you will also have the opportunity to capture the models in various Soho locations with Chloe’s personal attention.

More after the jump…

• JULY 10 WORKSHOP FULL! EXTRA DATE ADDED ON SUNDAY JULY 17TH.

On Sunday July 10th, The Impossible NYC Space will hold a 3 hour interactive workshop on getting the best out of your Polaroid 600 camera and the most out of all the Impossible 600 films.

After briefly exploring your 600 camera’s full potential and versatility, we will then outline all that our new instant film has to offer – From shielding techniques to temperature control to identifying and managing each film’s unique characteristics.

We’ll let you loose in the city streets to explore all the photogenic wonders of SOHO, Little Italy and Chinatown with two of our experienced photographers and then re convene back at the space to discuss your images, ask questions and talk about image preservation techniques.

Time: 10:00am to 1:00pm
Special Introductory Price: $50 (includes one free pack of PX680 film and free use of a Polaroid camera)
Call the NYC Space to make your reservation today at (212) 219–3254

To celebrate our country’s forefathers, we at the Impossible NYC Space are hosting sales all week long! We’ll be announcing the sales every morning, and announce each sale on our Facebook and Twitter pages. Sales will then be catalogued here:

Monday, Feb. 21 – PZ600 UV+ for $20/pack
Tuesday, Feb. 22 – 10% off all in-stock Polaroid cameras
Wednesday, Feb. 23 – Type 100 Chocolate film $15/pack
Thursday, Feb. 24 – Polaroid Spectra/Image film $20/pack
Friday, Feb. 25 – 15% off all books, bags and accessories

More after the jump…

Our new PX70 PUSH! film needs a LOT of light to soak in all those wonderful colors you want to capture. Recently, the Impossible team has been testing PUSH! with flash bars and the colors are looking brilliant.

More after the jump…